This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Presented at the recent edition of the Feria del Diseño 2019 in Medellín, Iku Hábitat is a modular architectural construction system developed in Colombia that aims to streamline construction processes using designed and prefabricated components assembled with screws.

The TEMA Pavilion Competition was created to provide young architects and students from the University of Guadalajara student body with the opportunity to design an ephemeral project that expresses ideas beyond the typical academic requirements of an architecture or design school. On November 11, the proposals were evaluated by internationally recognized architecture and design practices, including José Amozurrutia and Carlos Facio / TO; Andrea Castilla and Deha Chehade / Chehade Carter Interior Design; and architect Diego Vergara Álvarez.

The Richard H. Driehaus Architecture Competition seeks to revitalize traditional architecture in overlooked areas of Spanish towns, while promoting the work of local artisans and builders. In this first phase, municipalities submitted proposals to rehabilitate or remodel various architectural spaces. Out of all the submissions, Alzira (Valencia), Santa Cruz de la Palma (Tenerife), Santiago de Compostela (La Coruña), and Guadix (Granada) were selected.

The following analysis was developed within the research project “Sustainable and Safe Building Certification,” funded by the Research Directorate of the University of Cuenca and led by Dr. Felipe Quesada Molina. This research addresses the sustainability assessment of residential buildings in the city of Cuenca.

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Plaza Houssay has recently been a subject of debate. Just four years after its official reinauguration as an "Urban Campus," its grand reopening was announced for early this week. Returning this public space to the city promises to not only reactivate the adjacent urban area but also reclaim its role as a gathering place for local residents, featuring the addition of four movie theaters and various dining options.

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For five editions, the Logroño International Festival of Architecture and Design, Concéntrico, has been experimenting not only with new public space design proposals, but also with management models.

André Gorz wrote in 1974: «Ecology is like universal suffrage and the Sunday day of rest: at first, all the bourgeois and all the proponents of order tell you that you want their ruin, and the triumph of anarchy and obscurantism. Then, when circumstances and popular pressure become irresistible, they grant you what they denied you yesterday and, fundamentally, nothing changes».

The galleries of the National Museum of Fine Arts in Buenos Aires are currently showcasing the creativity of Clorindo Testa. Curated by María José Herrera and Mariana Marchesi, the new exhibition “Esta es mi casa” (This Is My House) offers a closer look at the architect-artist: What did he think about before going to bed? What did he see from his window? What was his house like?

Following ten days of analysis, design, community engagement, and construction, more than 200 students and architects from across Latin America inaugurated three public amenities in late April, marking the 16th edition of the Latin American Social Workshop (TSL Costa Rica 2019) in the city of Santa Cruz.

The recent book 'Plan de desarrollo urbano de la zona noroeste de la ciudad de Mar del Plata' by Guillermo Tella, Beatriz Cuenya, Martín Delucchi, and Laura Corbalán Vieiro synthesizes the results achieved through the technical assistance and institutional coordination experience carried out during 2017-2018 for the Municipality of General Pueyrredón (province of Buenos Aires, Argentina) by the Center for Urban and Regional Studies (CEUR-CONICET) and the Inter-American Development Bank (IDB).

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Mexican studio Tuux was recognized with the Red Dot Award in the Product Design 2019 category for the design of the new exhibition and operational spaces of the Museum of the Constitutions (Museo de las Constituciones), an accolade the jury awards to entries featuring exceptional design.

Amid the ongoing social crisis in Chile, the National Council for Urban Development (CNDU) issued an official statement acknowledging "broadly the diagnosis of deep segregation in our cities and the urgent need for greater social integration."

Today, discussing infrastructure means discussing geopolitics and connectivity as a key driver of global competitiveness. Connectivity, however, should not be understood solely as physical infrastructure, even if we are talking about roads for autonomous vehicles or hyperloop tunnels.

It seems almost impossible to imagine that a single public initiative could have spawned most of the national highways we have today in Argentina, established tourism as an economic driver for the country, consolidated the national oil company YPF against foreign competition, and driven a large part of the development of Argentine modern architecture.

Yet it is entirely plausible when we look at one of the largest territorial interventions in the country's history—a vanguard of modernity that established the automobile as a mass means of transportation in our region.

How did a house designed by the world’s most renowned engineer—the Frenchman Gustave Eiffel, designer of the tower that bears his name in Paris—end up in Argentina?

How did this structure settle in one of Córdoba’s most culturally active neighborhoods, only to open its doors a century later as a cultural space thanks to the intervention of local residents?

The National Ideas Competition for the Pabellón del Centenario and its surroundings, promoted by the State Property Management Agency and organized by the Sociedad Central de Arquitectos, closed on April 22, yielding a total of 65 proposals and the participation of architects from across the country.

The significance of the competition lay, on one hand, in the opportunity to restore the architectural value of the Pavilion which, designed by Virginio Colombo, is the only standing building of the 20 constructed for the Centennial celebrations in 1910. At the same time, it presents an opportunity to enhance and revitalize the adjacent areas, generating urban-scale impacts that will drive the future development of the area and integrate a wide variety of scenarios.

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A few months ago, the first exhibition by Zaha Hadid Architects (ZHA) in Latin America concluded. It was held at the Museo Universitario de Arte Contemporáneo (MUAC) within the Centro Cultural of Ciudad Universitaria in Mexico City. The exhibition featured some of architect Zaha Hadid's projects through models, audiovisual materials, paintings, and photographs. It explored the creative process of her practice, highlighting the importance and complexity of design as the central axis linking form and construction processes in her work.

The "Microcentralidad la Y" ideas competition, organized by the Metropolitan Institute of Urban Planning (IMPU) and the Pichincha College of Architects (CAE-P), aimed to develop a plan for the former "La Y" northern station, proposing a management model for its execution that incorporates environmental sustainability aligned with the New City Model outlined in Vision Quito 2040. The jury awarded first place to the team from Raíz Estudio. Read on to learn more about the winning project in the words of its designers.

Guadalajara 90210 presents “Pabellón de las escaleras” (Staircase Pavilion), an exhibition consisting of a series of installations by artists from various disciplines—architecture, contemporary art, and industrial design. The venue is an unfinished building located in Santa María la Ribera—a neighborhood that has recently experienced a surge in cultural events, art installations, and architectural proposals—featuring open-air sections, a concrete labyrinth, and exposed pipes.

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This November, Mexico City cements its status as one of the most exciting creative capitals in the world, featuring a circuit of activities designed to highlight the avant-garde, experimentation, and new digital art models that the city attracts and inspires. After 16 years of continuous work, MUTEK Mexico is proud to be part of this circuit, collaborating with other organizations to offer the public one of the year's most intense and stimulating weeks dedicated to digital art and sound.

The Venice Architecture Biennale is arguably one of the most influential exhibitions in the world. Established in 1895 as the "Venice International Art Exhibition," the Biennale has become one of the most prominent cultural institutions worldwide, serving as a universal platform for nations to showcase their work. Consequently, every two years, the global spotlight turns to Venice.

To showcase the valuable output of Argentine universities, for the third consecutive year we launched an open call inviting our Argentine readers to submit their final thesis projects, sharing the work that launched their careers as newly minted architects.

After receiving more than 60 submissions from various Argentine architecture schools and cities, our editorial team selected nine projects, focusing on those that demonstrated critical thinking toward contemporary issues, formal resolution, and representation. The selection not only recognizes those projects that delivered the best possible architecture through simple design suited to their context, program, and users, but also highlights those showing a strong commitment to human scale, mediation, transition, and new ways of approaching urban architecture. This edition's jury was composed of Fabian Dejtiar, Managing Editor of ArchDaily en Español; Mónica Arellano, Editor of ArchDaily México; and Delia Bayona, Editor of ArchDaily Perú.

Read on to explore the selected projects in detail.

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"SOM: Art + Engineering + Architecture" is an exhibition opening at the Antiguo Colegio de San Ildefonso in Mexico City. Presented in collaboration with MEXTRÓPOLI, the global architecture and urbanism festival organized by Arquine magazine, the exhibition offers a comprehensive overview of SOM's structural engineering practice, its integration with architectural design, and the firm's long tradition of collaboration with the visual arts.

The Chilean city of Valparaíso is comprised of 42 hills overlooking the Pacific Ocean. Its unique topography has prompted—or forced—residents to build a creative network of elevators, staircases, and alleys, connecting every corner of the city despite its rugged terrain.