By now you have probably heard that UNStudio, the Dutch firm led by Ben van Berkel and Caroline Bos, is on target to relaunch this June as an open-source web-based knowledge hub… that, by the way, will still pursue adventurous architecture. We could say they are “launching” this initiative, but it seems more accurate to say they themselves are “relaunching”.

Because of the difficult economic climate in Europe, van Berkel and Bos began to reimagine the practice along the lines of something more fluid, flexible, and agile, a knowledge-based approach to how they work within the office and how they engage the larger world. They are basing this around four topics or “knowledge platforms”: sustainability, materials, organization, and parametrics.

After years of production, the documentary film Archiculture is set to premiere at this year’s Newport Beach Film Festival, which will commence on April 25th. Highlighting a group of students amidst their final design projects, the film illustrates the strengths and perils of architectural education. Shigeru Ban, Thom Mayne, Ken Frampton and Phil Bernstein are some of the leading architects, educators and historians that will be featured in the film and offering insightful criticism about studio-based, design education as it exists today.

Check out the trailer above and continue after the break for more information. 

Since June, we've been reporting on the Design Corps and SEED (Social Economic Environmental Design)'s, SEEDocs, a series of mini-documentaries that highlight the stories of award-winning public interest design projects. As each mini-doc has been an excellent, inspiring exploration of the challenges and benefits of community-oriented design, we are pleased (and not a little sad!) to announce that the final seed-doc has just been released.This month's mini-doc, probably the series' best, focuses on the Nyanza Maternity Hospital, designed by MASS Design Group. MASS of course garnered much attention for their Butaro Hospital, also in Rwanda (for an interesting inside-look at the construction of Butaro, read this excellent article by MASS co-founder Marika Shiori-Clark). Should this hospital be funded and realized, it will no doubt make more headlines for the innovative public-interest design firm. Read more about MASS Design Group's lastest project in Rwanda, after the break...Part of what sets MASS Design Group apart is their receptive, "open slate" approach to projects. As Sierra Bainbridge, Director of Implementation at MASS, explains in the doc: "we don't come in with any ideas, at all, about what's going to happen - just a very very long list of questions. We can only build a very good building if we check in and understand, every step of the way, that we are understanding the clients the way that they intend for their needs to be understood."Of course, as Ms. Bainbridge points out in the doc, sometimes the clients themselves - the nurses, doctors, and patients who use the facility - don't even know how their needs could be better met, since they have gotten so used to their current, sub-par facility, a dilapidated structure built in 1931. This is where the experience of the architect comes in. With one of the highest infant and maternal mortality rates in the world, Rwanda loses over 40,000 infants, toddlers, and mothers each year; deaths that, in about 50% of cases, could have been prevented with improved hospital care. MASS Design has isolated one of the major factors in these preventable deaths: poor air circulation. When patients sit in crowded, stuffed hallways-come-waiting rooms, disease spreads rapidly. The very buildings that were designed to heal, actually kill. And so, the crowning features of MASS's design for the Nyanza Maternity hospital are solar chimneys – "a new ventilation concept that pulls fresh air up throughout the building, dramatically reducing the potential spread of disease." With the design completed, now the project only lacks donor funding to come to fruition. Please share the video, and the word, about this extraordinary project - we'll be waiting to publish it on ArchDaily once it's built. Did you miss the other SEEDocs? See them all:

• Maria Auxiliadora School - On August 15th, 2007 a powerful earthquake hit the region of Ica, Perú, destroying the small Maria Auxiliadora School. The first responders left after a matter of months, but the damage remained. With help from Architecture for Humanity Design Fellow, Diego Collazo, the community decided to take the school’s – and their children’s – future into their own hands.
• Escuela Ecológica- In this school in Lima, Peru, students learn in small, dark rooms and play in the dirt. The community desperately wanted a park where the children could play and a school where they could comfortably learn. With the help of a local architect and a group of professors and students from the University of Washington, the community is making those dreams a reality.
• Bancroft School Revitilization - In Manheim Park, a low-income, neglected neighborhood in Kansas City, Missouri,there was an abandoned, abestos-ridden school that no one used - until residents approached BNIM Architects with the idea of turning it into a revitalized community center. With the help of the Make It Right Foundation, BNIM collaborated with the neighborhood to design a multi-use center with affordable housing units, a health clinic, and public gathering space.
• The Grow Dat Youth Farm - A brilliant example of “Urban Agri-puncture” (a strategy that uses design & Urban Agriculture to target a city’s most deprived, unhealthy neighborhoods), changing the lives of New Orleans youth. Central to the farm’s development has been the creation of a campus, designed and constructed by students enrolled at the Tulane City Center, who turned an abandoned golf course to an energy-efficient, organic farm sensitive to regional climate.

Becoming a destination in itself and potential catalyst in the future urban growth of Abu Dhabi, the Zaha Hadid designed Sheikh Zayed Bridge was conceived in a highly mobile society that requires a new route around the Gulf south shore, connecting the three Emirates together. Hufton+Crow shared with us their photos as they capture the many viewpoints of this sinusoidal waveform structure. A complete gallery of images after the break.

When we see another Eiffel Tower, idyllic English village, or, most recently, a Zaha Hadid shopping mall, copied in China, our first reaction is to scoff. Heartily. To suggest that it is - once again - evidence of China’s knock-off culture, its disregard for uniqueness, its staggering lack of innovation.

Even I, reporting on the Chinese copy of the Austrian town of Halstatt, fell into the rhetorical trap: “The Chinese are well-known for their penchant for knock-offs, be it brand-name handbags or high-tech gadgets, but this time, they’ve taken it to a whole other level.” Moreover, as Guy Horton has noted, we are keen to describe designers in the West as “emulating,” “imitating,” and “borrowing”; those in the East are almost always “pirating.”

However, when we allow ourselves, even unconsciously, to settle into the role of superior scoffer, we do not just the Chinese, but ourselves, a disservice: first, we fail to recognize the fascinating complexity that lies behind China’s built experimentation with Western ideals; and, what’s more, we fail to look in the mirror at ourselves, and trouble our own unquestioned values and supposed superiority.

In the next few paragraphs, I’d like to do both. 

Ever since the New Republic published Lydia DePillis's piece entitled "If you Rebuild it, They Might Not Come" - a criticism of the progress of Brad Pitt's Make It Right Foundation - numerous blogs and journals have been in a uproar, defending Make It Right's efforts at rebuilding the vastly devastated Lower Ninth Ward and presenting a much more forgiving perspective on the progress of the neighborhood since the engineering disaster that exacerbated the effects of Hurricane Katrina in 2005. To date, 86 LEED Platinum homes have been designed and constructed by world-renowned architects including Frank Gehry and Morphosis, at a cost of approximately $24 million. Make It Right has promised to build up to 150 such homes, but DePillis's article points out how amenities in the neighborhood are low and how the number of residents returning to the neighborhood is dwindling. Make It Right has made a commitment and the debate that ensues questions whether it is going far enough in delivering its promise to rebuilding community.

Find out more after the break.

It's not everyday that Peter Goldberger, former New York Times architecture critic, says an architect's work stands out for its "clarity, simplicity, and grace.”

And it's even rarer that Goldberger would choose those words - not for a new museum, chapel, or university building - but for a small pre-fabricated house. However, the pre-fab homes of Rocio Romero are lightyears away from the Sears catalog homes of yore, and more than deserving of the high praise they've garnered.

Romero has been making headlines ever since she introduced the LV house, her line of affordable, modern pre-fabricated homes, over ten years ago. With pre-fab becoming everyday more mainstream, we decided to sit down with Romero to find out what inspired her to enter in the world of pre-fab, what sets her designs apart (and why they have garnered such a fervent following), and what she sees as the future of pre-fabricated design.

Read the interview with Rocio Romero, after the break...

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From April 7th through the 13th, the American Institute of Architects (AIA) will be hosting National Architecture Week in an effort to increase public awareness on the role architects play as a force for positive change in our communities and to elevate the public’s appreciation of design.

Similar to previous years’ observances, National Architecture Week will be virtual and composed of daily pinboards on the social networking site, Pinterest, and an Architecture Is Awesome contest on Instagram. The intent is to use the two social networking platforms to showcase architects’ good designs and encourage architecture fans to share their thoughts and engage with like-minded professionals during the week.

Five Ways You can Take Part in National Architecture Week:

Mercer, a consulting leader that helps other organizations around the world advance the health, wealth and performance of their employees, releases a survey annually that helps multinational companies and other organizations compensate employees when placing them on international assignments. Their survey for the year 2012 evaluates over 221 cities around the world on their quality of living with New York City as the base city and highlights several trends that can add onto what we as designers and urban planners believe makes a city successful and livable.

Read on for the 2012 results.

Context in architecture has become a subject bloated with discussion and debate over the years. And, as a matter of fact, it has come to matter very little in its formal and typological sense. Take, for instance, the fluid forms that compose Zaha Hadid’s hundreds of projects around the world, or Frank Gehry’s exploding compositions seen from South America to the unmistakable Guggenheim in Bilbao. The form architecture takes in these cases, and countless others, is in itself a deliberate disregard towards context in its literal sense.

But is this disregard for context a mistake? Observers would often say so, though I would like to disagree. It has become frequent that projects like these, largely formal and not politely accommodating their historic surrounding, actually take greater interest in social urban issues that have a direct impact on the city dwellers. Quite simply, successful architecture today is one that serves society culturally and practically, addressing tangible problems of 21^st century cities and dealing with context in a solution-oriented manner, going beyond aesthetics (whose value is only temporary) and into future-invested urbanism. Case-in-point? My hometown: Beirut, Lebanon.

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The estimated cost of Apple’s Cupertino City headquarters has escalated from an already hefty price of $3 billion to $5 billion (more than $1,500 per square foot), reportedly pushing back the original completion date to 2016. According to Bloomberg, Apple is working with lead architect Foster & Partners to shave $1 billion from the “ballooning budget”. Most of the cost is seemly due to Steve Job’s “sky-high requirements for fit and finish”, as the tech legend called for the 2.8 million square foot, circular monolith to be clad 40-foot panes of German concave glass, along with its four-story office spaces be lined with museum-quality terrazzo floors and capped with polished concrete ceilings.

Although lambasted for his ambitious plans and “doughnut-shaped” design, Steve Jobs wanted to create a masterpiece that looked as good as it functioned, just like his products. During a 2011 presentation to the Cupertino City Council, Jobs stated, “This is not the cheapest way to build something... there is not a straight piece of glass in this building.” He continued, “We have a shot... at building the best office building in the world. I really do think that architecture students will come here to see it.”

More after the break...

Robert Venturi has joined nearly 4,000 advocates in the call to retrospectively acknowledge Denise Scott Brown as a joint Pritzker Prize laureate, stating: “Denise Scott Brown is my inspiring and equal partner.”

His support was then quickly followed by Rem Koolhaas, who stated: “I totally support this action. The fact that one of the most creative and productive partnerships we have ever seen in architecture was separated rather than celebrated by a prize has been an embarrassing injustice which it would be great to undo.”

More updates after the break...

Videos

What do MIT’s Building 20, the Ancient Greek Agora, 18^th Century British teahouses, and early 20^th century Parisian cafés have in common?

They were some of the most creative spaces in the world.

People who gathered there would interact. People, such as Socrates or Chomsky or Edison, exchanged ideas, argued about morals, and discussed technologies. They participated in an informal discourse driven by passionate involvement.

And these places, although for different reasons, fostered interaction by bringing people together and giving them a place to talk. As Jonah Lehrer put it, “the most creative spaces are those which hurl us together. It is the human friction that makes the sparks.”

The question, then, is how can contemporary architecture foster the same kind of creativity?

To learn more about architecture and its role in creativity and learning, keep reading after the break.

In an effort to “unlock people’s imaginations” about Penn Station and Madison Square Garden, the Municipal Art Society (MAS) of New York has challenged Santiago Calatrava, Diller Scofidio + Renfro, SHoP Architects and SOM to propose four new visions that exemplify the potential of the highly disregarded area.

The challenge comes amidst a heated debate on whether or not the city should restrict Madison Square’s recently expired special permit to 10 years, rather than in perpetuity as the arena’s owners - the Dolan family - has requested. This would allow time for the city to “get it right” and come up with a viable solution for the arena and station that would not only “improve the safety and quality of life for millions of people but also benefit the economy”. Think Kings Cross in London. With a thoughtful mix of public and private investments, the crime-ridden transfor station was transformed into a thriving cultural destination.

More after the break...

Chicago is set to be the next U.S. city to park-ify on one of its abandoned rail-lines. First proposed back in 1997, the 2.7 mile, 13-acre Bloomingdale Trail and Park is proposed for a stretch of abandoned railway trestle dating from 1910, which has been lying unused since the turn of the century. And, even though it is already being compared to New-York's High Line, the planners are adamant that the park will be an entirely different animal to its New York cousin.

Read more about Chicago's unique proposal after the break...

Last week the UK's Culture Minister Ed Vaizey announced that he was commissioning a review of the country's architecture policy, to be led by Sir Terry Farrell along with a number of high profile advisors, including Thomas Heatherwick, Alison Brooks and Alain de Botton. According to Vaizey, the review, expected to be complete by the end of the year, "will be a rallying point for the profession."

In his article in The Guardian, Olly Wainwright rather hopefully questioned: "might this year-long study result in an innovative new piece of legislative guidance – perhaps along the lines of Denmark's architecture policy, introduced in 2007?" While Wainwright somewhat flatly concludes, "somehow, that seems unlikely," there's no doubt that the UK could only stand to gain from learning from Denmark's innovative policy.

So what lessons could the UK (and the world) learn from the Danes? Read on after the break...

Arguably the biggest buzzword in urbanism right now is the 'Smart City'. The idea, although certainly inclusive of eco-friendly practices, has even replaced “sustainability” as the major intent of cities planning for positive future development. Smart City thinking has been used successfully in countries as diverse as Brazil, the US, the UAE, South Korea, and Scotland (Glasgow just won a £24million grant to pioneer new schemes throughout the city).

But what exactly are Smart Cities? What benefit do they bring us? And, more importantly, how can we best implement them to secure our future?

The answer, in my opinion, lies in the hands of architects.

More on the potential of Smart Cities after the break...

An intense gender debate has been making headlines after Denise Scott Brown called for Pritzker to “salute the notion of joint creativity” and retrospectively acknowledge her role in Robert Venturi’s 1991 Pritzker Prize during an AJ Women in Architecture luncheon in late March. Since, nearly 2,000 advocates have passionately rallied in Brown’s support by signing an online petition created by Harvard’s GSD Woman in Design Group. Among the signatures include architects Zaha Hadid, Farshid Moussavi and Hani Rashid, along with MoMA senior curator of architecture and design Paola Antonelli, architecture photographer Iwan Baan, Rice School of Architecture dean Sarah Whiting, and Berkeley College of Environmental Design dean Jennifer Wolch.

Responding to the outrage, Martha Thorne, executive director of Pritzker Prize, promised to “refer this important matter to the current jury at their next meeting”, respectfully pointing out that this presents an “unusual situation” considering each Laureate is chosen annually by a panel of independent jurors who change over the years.