Since their creation in 1991, the CEMEX Awards have rewarded projects that propose new architectural, conceptual, technical, and aesthetic solutions. With 27 years of history, the event has become a reference for innovation in the construction industry, with the number of projects registered, as well as the quality of the entrants, increasing year by year.
Organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by VitrA, the 4th Istanbul Design Biennial (22 September – 4 November 2018) announces A School of Schools: Orientation, a multifaceted opening programme exploring the possible futures of design education.
Taking place over two days, from 20 – 21 September 2018, the Orientation days will see practitioners, educators and thinkers from Turkey and around the world converge for a biennial conceived as a public space for dialogue, provocation and production. Together, they will test and revise a variety of educational strategies to reflect on the role of design, knowledge, and global connectedness in contemporary Istanbul and beyond.
https://www.archdaily.com/892386/4th-istanbul-design-biennial-opening-program-a-school-of-schools-orientationAD Editorial Team
VeloNotte, international urban history startup on two wheels, celebrates its 10th anniversary of their nocturnal tours with an exhibition-workout in the Schusev Museum of Architecture in Moscow. Just a few steps from Kremlin, Velonotte converts the room of the 18th-century mansion into a cycling studio. Once you start to pedal the journey will bring you to one of the cities that the project explored so far with speakers like Richard Rogers, David Adjaye, Richard Burdett, Peter Ackroyd, Vladimir Paperny, Jean-Louis Cohen. The exhibition will feature amateur videos selected by curators from the posts of the more than 100,000 participants of Velonotte night tours all over the world. On display are also original documents and artifacts from the Velonotte history – such as a piece of the memorial plaque that Velonotte had unveiled in Moscow at Petrovka street 27/16 - where architect Konstantin Melnikov lived during his happiest 1920s (the tablet was destroyed by vandals soon after installation). A new format of the educational program -lecture-workout - is proposed to enrich the visitors' experience. Velonotte's founder, Dr. Sergey Nikitin is going to tour people "virtually" through the places that Velonotte couldn't do due to bureaucratic reasons - in cities like Vienna, Yerevan, Kazan.
The aim of this competition is to make it possible to identify and implement an integrated urban remodelling concept that meets the complex needs of an area of significant size for the efficient functioning of the city of Cluj-Napoca.
OMA founder Rem Koolhaas has joined his colleague Stephan Petermann and artist Wolfgang Tillmans in calling for ideas on re-branding the European Union, at a time when the EU is experiencing increased pressure from the rising tide of far-right nationalism. Working with a group of artists, creatives, and communications experts from across Europe, the “Eurolab” team will present the outcomes of their initiative at the Forum on European Culture on June 3rd, 2018.
Eurolab argues that, although the EU is a project aimed at peace, cooperation, and solidarity, it has failed to present itself as a progressive, positive organization to European citizens. As support for nationalism and the far-right grows across Europe, Eurolab will embark on a 4-day fact-finding mission to investigate why the voices of European unity are been drowned out by the voices of European division. Going beyond the identification of issues surrounding disdain for the EU, Eurolab seeks to help re-brand the organization, asking “how can cooperation and solidarity be communicated to a large audience in a fresh and compelling way?”
https://www.archdaily.com/892199/rem-koolhaas-and-eurolab-call-for-creative-ideas-on-how-to-re-brand-the-euNiall Patrick Walsh
BI Group Architects Awards – is the first international competition for young professionals and graduates of architectural universities in Kazakhstan. The organizer is a large construction holding BI Group — the leader in the real estate market in Kazakhstan. The holding company has been working since 1995 and during this time has earned the reputation of a professional and reliable partner. The purpose of this competition is to develop a concept to draw and identify the most modern and progressive architectural and engineering solutions, as well as innovative technologies to solve acute social problems on the territory of the Republic of Kazakhstan, caused by a shortage of cultural facilities, educational and health facilities.
This year Canal180 will host the 180 Creative Camp for the 7th time. An 8-day creative boot camp happening in Abrantes, Portugal, from 1st to 8th July. We provide time and place for young creators and invited artists to learn from each other, exchange experiences and create new projects together.
Modernity certainly does not have to be characterized by ugliness, but we may well have to make some revisions in our standards of beauty. — Edward J. Logue
pinkcomma gallery is proud to present Brutal Destruction, photographs of concrete architecture at the moment of its demise. The exhibit is curated by Chris Grimley of the architecture office over,under. The exhibit opens 12 April, 2018 from 6–9 p.m., and the will be on display through May 03, 2018.
ArchDaily is looking for a motivated and highly-skilled architecture-lover to join our team of interns for Summer 2018! An ArchDaily Content internship provides a unique opportunity to learn about our site and write engaging, witty and insightful posts.
Interested? Then check out the requirements below.
https://www.archdaily.com/891775/call-for-archdaily-interns-summer-2018AD Editorial Team
This issue of dearq seeks to shed light on a spectrum of spatial, material, and research practices intertwining architecture, design, and computation. We welcome contributions that address these from critical, de-colonial, and local perspectives, with a non-exclusive focus on Latin America and the rest of the “Global South”.