The 6th International LafargeHolcim Forum for Sustainable Construction will be hosted by the American University in Cairo from April 4 to 6, 2019. The LafargeHolcim Forum is dedicated to the topic of “Re-materializing Construction.” Keynote speeches, workshops and site visits will focus on strategies to reduce consumption throughout the material cycle from extraction to processing, transport, installation, maintenance, and removal.

The Forum pursues the question of how the building and construction industry can adapt to be leaner: with a smaller ecological footprint and not driven by the pretense of infinitely available raw materials. Hence, the Forum seeks to suggest radical solutions in the use of building materials.

Planning can, on occasion, feel Sisyphean. Emerging technologies, shifting economies, and changing governments can all enact dramatic and unpredictable change in short order. So what’s the use of planning for the future, let alone planning for a future nearly half a century away?

The greats of twentieth-century Colombian architecture were regarded for their genuine interest in brick. To this day, many of Colombia's iconic neighborhoods are filled with brick buildings. 

Below, a selection of stunning Colombian brick projects —available in this My ArchDaily public folder as well.

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This article was originally published on CommonEdge as "The Design Media Needs to Examine its Own Privilege."

Kate Wagner grew up in rural North Carolina. As a kid, her mom, who never went to college, worked in a grocery store deli and later in childcare. Her dad had a steady government job with a pension, and his time in the military meant he had the resources and benefits needed to get a college degree. Wagner describes her economic background as “one foot in the working class and one foot in the middle class, and it was always a negotiation between those two classes.” They were, she says, “just normal-ass American people.”

Nestled in the steep gorges and river valleys of Japan’s Tokushima prefecture is Kamikatsu - a small town seemingly like any other. But Kamikatsu, unlike its neighbors (or indeed, most towns in the world), is nearly entirely waste-free.

Since 2003 - years before the movement gained widespread popularity - the town has committed to a zero-waste policy. The requirements are demanding: waste must be sorted in more than 30 categories, broken or obsolete items are donated or stripped for parts, unwanted items are left in a store for community exchange. But the residents’ efforts over the years have paid off- nearly 80% of all the village’s waste is recycled.

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There's a certain rare feeling that all architects share once they leave school: they don't know what they know. Design? Not really. Technical details? You'll need a specialist for that. Can you build this from scratch? I still need some practice. So, what do you really know?

In this article, we'll share six skills that you learned as an architect that you probably aren't even aware of.

Architect Mayerlly Cuta along with the architect and visual artist Carlos Alberto Hernández founded Urban Sketchers Bogotá," a worldwide movement of drawing that promotes the practice of drawing in Bogota streets, capturing real-time life in the city.

From October 24 to November 9, an exhibition was held in homage to architect Rogelio Salmona. According to Cuta, they sought to commemorate the architect 11 years after his death by drawing his present works in the city of Bogotá. "As managers, we began to draw and promote his works. Later converting them into an exhibition. The Colombian Society of Architects and the Rogelio Salmona Foundation joined the project, leading to the Drawing to Salmona Call. This call brought together more than 100 people and collected more than 300 drawings that came from different cities in the country and the world."

There are many ways to solve the acoustic comfort of the interior spaces we design, using materials and solutions of different prices and appearances. Perforated cardboard gypsum boards are an economical and efficient option to incorporate into projects, absorbing the sound and reducing the noise level generated by the reverberation through different patterns and shapes.

Applied mainly in schools, offices, shopping centers, restaurants, lobbies, and hospitals, gypsum boards are easy to install and can deliver high-quality aesthetic results in ceilings and coatings.

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It's easy to feel overwhelmed by the massive production of architecture today. Scroll through ArchDaily for more than a minute and even we'd forgive you for losing track of it all. But what seems like an endless scroll of architectural production doesn't quite fit with the popular movements surrounding resource sharing and community. 

Hidden among the mass production that has defined architecture in the last century is a germ - one that seems to be marching to the forefront of practice today. More and more designers seem to be taking on locally-focused and/or adaptive reuse works. Award shortlists today highlight not icons by recognizable names, but sensitive international works that are notable for their process as much as their product. 

The common image of the architect may be of one obsessed with ego and newness, but practice today doesn't bear that out as much as it used to. This week's news touched on issues of reduction, reuse, and a radical rethink what architecture is in the 21st century. 

Of Le Corbusier's five points of modern architecture (the ribbon window, free design of the façade and ground plan, a roof garden, and pilotis), pilotis are perhaps the most used element in Brazilian modern architecture.

Great school design is more than just a good piece of architecture. Particularly in vulnerable areas with poor public infrastructure, schools symbolize the role of the state and education as a transforming agent for social improvement. They can also become areas for community life, sports, courses, among other uses. Unfortunately, these projects do not always receive the attention they deserve. 

Schools require diverse and complex programs and flows, therefore, developing an educational project is one of the greatest challenges for architects. Due to the economy, rationalization, and speed of work, Brazil's largest portion of school projects are designed from prefabricated concrete elements with rigid modulations and, in rare cases, steel. But what may seem to limit at first, can actually become an exercise in structural creativity. 

In an attempt to elucidate the systems used to materialize these projects, we've selected a compilation of seven prefabricated schools in plan and section to create incredible spaces for learning. 

Home automation, or Domotics, is a set of technologies applied to a residence to control lighting, climate, entertainment systems, and appliances. Its systems allow for efficient management of energy consumption, security, accessibility, and the general comfort of the building, becoming an important issue to consider when designing, building, and living.

Domotic systems are based on the collection of data by sensors, which are then processed to issue precise orders to the executors, varying the environmental quality of each enclosure according to the needs of the user. The pace of current life and the technological advances we have experienced in recent years have led to new ways of living, motivating the design of homes and more human, multifunctional and flexible buildings. What was once a luxury is now a feasible and effective solution for all types of projects.

In this article, we've compiled a collection of smart homes where domotics have been used.

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Videos

Architect and photographer Romullo Fontenelle of FLAGRANTE studio shared with ArchDaily a series of photographs from the recently inaugurated Japan House Sao Paulo, a project by Kengo Kuma in partnership with the local office FGMF Arquitetos.

The global initiative by the Japanese Government aims to "create a vision of contemporary Japan." Opened May 2018, Japan House combines art, technology, and business to offer an escape to present day Japan. 

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This article was originally published on CommonEdge as "Was Modernism Really International? A New History Says No."

I taught architectural history in two schools of architecture during the 1980s and 1990s. Back then it was common for students to get a full three-semester course that began with Antiquity and ended with Modernism, with a nod to later twentieth-century architecture. My text for the middle section was Spiro Kostof’s magisterial History of Architecture: Settings and Rituals. With many centuries to cover, he spent very little effort in dealing with the twentieth century. In the last third of the course, students read texts such as Towards a New Architecture by Le Corbusier and Reyner Banham’s Theory and Design in the First Machine Age. My colleagues and I felt that we offered students a pluralistic and comprehensive review of key developments in the history of the built environment.

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At IE School of Architecture and Design, we know that the world of work is changing so fast that we cannot always keep up. Industry disruptors, such as emerging technologies, are unsettling the setup of the traditional office. Workforce demands, the ongoing talent war, and the threat of job replacement by AI all contribute to a workforce under tremendous pressure, creating new dynamics at work.

Johnston Marklee has rapidly become one of the US’ most exciting practices. After years of completing sensitive and complex domestic-scaled works in Los Angeles, the office vaulted to prominence after being selected to curate Chicago’s 2017 architecture biennial. Since then they’ve completed and embarked on numerous significant projects - none more so than the Menil Drawing Institute.

This article was originally published on Metropolis Magazine as "Opinion: We Can't Go on Teaching the Same History of Architecture as Before."

Architectural students of my generation—the last of the baby boomers, starting college in Europe or in the Americas in the late 1970s—had many good reasons to cherish architectural history. Everyone seemed to agree at the time that the Modernist project was conspicuously failing. Late Modernist monsters were then wreaking havoc on cities and lands around the world, and the most immediate, knee-jerk reaction against what many then saw as an ongoing catastrophe was to try and bring back all that 20th-century high Modernism had kicked out of design culture: history, for a start. I drew my first Doric capital, circa 1979, in a design studio, not in a history class (and my tutor immediately ordered me to scrape it, which I did).

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Mexico is a country known globally for its traditional and contemporary architectural elements. The construction techniques characteristic of each region and the use of materials according to thermic, economic, or aesthetic needs result in unique spaces.

Bamboo as a constructive or decorative element, coating, facade, or roof has proven its superiority over materials such as plastic and steel.

While it is true that research on this material has advanced significantly in recent years, we know that there is still much to learn. Many architects are seeking knowledge from the past to apply to their current techniques. Below, we've selected a list of 8 Mexican projects that explore the use of bamboo in the hands of architects and artisans.

Architecture as a profession today struggles with questions of relevance, with core questions surrounding the issue of whether it can create cultural vibrancy and meaning for the diverse world it serves. Within our own design community, we tend to give a lot of sway to an “exclusive tier” of architects who provide leadership and vision. While this leadership is critically important to the profession, it only corresponds to 2% of what gets built. Take it from Frank Gehry, whose 2014 comment still rings in our ears: “98% of everything that is built and designed today is pure sh*t. There is no sense of design, no respect for humanity."

If we embrace the importance and unique value of all things built on a wider range, we need to ask ourselves: how have we served and rewarded our peers responsible for creating this other 98%?  Where should we set the bar for the emotional-artistic qualities of mainstream architecture?

Inverted king post trusses are made of steel bars and cables used to reduce bending, deformation, and a trusses’ height. In other words, they are a collection of continuous beams (steel or wood) and steel cables that are positioned under the beam, supported by an upright king post. Although slender, they are suited for large spans and have small sections.

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This article was originally published on CommonEdge as "The Kids are Alright."

Economics and technology affect every profession. But since World War II perhaps no profession has experienced more technological change than architecture. These shifts occurred, paradoxically, within a well-established professional model of personal development: The guild structure of learning in the academy, then becoming professional via internship leading to licensure, has been the structure of practice for almost two centuries.

Once upon a time manual drafting with graphite or ink was applied by white males, and a single sheet master was reproduced with typed specifications added, and buildings were constructed.

That world no longer exists.  

In the planning and construction of buildings and landscapes, it’s important to recognize the strong correlation between design and construction during the different stages of a project. In fact, these stages can best be viewed as an integrated process where one won’t work without the other.

To fully understand how these stages work together, let’s break it down. Simply put, architecture design is the process of creating the layout of a construction project. It’s usually presented through detailed plans, drawings, and specifications. On the other hand, construction planning is a process of identifying steps and resources required to turn those designs into physical reality.

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Alain de Botton’s Living Architecture project - a joyful, democratically-minded concept to share quality architecture in the UK - was borne out of personal crisis. The Swiss-born philosopher and author gained fame in both popular and architectural circles following the release of his book, "The Architecture of Happiness."

The book was immediately successful (movie buffs may recall its brief cameo in the 2009 film 500 Days of Summer), but the response unsettled Botton. “...However pleasing it is two write a book about an issue one feels passionately about," he explained to Assemble Papers, "the truth is that - a few exceptions aside - books don’t change anything. I realized that if I cared so much about architecture, writing was a coward’s way out; the real challenge was to build.”

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