This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

As we begin to emerge from the COVID-19 pandemic, there has been much speculation and debate about whether we will return to our old habits of working in the office 5 days a week, or if working from home creates equal or greater productivity. However, many believe that the future of the workforce will largely be focused on a balance between in-person and in-office working, and a form of remote working, that summates into a new, hybrid model. But if you’re not at home, and you’re not working, then you must be somewhere else- exploring the true in-between of a public and a private space. Enter the concept of the “third” place, which is used to describe everything from coffee shops to banks, and even co-working spaces. If you’ve ever studied for an exam at a bookstore, or even dropped into an airport restaurant to catch up on some work, then you too, have visited a “third” place.

“No, I’m not homeless. I’m just houseless. Not the same thing, right?" Questioning the notion of home and house, Nomadland tells the story of a sixty-year-old woman who loses everything during the great recession, leaving her hometown after the collapse of the sole industry that supported the rural settlement and the death of her husband. She decides consequently to embark on a journey and experience life as a modern-day nomad, setting off in her van through the vast landscape of the American West.

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Digital literacy is not a topic architects usually consider. For Aliza Leventhal, Head of the Technical Services Section, Prints & Photographs Division at the ‎Library of Congress, the processes of literacy and design go hand-in-hand. Previously the corporate librarian and archivist for Sasaki, Aliza is leading national conversations on everything from born-digital design files and archiving to institutional memory and knowledge sharing. Today, she's working with architects and designers to reimagine digital workflows for future access and ideation.

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According to the United Nations’ latest report on populations in cities, by 2030, “urban areas are projected to house 60 percent of people globally and one in every three people will live in cities with at least half a million inhabitants”. Growing in both size and number, cities are hubs of government, commerce, and transportation, and in 2021, the world’s 20 largest cities are home to half a billion people. In fact, one in five people worldwide lives in a city with more than 1 million inhabitants.

Below, we have rounded up the top 20 megacities in the world of 2021, according to the number of people that live in their metropolitan area. While Tokyo is the largest city on a global level, with a total of more than 37 million residents, the majority of the most populous cities in the world are in the two most populated countries, China and India. Among these, we have 5 metropolises in China, Shanghai, Beijing, Chongqing, Tianjin, and Guangzhou, and 3 in India, Delhi, Mumbai, and Kolkata. The largest city in the American continent is Sao Paulo in Brazil with 22 million people, followed by Mexico City and Buenos Aires in Argentina. Istanbul takes the 13th position with one part of the city lying in Europe and the other part in Asia.

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Fifty-one years ago, in 1970, a Japanese roboticist named Masahiro Mori came up with the concept of the “Uncanny Valley”. Around the same time, architectural renderings done using analog methods were still in vogue – collages and photomontages used to get ideas across to clients. A decade later, personal computers came along, and that saw the emergence of CAD and the wider adoption of digital rendering. Today’s architectural renderings are almost imperceptible from reality, with the increase in sophistication of rendering sofware. We struggle to tell the difference between what is a rendering and what is not – or rather we are able to tell a slight difference and it leaves us slightly uncomfortable, which brings us to Mori’s uncanny valley.

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World’s Fairs seem to be a memory of the distant past. These mega-scale events once brought us culinary staples, technological advancements, and introduced some of the most notable examples of architecture and landmarks that impact how we think about design and construction even in the present day. Throughout the numerous fairs and expos that were held, architectural discourse itself significantly advanced and the pomp and circumstance that surrounded these muscular flexes of international innovation reimagined what life would be like in the decades to come.

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As the oldest institution of higher learning in the United States, Harvard has emerged as one of the world's most well-known universities. Organized into ten academic faculties and the Radcliffe Institute for Advanced Study, it is spread across 200 acres and centers on Harvard Yard in Cambridge. Developed along the Charles River adjacent to the Allston neighborhood of Boston, Harvard has the largest financial endowment of any academic institution. This has supported a number of different campus building projects across the university’s history.

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La Biennale di Venezia has just announced in a press conference, live-streamed on April 12, that the 17th International Architecture Exhibition under the theme of “How will we live together?” curated by Hashim Sarkis, will open to the public from Saturday 22 May through Sunday 21 November 2021 at the Giardini, the Arsenale, and Forte Marghera. In addition, the preview will be held on 20 and 21 May.

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With increasingly better renderings becoming ubiquitous, students and architects alike feel the pressure of mastering an additional set of skills to get their ideas across. To what extent do renderings make or break a portfolio or a project? How important are they in the design process, and do renderings inform of a particular set of skills besides the software ones? This article explores different perspectives on the role of renderings within the profession.

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Believing firmly that "architecture is [...] too important to leave solely to architects", Ole Bouman embarked on diverse activities throughout his three decades of work, reflecting on “architecture, not so much as the art or technique of making buildings, but architecture as the intelligent way to organize our lives on earth, and infuse it with purpose”.

After having shared Bouman's essay Finding Measure, ArchDaily had the chance to discuss with Design Society’s founding director his thoughts on the role of architecture, the current challenges of the world, the digital revolution, and many other thought-provoking topics.

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The slogan "Stay Home" has been guiding people throughout the past year, making us rediscover our home as a place of refuge, shelter, and protection. Within this new status quo, much has been discussed about the important role played by architecture and interior design in improving both the physical and mental wellbeing of its inhabitants.

From the most complex to the most simple, we have been revisiting various design strategies in search of a sense of comfort and seclusion in our homes. Although we are living in the most technological age of all, we find ourselves drawn to the most fundamental elements, as if returning to our origins.

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Globalization and its pension for both virtual and physical connectivity has led to the linking of the world's economies, territories, and cultures and nowhere is this more evident than in the field of architecture.

The introduction of new techniques and materials, along with innovations in indoor plumbing systems, resulting from the industrial revolution, paved the way for vertical living. Investigating specifically a period of time where a flux of population was driven to cities, and social class divisions were being questioned, this article looks back at the evolution of the house plan in Europe between 1760 and 1939.

Tackling the transformation of the housing unit during the industrial revolution all the way to the interwar period, this feature highlights four prominent examples that rethought traditional layouts and responded to the challenges of their time. Still influential today, the mentioned models, restored for use, happen to be part of the 21st-century urban fabric. Located in London, Paris, Amsterdam, and Moscow, the plans showcase the ever-changing interior wellbeing standards, directly linked to a broader metamorphosis, equalizing and providing for growing urban populations. Discover the evolution of living units from the Back to Back Houses to the Garden Cities of England; the Haussmannien Block, a Vertical Living for a Modern Bourgeoisie; the Extension of Amsterdam, from Alcove Housing to Social Housing Blocks; and the Transition Type House in Russia.

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At ArchDaily, we always aspire to provide our community with all the tools and knowledge to help imagine, design, and build better cities. In order to bring inspiration and present more about what goes on beyond a complete project, we are launching a new series titled “Behind the Scenes”, where we showcase the work of visionary photographers, artists, and curators, and ask some questions that allow them to share more of what they do with the world. In every episode, we will be sharing with you the answers, along with images and videos of their work. 

Kicking off the series is London-based architectural photographer Edmund Sumner.

Videos

The ongoing pandemic has been a disruption to the everyday routines of billions around the world, as due to being confined to their households, the separation between work and rest has become extremely blurry, with people forced to rethink and reconfigure the layout of their personal spaces. Conversations have abounded on how to create flexible working spaces in a home environment, and if offices themselves are an outdated model that we should leave behind. A missing part of that conversation, however, is the impact that the pandemic has had on children, specifically primary-school level children, on their education - as inequalities are emphasized, some children learning with slow internet connection speeds, or struggling to have the space required to adequately complete educational activities.

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We live in a tangled web of flows – of capital, information, technology, images, structures, in constant momentum dominating all aspects of our lives. The large-scale road infrastructures shown here are products of this powerful desire for movement, which for many years was also synonymous with development, as portrayed by the famous Goethean character Faust in his endless quest for a (false) sense of progress.

From these tangles of concrete and steel, at multiple levels and in different directions, emerges a geometrically organized chaos that tears the urban fabrics in a relentless effort to prioritize the flows with the fewest obstacles and the highest capacity possible.

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Spanish architect, Carmen Espegel's work is embodied in three complementary areas: academic, research, and professional activity. Espegel was part of espegel-fisac arquitectos studio for twenty years as a founding partner and currently leads espegel arquitectos. Her research approach has focused mainly on housing, women in architecture, and architectural criticism.

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When designing a space, architects across the board tout the importance, and even necessity, of incorporating natural light into interiors. This means taking measures to control the quantity of light being let in and its distribution throughout the space.

In the case of residential spaces, where privacy plays a larger role than in public spaces like offices, restaurants, and stores, opaque materials like screens, tinted glass, and other barriers are the go-tos for providing protection and privacy from the outside; however, the privacy that these methods provide often comes at the cost of the space's natural lighting, forcing designers to seek alternative materials that allow for both light and privacy.