New York City: The Latest Architecture and News

This article was originally published on Common Edge.

In recent weeks, we’ve seen an explosion of internet speculation about the “future of cities.” Apparently, they are either doomed—or destined to prevail. The office is dead (obviously), the office tower (especially tall ones) clearly a building type in need of a proper funeral. All kinds of chatter have subsequently ensued (we have time on our hands) about the dire outlook for public space, the impending collapse of public transportation, the inevitable return to the suburbs, even the (gasp!) demise of the luxury cruise ship. We’ll see; we’re still wandering around in the dark here and might be for some time. With that somber thought in mind, I reached out to Paul Goldberger, Pulitzer Prize-winning architecture critic and urbanist, for what I felt certain would be a nuanced and measured take on our presently fraught moment. (A note: we spoke prior to the protests, which have erupted in American cities in response to the murder of George Floyd.) For the most part, we resisted the urge to make sweeping and almost certainly premature predictions about our urban future.

This article was originally published on Common Edge.

New York City: locked down, empty. It was heartbreaking, of course, but it was also beautiful. For artist Edgar Jerins, that revelation was something of a surprise. Who knew this bustling, chaotic, dirty, vibrant, profane, amazing city could look so … gorgeous when stripped of people and activity? For years, Jerins rode the subway to his studio near Times Square. When news of the spreading pandemic first surfaced—more as a vague, undefined threat, initially—he fled out of fear to the bus, and then, after the severity of the event became apparent and the lockdown began, he borrowed his daughter’s bicycle.

New York City is the pinnacle hybrid between the vibrant and granular neighborhoods that Jane Jacobs once envisioned and the sweeping urban innovations of Robert Moses. However, its diverse population has experienced hardship over the last twenty years, forcing the city into a recursive wave of self-reflection to reevaluate the urban strategies, design trends, and global transportation methods that it had grown so accustomed to. After the September 11th and Hurricane Sandy tragedies, the delicate balance between promoting a sense of individual culture and the strength in unity that New Yorkers are so often known for served as the lifeblood for revitalization. New York City has consistently handled adversity, by always rethinking, redesigning, and rebuilding this city for a better future.

The Metropolitan Opera offers a free stream each night on the Met website for a period of 23 hours, from 7:30 p.m. EDT until 6:30 p.m. EDT the following day.

As social distancing becomes the new norm in the fight against COVID-19, people are finding it harder to keep up with the six-foot rule in dense cities. Urban Planner Meli Harvey developed a map of New York that shows the width of sidewalks in the city, aiming to highlight public areas where social distancing can be maintained.

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As New York is facing unprecedented circumstances and as the numbers of infected people with the coronavirus are reaching new highs, officials are seeking fast and efficient solutions to generate useful spaces for patients. With a timeline of a few weeks, the city is looking into ways of altering the existing structures.

In 2012, Hurricane Sandy struck the eastern coastline of the United States and caused a level of flooding and destruction that was unprecedented for a major, densely populated city like New York. Storm surges brought a terrifying amount of water to the city streets, tunnels and subways; the National Ocean Service reported a 9.4-foot surge over Battery Park. Essential infrastructure was damaged in many areas, homes were flooded and people were trapped.

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Human-centered design places people at the center of our cities. Using this philosophy to rethink traditional approaches to planning, the architectural and urban designer Zarith Pineda founded Territorial Empathy. Pineda's research lab specializes in mitigating urban conflict through architectural interventions. Over the last few years, her team has been working to create a deeper understanding of equity and empathy.

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Framlab, an innovation studio based in Bergen and New York City has created Glasir, a community-based system for urban farming. The proposed modular structure relies on aeroponic growth systems to provide local products.

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New York City Council and the Van Alen Institute have announced a new design competition to reimagine the Brooklyn Bridge. The international competition seeks creative, unconventional designs that respect and enhance the bridge’s landmark status, think inclusively about mobility and access, and accommodate commuters, visitors, and vendors.

Architecture practice LOT-EK's Triangle Stack #2 project is now open at Domino Park in Brooklyn. Designed for the Brooklyn Museum to support an urban-scale mural by the artist JR, and create an instant public space, the 60-foot tall triangular courtyard opens to the city and the sky. These "STACKS" are temporary large-scale installations that aim at creating sudden and powerful experiences in public space.

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The New York City Planning Commission approved unanimously the design for 550 Madison Garden created by Snøhetta. The project that re-imagines the privately-owned public space will move forward, after also having received, earlier on, the approval from Manhattan Community Board.

New York City Council passed legislation that will now mandate all new construction use bird-safe glass on facades below 75 feet. New York City Audubon estimates that up to 230,000 birds crash into glass building surfaces across the five boroughs annually. The new legislation aims to address migratory patterns as birds pass through New York on the Atlantic Flyway.

Minoru Yamasaki (December 1, 1912 – February 7, 1986) has the uncommon distinction of being most well known for how his buildings were destroyed. His twin towers at the World Trade Center in New York collapsed in the terrorist attacks of September 11th, 2001, and his Pruitt-Igoe complex in St. Louis, Missouri, demolished less than 20 years after its completion, came to symbolize the failure of public housing and urban renewal in the United States. But beyond those infamous cases, Yamasaki enjoyed a long and prolific career, and was considered one of the masters of “New Formalism,” infusing modern buildings with classical proportions and sumptuous materials.

MoMA PS1 has announced that the Young Architects Program will be placed on a one-year hiatus. MoMA PS1, formerly P.S.1 Contemporary Art Center, is one of the oldest and largest nonprofit arts centers in the United States devoted to contemporary art. The Young Architects Program founded by MoMA and MoMA PS1 was made to offer emerging architectural talent the opportunity to design a temporary, outdoor installation in New York.

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The Cooper Union’s Irwin S. Chanin School of Architecture has created a new digital archive of student work in a comprehensive online database. As one of the few online collections of a school of architecture's student work, the database represents over eight decades of work, dating from the 1930’s through the present.

The highest outdoor observation deck in the western hemisphere is set to open in March of 2020 in New York City. Designed by Kohn Pedersen Fox (KPF), the Edge cantilevers 80 feet from the 100th floor of 30 Hudson Yards. At a record-setting height of 1,131 feet, Edge will reveal never-before-seen views of The City, Western New Jersey and New York State spanning up to 80 miles.

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The Times Square Alliance has announced that Heart Squared by MODU and Eric Forman Studio is the winner of the 2020 Times Square Valentine Heart Competition. Curated by Cooper Hewitt, Smithsonian Design Museum, the competition celebrates its 12th anniversary creating proposals for a public art installation celebrating “Love in Times Square” during the month of February.