The Design that Educates Awards (DtEA) investigate the educational potential of architecture and design. The ability to communicate the implemented solutions and features is the main theme of the awards. Such an informational layer of design and architecture provides an important (yet not fully explored) opportunity for a dialog between the user and the designer. The result—a new type of learning environment—provides a space for the exploration of both the design itself and its relation to the vaster context. Each year, the esteemed panel of judges will select the most outstanding examples. The objective of the awards is to recognize, showcase, and promote globally the best ideas and implementations of architecture and design that educate.
Emily Allchurch, Grand Tour: In Search of Soane (after Gandy), 2012.
The engine of contemporary architectural production, and the basis of societies around the world, is economic growth. Global political orthodoxy declares GDP growth is always good; that more is more. Throughout the last two centuries increased economic growth brought with it many measures of prosperity, but for many decades now the limits to growth have been visible on the horizon. Social equity, health and wellbeing, quality of life, happiness and other non-monetary measures of success are faltering while resource extraction, greenhouse gas emissions, waste and toxicity, temperatures, sea levels, extreme weather, and many such indicators of climate breakdown make clear daily that the time of this worldview is running out.
The Strelka Institute is currently accepting applications to the third and final year of their tuition-free multidisciplinary postgraduate programme — THE NEW NORMAL 2018/19.
In today’s chaotic world, simplicity grows virtuous. As an operational directive, simplicity forces the pursuit of the essential, where what matters is retained and what doesn’t is tossed overboard. Simplicity is at once classic and trending; ambitious and naive; utopian and pragmatic. A decade after 2008, the feeling is baked into current trends of austerity, with economic realities influencing aesthetics and ethics within architecture in deep ways. The value of simplicity lies not just in the luxury of a representational project, but more powerfully in methods of practice—in understandings of how architects make decisions in realizing their work. Simplicity in communication matters, as related professionals require information, clients want to know what they’re paying for, and various publics are curious about what architects do. Lately, simplicity is a conceptual survival tactic: A sharable, legible understanding of a piece of architecture, even as image, is needed if it is to endure in our fast-paced, media-soaked environment. PLAT suspects that this conciseness leaves work open for continued engagement, and that simplicity is not the opposite of complexity, but instead exists as its complement: Complexity is built out of simplicities, and vice versa.
The Ken Roberts Memorial Delineation Competition (KRob) has celebrated the best in architectural delineation for 44 years. A Dallas classic that has received international recognition, KRob honors hand and digital delineation by professionals and students throughout the world. Averaging over 400 entries from 25 countries in the past several years, the competition’s visibility continues to grow.
The City of Philadelphia’s Department of Public Property is requesting qualifications for the redesign of the Municipal Services Building’s Paine Plaza.
Reimagine the primitive hut for Volume 4, Issue 6 of Yale's weekly journal, Paprika!
In the spirit of Virgil Abloh we put quotation marks around the word "vernacular." Then we replace the word with a blank and ask you to fill it in. What do they build with where you're from? What do indigenous houses look like? What methods do they prefer and who actually uses them? This issue of Paprika!, a weekly journal at the Yale School of Architecture, will probe the architectural vernacular, a concept increasingly in vogue but equally undefined.
Audain Art Museum (Whistler, British Columbia) / Patkau Architects
The design and construction community is revolutionizing the way we think about wood in construction. Growing pressure to reduce greenhouse gas emissions, coupled with a desire for aesthetically appealing designs, have resulted in a wood momentum that is being celebrated by architects and engineers around the world.
The OPEN CITY FORUM is calling for contributions from research and practice, in which different disciplines have described, operationalized or implemented aspects of openness.
The city of Seogwipo is holding the “International Design Competition for Landscape of Columnar Jointing Area, Jeju” to improve the stunning scenery of the columnar jointing area near Jungmun Daepo Coast that reveals Jeju’s unique geological features, culture, and natural landscape. It will be conducted in the form of an international competition with 5 to 7 invited teams. Refer bellow for competition outlines.
The chosen proposals for Exit Architecture: Speculations on the Hereafter will be on display upstate at Art Omi inside Charles B. Beneson Center this winter. (Robert Prochaska/Original Copy)
Humans have been enshrining and memorializing their dead for millennia. While forms and rituals vary widely across cultures and religions, we are nonetheless reacting to similar desires: memorializing a life, coping with loss, religious symbolism, returning to nature, etc.
ArchDaily is looking for a motivated and highly-skilled architecture-lover to join our team of interns for Fall 2018! An ArchDaily Content internship provides a unique opportunity to learn about our site and write engaging, witty and insightful posts.
Interested? Then check out the requirements below.
https://www.archdaily.com/898258/call-for-archdaily-interns-fall-2018AD Editorial Team
In anticipation of the 2018 Conscious Cities Festival this October, we are delighted to announce an open call for submissions to its official publication - showcasing the diverse and impactful thinking by Conscious Cities practitioners.
When learning about architecture, there is no replacement for practical experience: seeing how materials can be joined together, how structural elements respond to the stresses placed upon them, or how construction techniques can alter the finished project. For this reason, it is a good idea to give students a chance for some hands-on experience building real structures—something that, due to budgetary constraints and the academic culture of many architecture schools, has sadly been uncommon in the past.
However, in recent years, this culture has started to shift, with increasing numbers of architecture schools finding ways for students to be involved in construction projects, from small, temporary interventions and pavilions, to larger permanent buildings. In order to show the excellent work that can be done in an educational context, for the fourth timeArchDaily is calling on students and professors to submit the design-build projects they have completed in the past year. As always, we're teaming up with allofArchDailyen Español,ArchDaily Brasil, and ArchDaily China, in the hope that we can present the best work from students worldwide to a worldwide audience. Read on to find out how you can take part.
AIA Shanghai is pleased to announce its first ever awards program to celebrate China's best design and designers; a benchmark for international excellence.
Design ‘N Gather, the much-heralded, annual global mosaic design competition created by Artaic – Innovative Mosaic and sponsored by Bostik Smart Adhesives, has just started accepting submissions for its 2018 edition.
The Lisbon Triennale is looking for national and international independently funded proposals that can be articulated and also complement the central program of its 5th edition, that will take place between October 3rd and December 2nd 2019.
We're hiring! Our team works with the most prestigious and influential architectural practices around the world in order to deliver specific and valuable content to a premium readership of architects. ArchDaily quickly established itself as one of the leading architectural websites in the world due to our editorial staff’s meticulous understanding of what our audience is really looking for: the best architecture around the world, as soon as possible. And now, we're looking for another bright, enthusiastic and motivated member to join us.
https://www.archdaily.com/896851/were-looking-for-archdaily-chinas-next-content-editorAD Editorial Team
See/Saw is the student-run architecture publication of the University of Maryland.
“Nothing, and Everything Else” aims to locate architecture’s general position between nothing and something. Nothing is temporary, easily intimated, fleeing whenever something comes to take its place. At one point obsessed with space, architecture as a discipline has become occupied by a diffuse range of topics and fields which poses the question - is everything now architecture, or alternatively, is architecture now nothing? Is there a middle ground between the two? And is nothing residual - does it last or linger, smell stinky or pleasant, is it strong or subtle?
With more than 590,000 submissions in 2017, the EyeEm Photography Awards is the world's largest photography competition for discovering new talents.
The 2018 EyeEm Awards feature nine categories, including a category focused on architecture: "The Architect" where we encourage you to submit interesting lines, shapes, and beautiful spaces in architecture.