When we were forced to be confined at home due to the self-quarantine policy of the COVID-19 global pandemic, everyone must have spent a tremendous amount of time looking out from their window. Sometimes when we are so exhausted with everyday work and life, we just wish to have a quick getaway to oceans and forests, somewhere close to the natural green.
In 2019 CMG Landscape Architecture principal Pamela Conrad launched Climate Positive Design in an effort to help landscape architects design and build projects that can become climate positive. In this interview originally published on The Dirt, Jared Green talks with Conrad about how this approach can make a big difference.
"It’s my hope that things like this can give the next generation hope that there are solutions out there," states Conrad, a recipient of the 2018 Landscape Architecture Foundation Fellowship for the development of the award-winning Pathfinder landscape carbon calculator app and the Climate Positive Design Challenge.
A “floodscape” could be seen as a contradiction in terms: Flood spreads wherever gravity leads it, covering the familiar topography with a dark, gray, and uniform blanket. In that regard, flood is amorphous, as it can distort and temporarily erase forms and features from the visible landscape—nothing that could be described as a “scape” in the sense of articulated and meaningful scenery.
But when the boundaries of a flood are not just defined by the quantity or the velocity of water but also by landforms and structures carefully designed and placed to influence and shape the “disaster,” the result can be considered as a landscape, physically and culturally defined by flood.
The Initiatives for Development of Armenia (IDeA) Foundation has announced the winners of the Friendship Park competition for Gyumri, Armenia. Based on results of the second round, the jury selected 19 finalists in three categories. Located in the northern part of the city, the renovated park aims to become the first modern green area for locals and tourists alike through a series of design interventions.
Inner courtyards and gardens can provide many benefits, such as natural light, better ventilation, and increased contact with nature without losing privacy.
The acclaimed studio Miró Rivera Architects has published a 448-page monograph, entitled Miró Rivera Architects: Building a New Arcadia. Designed by the award-winning architects, the book features 20 of the firm’s most remarkable projects brought to life through 230 color photographs and 95 drawings. Featuring essays by notable thinkers and cutting-edge practitioners in the fields of architecture and urban design, Building a New Arcadia situates the firm’s diverse portfolio in a global context related to concepts of nature, sustainability, history, and urban design.
As a mid-career design-professional, what avenues exist for investigating questions and problems that arise from being embedded in practice? What opportunity is there for exploring or articulating an idea for a type of project or organizational structure that could improve professional practice?
The Cerrado is a vast tropical savanna ecoregion of Brazil, a biome consisting of low trees, sparse shrubs, and grass, occupying an area of more than 2 million km² – about 23% of the national territory – covering most of the eastern, southern, and central portions of the country, particularly in the states of Mato Grosso, Mato Grosso do Sul, Goiás, Minas Gerais, Piauí, the Federal District, Tocantins and part of the states of Bahia, Ceará, Maranhão, São Paulo, Paraná, and Rondônia.
We invite you to discover the landscapes of the Cerrado through architecture. Check out the following 10 projects located in various areas of the second largest biome in South America.
In the early modern period, Taoist monks cultivated Bonsai trees seeking to bring their beauty from the outside to the inside, considering them a link between the human and the divine. Likewise, in the 18th century, different tree-lined walks and avenues arose on the outskirts of some European cities, generating spaces for rest and socialization that were previously non-existent in cities at that time.
In cities today, trees are essential elements in the urbanization process and act as irreplaceable counterpoints to manmade constructions for spatial harmony. Choosing appropriate tree species and maintaining them correctly generates countless benefits, such as acoustic and visual insulation, temperature regulation, the generation of biological corridors, and control of wind speeds. The main mistake planners can make when choosing tree species is forgetting that they are living beings and have specific needs.
What should we consider to pick them correctly?
If you are in a place impacted by the COVID-19 pandemic, spending 20 minutes experiencing nature in a park, street, or even your backyard can significantly reduce your stress levels. Just be sure to follow federal, state, and local guidelines and maintain social distancing of 6 feet or 2 meters. But even if you cannot or are unable to go outside, taking a break by opening a window and looking at a tree or plant can also help de-stress.
Spurred by disasters like Hurricane Katrina and Superstorm Sandy, cities across the United States have, over the past 15 years, learned to “live with water.” After more than a century of filling wetlands, damming rivers, and diverting streams and stormwater flows into concrete channels, public officials, influenced by a coterie of landscape architects and planners, have embraced the opposite strategy, investing in open space networks that use dynamic natural systems to slow, store, and absorb floodwaters.
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Building in nature constitutes a contradiction, as architecture enables immersive access to the landscape, while at the same time, natural landmarks are being slowly engulfed by tourists. The human presence in natural landscapes is an interplay of scales, a juxtaposition of archetypal shelters against the vast sceneries, as well as a negotiation between access to the landscape and environmental conservation. Exploring a variety of attitudes and formal strategies, the following takes a look at what could be learned from the experiences and design philosophies of several architects and practices that have perfected ways of addressing architecture in the landscape.
Over two days, approximately 500 online participants together set the agenda, formed and dissolved discussion groups, and shared knowledge and resources. With the assistance of an “open space” facilitator, this is how Cut|Fill, a virtual "unconference” on landscape architecture, unfolded.
Organized by the Urban Studio and Ink Landscape Architects, Cut|Fill was meant to “raise questions we all want to discuss,” explained Andrew Sargeant, ASLA, a founder of Urban Studio. One of those important questions: “how can landscape architects design with empathy and end dismissive behavior towards people of color?”
As the pandemic has worn on, the American public has adopted parks and neighborhood streets as safe spaces. This will not be a short-lived phenomenon –bikes have been repaired, running shoes purchased, and puppies adopted. People are growing accustomed to spending time in the outdoors to exercise, spend time with family, enjoy nature –and take that growing puppy for walks.
Does it make sense to design green parks in desert cities such as Casablanca, Dubai, or Lima? Ostensibly it does because they contribute freshness and greenness to the urban environment. In exchange, however, they disrupt native local ecosystems, incur high maintenance bills, and begin a constant struggle to ensure water availability.
Regeneration specialist U+I submitted plans for Morden Wharf in June 2020, comprising 1,500 new homes, employment spaces, and a landscaped park along 275m of the River Thames. Located on Greenwich Peninsula in London, the mixed-use scheme designed by OMA includes more than six acres of the high-quality public realm, 12 high quality, and tenure-blind residential buildings, as well as commercial, retail, and community spaces.
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