
Interiors: The Latest Architecture and News
Office+Showroom for DK / Megabudka
Malpartida House / SV60 Arquitectos

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Architects: SV60 Arquitectos
- Area: 572 m²
- Year: 2010
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Professionals: Sanor S.A.
Manor House Stables / AR Design Studio

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Architects: AR Design Studio
- Year: 2013
Chongqing Greenland Clubhouse / PURE Architecture

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Architects: PURE Architecture
- Area: 1100 m²
- Year: 2012
Delin Boiler Room / Stack + Co.
Résidence Nguyen / Atelier Moderno
Kempart Loft / Dethier Architectures
Coach Omotesando Flagship / OMA

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Architects: OMA
- Area: 444 m²
- Year: 2012
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Professionals: Nomura, Obayashi Corporation
Wirtschaftsblatt Newsroom / IDFL
The Communicating Vessels / Victor Gonzalez Marti

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Architects: Victor Gonzalez Marti
- Year: 2012
Inhabitable Sculpture / Jean-Maxime Labrecque

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Architects: Jean-Maxime Labrecque
- Year: 2013
Private House in Viseu / Bau.Uau Arquitectura
ajando Next Level CRM / Peter Stasek Architect

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Architects: Peter Stasek Architect
- Area: 750 m²
- Year: 2013
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Professionals: Licht-Team Speyer
The New Old / Jessica Liew

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Architects: Jessica Liew
- Area: 360 m²
- Year: 2012
INTERIORS: An Analysis of Space in the Oscar-Nominated Film Amour

Michael Haneke, known for his cold, disturbing and bleak films, such as Funny Games (1997), Caché (2005) and The White Ribbon (2009), goes for a little compassion with his latest, Oscar-nominated film Amour (2012). The film, which explores the private life of a married couple, Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva), is a meditation on how individuals cope with the loss of a loved one.
Haneke sets his film within a single location, a Parisian apartment, which was constructed in a soundstage. The filmmaker, who often obsesses over the sound and production design in his films, had complete freedom with the construction of this space. In The Hollywood Reporter, we learn about how specific he was with the design of the space itself. “The crew had to install and reinstall the parquet floor to make sure it creaked just right.” In lieu of shooting on actual locations, Michael Haneke recreated an entire location according to his specifications to create the space he desired for his film.
Read more about how the spaces in Amour allow for the story to unfurl, after the break...
BoZen Bar / Central Arquitectos

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Architects: Central Arquitectos
- Area: 465 m²
- Year: 2012
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Professionals: Alcepi Engenharia, Silfa Energia















