SANAA: The Latest Architecture and News

Pritzker Prize winning architect Peter Zumthor’s design for the 11th Serpentine Gallery Pavilion was revealed today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture. The Pavilion will be Zumthor’s first completed building in the UK

Zumthor shared that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’

Stay tuned to ArchDaily for more images and news on Zumthor’s design for the Pavilion. Our previous coverage of the Serpentine Gallery Pavilion can be found here, including Jean Nouvel’s Serpentine Gallery of 2010, and SANAA’s 2009 Serpentine Gallery.

If you are a regular ArchDaily reader you know that we have been providing ongoing coverage of Eli Broad’s Broad Museum in Los Angeles. Nearly 120,000 sqf and $130 million dollars, invitations were given to six top architects to submit designs for the new museum. Rem Koolhaas, Herzog and de Meuron, Christian de Portzamparc, Ryue Nishizawa and Kazuyo Sejima, Diller Scofidio + Renfro and Foreign Office Architects competed and in August we informed you that Diller Scofidio + Renfro garnered the commission.

Today, the design for the Broad Museum has been released. Situated adjacent to Frank Gehry’s Walt Disney Concert Hall and Arata Isozaki’s Museum of Contemporary Art, the museum has become a key part of the Grand Avenue redevelopment project that has been losing steam.

ArchDaily had the privilege of attending the Pritzker Prize ceremony last night on historic Ellis Island as Kazuyo Sejima and Ryue Nishizawa were honored. Regarded as the highest honor bestowed upon an architect, the Pritzker Prize’s newest laureates were continually praised throughout the evening for their keen ability to teach us that what is not present can be as important as what is present.

As past laureates, such as Renzo Piano, Frank Gehry, Thom Mayne, Richard Meier, Jean Nouvel, and Rafael Moneo looked on, Lord Palumbo, chairman of the jury, discussed Sejima’s and Nishizawa’s work style; an intensively collaborative design process which is so balanced between the two minds that it is impossible to say which one of the pair is responsible for which architectural decision within a given project.

Although the two share similar philosophies when it comes to light, form and space, their differences create “all the possibilities”. Sejima explained that within SANAA, there are actually three firms: each has his/her own individual practice, yet come together to discuss and critique their work under the international firm SANAA. While some criticize this process as inefficient and confusing, Sejima replied, with a laugh, that the organization is simply how they like to work.

Architects: Kazuyo Sejima + Ryue Nishizawa / SANAA Client: Zollverein School Location: Essen, Germany Construction start: March 2005 Completed: July 2006 Project architect: Nicole Berganski Associate architects: Böll & Krabel Built area: 5.000sqm Masterplan: Rem Koolhaas, OMA Landscape: Agence Ter Photos: Iwan Baan

Location: Toledo, Ohio, USA Client: Toledo Museum of Art Architect: Kazuyo Sejima + Ryue Nishizawa / SANAA Team: Toshi Oki, Takayuki Hasegawa, Keiko Uchiyama, Mizuki Imamura, Tetsuo Kondo, Junya Ishigami Built area: 7,000sqm Site area: 20,000sqm Opening: 2006 Structure: Guy Nordenson & Associates / SAPS Glass consultant: Front Inc Lighting: Arup / Kilt Planning Photos: Iwan Baan

The Rolex Learning Center at the Ecole Polytechnique Fédérale de Lausanne in Switzerland will open its doors on Feb 22th.

The building, designed by the acclaimed Japanese firm SANAA, features one of the most impressive concrete surfaces I have ever seen, creating a fluid space for students to enjoy. Interesting comments by Ryue Nishizawa on the relation between organic forms in architecture and human life. While the building is a perfect rectangle when seen in a plan view, the curves and slopes which define the interior space give the building a totally organic look.

More photos after the break.

The Serpentine Gallery is delighted to announce that the Serpentine Gallery Pavilion 2009 will be designed by architects Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese practice SANAA. Sejima and Nishizawa’s Pavilion will be the architects’ first built structure in the UK and the ninth commission in the Gallery’s annual series of Pavilions, the world’s first and most ambitious architectural programme of its kind. The Pavilion will open in July on the Serpentine Gallery’s lawn, where it will remain until October.