
In 1972, Caetano Veloso announced in the song Triste Bahia that “the steamboat from Cachoeira no longer sails on the sea.” Indeed, ours is a generation unfamiliar with Salvador's nautical capacity, since most of us have not had the opportunity to experience the daily rhythm of a port city. A brief look at the records of photographers such as Marcel Gautherot, Pierre Verger, and Lázaro Roberto, from the 1950s to the 1970s, reveals that the daily dynamics along the waterfront were vastly different from those of today.























