Interviews
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Modern Influence and Contemporary Approach: Interview with Tet...
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Intervention in railway heritage: interview with Susana Rosman...
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Iconographic Records of Brasília: Interview with Matheus Seco ...
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Emre Arolat: "Materials are not chosen by the architect, but e...
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Liu Yuyang: "Not seeking to transform the world, but to bring ...
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Past, Present, Future | Li Hu: Have China's Cities 'Bloated'?
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Interview with Dong Gong: Changjiang Art Museum, an Architectu...
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Interview with Zhu Xiaodi: How Can "Old" Building Stock Genera...
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Within a Hong Kong skyscraper, a spatial dialogue between art ...
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The BRT Project in Rio de Janeiro: Interview with Jozé Candido
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“Art Is Not Fiction, but a Surplus Reality:” Pedro Reyes on Sc...
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On Housing, Public Space, and Climate Resilience: In Conversat...
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"My Solutions Are Not Polite:" Liam Young on Architecture in t...
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"A Place Remembers What Has Happened:" Tsuyoshi Tane on Memory...
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"An Environment Where People Show Knowledge": In Conversation ...
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"Beauty in Itself Is Dangerous:" Xu Tiantian on Moving Beyond ...
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Fundació Mies van der Rohe Presents “Transnational Narratives,...
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First Aid for Endangered Heritage: An Interview with Ambulance...
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Intestines of a Building: Aziza Chaouni on Architecture’s Syst...
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Serpentine Pavilion 2026 and Lina Ghotmeh’s House of Performin...
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"Each Constraint Becomes More of an Opportunity": In Conversat...
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“Great Architecture Must Be Poetry:” Zhu Pei on Architecture a...
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EU Mies Awards Shortlist and MVRDV’s Fluid Facade in Beijing: ...
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Rethinking Museums: A Conversation with Béatrice Grenier on Ar...
