The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Photographer Iwan Baan to discuss his career, how he became a most sought-after architectural photographer, working with Rem Koolhaas, his process, his style of architectural photography, documenting structures during construction and after completion, vernacular architecture, and more.

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The IPCC has published its latest report on the environmental crisis, "Climate Change 2022: Impacts, Adaptation and Vulnerability." The latest findings warn that urgent priority must be given to action on the adaptability of the built environment, noting that, globally, the most rapid growth in urban vulnerability has occurred in informal and unplanned settlements, as well as in small to medium-sized urban centers in low-income countries with limited adaptive capacity. This is a recurring reality across Latin America.

The centennial celebrations of the Modern Art Week have already begun. Over the past week, articles and press coverage on the subject have filled various media outlets. After all, one hundred years ago, a group of artists gathered in pursuit of an art that looked to the future and stood against the past, proposing a new way of exploring Brazilian identity in music, poetry, painting, and dance. To understand how the event shaped new directions in Brazilian culture and remains relevant today, we have compiled a guide to several spaces that celebrate the Week of '22!

Minimalism has shaped architecture for over a century. Embracing new materials and rejecting ornament, the modernist movement grounded minimalist architecture through rational use and function. Throughout the 20th century, architects returned to minimalism as they worked with glass, steel and reinforced concrete. Over time, minimalist and modernist designs became more closely tied to cost, construction and aesthetic.

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In 2020, US-based startup Zoox revealed the prototype of its autonomous electric vehicle. Now, the robotaxi is entering an advanced testing phase in California. 

Resembling a minivan, the vehicle is tall, boxy, and features sliding glass doors. Its large wheels and rounded corners stand out, giving it a cartoonish appearance. 

“Mercado Retablo” is the winning proposal of the II Semilla Competition organized by MURU, presenting a new design for the Playa Grau Municipal Market, located in the city of Ayacucho. Architects Santiago Nieto Valladares and Lucía Uribe Osores explain how “the market proposes quality public spaces that establish it as a gathering place, moving beyond a mere site for transit and commerce to host and foster social interaction.”

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In this conversation for LA ESCUELA___, Miguel Braceli and Cecilia Vicuña reflect on the artist's pedagogical experiences, her understanding of architecture as a transformative force, and the potential of precariousness in Latin America as a source of creation.

Cecilia Vicuña (Santiago, Chile, 1948) is a Chilean visual artist and poet; throughout her extensive career, she has explored themes related to nature, ancestral knowledge, and feminism. Based in New York, Vicuña safeguards and shares a deep wisdom regarding her Indigenous roots, as well as her experiences from nomadic journeys around the world, where acquired knowledge takes on intangible, "virtual," and collective forms through oral tradition and listening, weaving, and ritual.

While circular economy is often discussed in relation to the architectural object through the lens of material recycling, design for disassembly, and material passports, the framework is most fully enacted at the neighbourhood and city scale. Whether it is visions of circular communities that hint at some level of self-sufficiency or policies set in motion by cities, urban-scale projects exemplify the guiding principles of the circular economy, providing a glimpse into what a fully-fledged version of it might look like. The following explores the strategies used in circular urban environments, from architecture and construction materials to energy production, waste management and food production, as well as the processes and operations that govern these designs, providing insights into the conditions that inform circularity. 

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Skidmore, Owings & Merrill, in partnership with Atlanta’s Goode Van Slyke Architecture (GVSA), have unveiled Centennial Yards' first ground-up tower. Titled One Centennial Yards, the project will feature 28 stories and over 500,000 square feet of office space, 19,000 square feet of amenities, and 21,980 square feet of outdoor spaces, all aligned with the innovative, health, and wellness goals of the Foster + Partners designed master plan.

Sharjah Architecture Triennial (SAT) announced the appointment of architect Tosin Oshinowo as the curator of its second edition, which will open in 2023. From its inaugural edition of 2018, the triennial established itself as an international platform highlighting the architecture of West and South Asia, as well as the African continent. Oshinowo’s appointment is prompted by the architect’s socially responsive approaches to architecture and her deep knowledge of the African architectural and urban context. Her work reflects SAT’S mission to pursue a multidisciplinary design approach “that fosters an understanding of the broader role of architecture, including its relation to social and environmental issues.”

According to the architect and researcher Patrícia Akinaga, ecological urbanism emerged at the end of the 20th century as a strategy to create a paradigm shift with regard to the design of cities. With this, urban projects should be designed from the potential and limitations of existing natural resources. Unlike other previous movements, in ecological urbanism architecture is not the structuring element of the city — the landscape itself is. In other words, green areas should not only exist to beautify spaces, but as true engineering artifacts with the potential to dampen, retain and treat rainwater, for example. With ecological urbanism, urban design becomes defined by the natural elements intrinsic to its fabric.

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This article was originally published on Common Edge.

In case you missed it, our world continues, after two years, to suffer cultural spasms in response to unseen, unrelenting, and deadly infective agents that continue to wash over entire populations, spreading fear, illness, and death. 

The U.S. is also suffering a quieter—but equally invasive—architectural plague, metastasizing into every part of the country. This architectural contagion has largely escaped criticism, but not since the raised ranch has an architectural “type” so fully transformed communities. In the 1950s, thousands upon thousands of dumbed-down Prairie Home allusions swept across fallow suburban farm fields like a wildfire. More than style, the half-buried lower level and split floors (one half-stair run apart) were a new way to explore how buildings could house people, especially in rapidly suburbanizing America.

Organized by the Colombian Society of Architects - Bogotá and Cundinamarca Chapter (SCA BC) and the Administrative Department of the Public Space Ombudsman (DADEP), the II Bogotá Public Space Biennial 2021 (BEP BOG) aims to recognize and showcase projects that contribute to the creation, recovery, and sustainability of public space in the city of Bogotá.

Fernando Abellanas had already shown us how to take refuge from the city within the city itself, with an installation that invited shelter in the interstitial spaces of an existing bridge. This time, he presents Urban Macroparasite: a habitable and connective structure created during the UIT Urban Festival in Tartu, Estonia.

This mobile installation adapts to achieve structural parasitism, prompting us to rethink how we occupy the inert and hidden spaces that make up our cities.

Cross-laminated timber (CLT) has been dubbed the concrete of the future. As a highly resilient form of engineered wood made by gluing layers of solid-sawn lumber together, CLT is reshaping how we understand architecture and design today. As a material with a high degree of flexibility, CLT has to undergo great deformations to break and collapse, unlike concrete. In turn, it's a material chosen for its warmth and natural properties. 

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The World Monuments Fund has released its 2022 World Monuments Watch list, a selection of 25 sites from across the globe that hold great cultural and heritage significance but are being faced with economic, political or natural threats. This year's selection highlights themes of global issues such as climate change, imbalanced tourism, underrepresentation, and recovery from crisis, urging for prompt preservation plans.

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Construction technology company ICON unveiled its newest 3D-printed project, “House Zero”, designed by Texas-based firm Lake|Flato Architects. The project is the first in ICON’s “Exploration Series,” which seeks to highlight the architectural possibilities enabled by additive construction and develop new design languages with the purpose of “shifting the paradigm of homebuilding”. The material honesty of the house combines the expression of robotic construction processes with the natural wood textures creating a timeless design.

Machu Picchu, also known as "The Lost City of the Incas", located high in the Peruvian Andes (2430 m.a.s.l.) in Cuzco, is one of the most famous archaeological complexes and one of the 7 wonders of the modern world. It is here, under the dense foliage of the surrounding jungle, that a network of hidden river channels has been discovered.

In recent years, much attention has been given to timber constructions. Being a sustainable and renewable material, which captures a huge amount of carbon during its growth, the innovations related to this material have allowed for increasingly higher constructions. However, when we talk about wood we approach an immense variety of species, with different strengths, nuances, potentials, limitations and recommended uses. While there are extremely hard and heavy woods, with strengths comparable to concrete, there are other soft and soft woods that are suitable for other purposes.

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Beijing Institute of Architectural Design Co., Ltd. (BIAD) is a leading design enterprise whose business scope spans urban planning, investment consulting, large-scale public architectural design, civil architecture, interior design, landscape architecture, smart building systems engineering, engineering budgeting, low-voltage systems, decoration engineering, and engineering, procurement, and construction (EPC). Currently, the company holds numerous Grade-A (Class-A) qualifications, including Grade-A Engineering Design, Grade-A Urban and Rural Planning, Grade-A Engineering Consulting, Grade-A Engineering Cost Consulting, Grade-A Tourism Planning and Design, Grade-A Landscape Architecture Engineering Design, and Grade-A Environmental Engineering (Physical Pollution Prevention and Control).

BIAD serves a diverse clientele, including national and local government bodies, public institutions, state-owned enterprises, private corporations, and foreign and joint-venture companies. The value of our design is reflected in the success of our clients' projects. With works spanning the nation and the globe, many of our designs have become iconic landmarks for their cities and the country. BIAD is home to a distinguished cohort of architects and engineers across various disciplines, including 1 academician of the Chinese Academy of Engineering, 9 National Design Masters, 73 experts receiving special allowances from the State Council, 1 expert under the National "Thousand Talents Plan," 12 Outstanding Contribution Experts of Beijing, and 3 members of the Beijing Hundred-Thousand-Ten Thousand Talents Project. Among its over 4,000 employees, 620 hold senior professional titles, and 836 possess national professional registrations. The workforce includes 36 PhD holders, 995 Master's degree holders, and 86 returnees from overseas studies. BIAD has established 13 branches nationwide, with 14 wholly owned and holding subsidiaries and 9 joint-equity companies. Additionally, the institute has established cooperative educational initiatives with renowned domestic institutions, including Tsinghua University and the Central Academy of Fine Arts (CAFA). 

As is obvious to anyone with even a passing interest in demographics, cities are becoming denser—much denser. Rural life continues its steady emptying-out as urban life accelerates its explosive filling-in. The tilt has been apparent at least since the middle of the last century when the French geographer Jean Gottmann invented the word “megalopolis” to describe the continuous urbanization from Boston to Washington, D.C., then containing one-fifth of the United States’ population. But nowhere has the shift from countryside to city been more dramatic than in present-day Asia. 

Over the last two years, the city of Madrid has hosted, and continues to host, the traveling exhibition of the Metropolitan Forest. It has three main objectives: first, to present Madrid's residents with the winning and finalist ideas from the competition held to redefine the future of their city; second, to communicate the processes the city will undertake regarding sustainability, urban resilience, and environmental education; and finally, to foster concrete strategic alliances between the Forest and the citizens of Madrid.

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Barcelona is a city that has been studied countless times—for the blocks of the Cerdá Plan, its chamfered corners, its historic center, the wars waged there, and the architecture of the Modernistas and their monumental buildings. However, there is little record of it ever being studied in depth through the lens of a traditional cladding material and artistic medium like sgraffito.

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On the 24th of February 2022, Russia launched a large-scale invasion of Ukraine. Set to become Europe’s largest refugee crisis and armed conflict in this century, so far, this war has mobilized people across the world in order to exert pressure on authorities and put a stop to the armed hostilities. Individuals, as well as institutions in the architectural field, have taken part in these acts of solidarity, issuing statements, condemning actions, and even halting their work in Russia. From the UIA to MVRDV to Russian Institutions such as Strelka, the architecture world is denouncing the acts of violence and supporting an immediate cease of fire.