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Courtyards are open-air areas located inside buildings, with their perimeters defined by walls or galleries. These outdoor yet contained spaces often play a crucial role in configuring and organizing the floor plan. In some cases, they function as a central lung, organizing the surrounding spaces along their perimeter. They can also be designed to organize circulation flows or as articulating elements, simultaneously connecting and separating different areas of the project.

The New York firm Diller Scofidio + Renfro (DS+R) gained worldwide attention in 2002 with the Blur Building, designed for that year's Swiss Expo. The volume was formed by 35,000 high-pressure nozzles that sprayed water from the lake below, creating a massive artificial cloud. Its shape, boundaries, colors, and translucency shifted with the sun and wind, offering visitors an immersive experience as they entered a fully permeable volume. Ten years later, Carla Juaçaba and Bia Lessa designed Humanidade2012 for the Rio+20 United Nations Conference, where several programmatic volumes were arranged within a massive scaffolding structure. With more voids than solids, its edges dematerialized into the sky, and at night the volumes appeared to float. According to the architects, “the very movement of people through the building turned visitors into exhibits when seen from afar.” Despite differences in scale and context, both temporary projects succeed in working with notions of translucency, lightness, the dissolution of boundaries, and movement.

ArchDaily's curatorial team strives every day to present our readers with the most significant, inspiring, and innovative projects, while also ensuring a diverse representation of global architecture.

As part of our 2023 Year in Review retrospective on ArchDaily, we look back and reflect on what was published over the past year. Residential architecture remains one of our most visited categories of built projects, generating immense interest among our users worldwide. With this in mind, we have selected the 50 best houses published this year on ArchDaily en Español, offering a brief showcase of the form and character of residential architecture across the Spanish-speaking world.

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The casa chorizo is a residential typology historically used in Argentina, primarily in the city of Buenos Aires. It consists of a succession of similarly sized rooms connected along a longitudinal axis that open onto a gallery or courtyard, from which they receive light and ventilation. Typically built on plots between party walls, their service areas are grouped at the back. Today, numerous projects address the rehabilitation of this type of housing. These can be understood as research initiatives exploring how a city's characteristic construction matrix can be reviewed and updated to adapt to contemporary ways of living.

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Interior courtyards are open-air areas located within buildings, with their perimeters defined by walls or galleries. These outdoor yet contained spaces often play a crucial role in shaping and organizing a project's floor plan. In some cases, they act as a central lung, gathering the surrounding spaces around their perimeter. They can also be designed as pathway organizers or articulating elements, connecting while simultaneously dividing different areas of the project.

Numerous benefits—such as the influx of natural light, improved ventilation, and a stronger connection to nature without sacrificing privacy—have made this feature an effective solution for many architectural designs. Consequently, we present a selection of 15 projects in Argentina where interior courtyards take center stage.

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Historically, stone materials have offered ancient cultures the ability to build robust structures by interlocking stones of various shapes and sizes. The simplicity of the technique and its ability to deliver efficient, durable results have sustained the transmission of this construction method over time, enabling multiple contemporary architectural variations and reinterpretations.