This conference unveils the latest trends of architectural technologies and computational thinking as a way of improving the performance of computational design software in architectural and engineering discourses. In a fast-paced world and in light of recent technological advancements due to industrialization and globalization, the way we see the universe has changed. That being said, the conference will shed a light on the ways in which parallelism can be integrated into different architectural and computing dialogues through stimulating a discussion on topics of Complex Digital Fabrication, Augmented Reality, Intelligent Environments, Advanced Fabrication Technologies, Big Data and more.
With Coventry designated as the UK City of Culture for 2021, and with many of its post-war architectural masterpieces under threat of redevelopment or destruction, printmaker Paul Catherall thought this a timely chance to create a body of work that reflected on the unique beauty of his hometown.
Paul Catherall has become beloved for his linocuts of brutalist and modernist architecture that are both nostalgic and contemporary. Playing on the phrase ‘Sent to Coventry,’ this exhibition will showcase the underrated beauty of Paul’s home city and its iconic architecture that should be preserved, relating that aesthetic to views of London, where
This landmark exhibition at the Building Centre will explore the potential of stone to revolutionise architecture and construction in light of the current climate crisis. It may seem like an ancient building material but stone has serious sustainability credentials; with the ability to reduce a project’s embodied carbon by an incredible 90 per cent compared to typical steel or concrete frames. The New Stone Age will celebrate the sustainability, practicality and inherent beauty of the world’s oldest natural material.
The exhibition is accompanied by an experimental installation in the Store Street Crescent, in the form of a giant raised stone floor
RIBA presents Forms of Industry, an exhibition of contemporary photographs by Alastair Philip Wiper (1980) and archival images by Eric de Maré (1910-2002) from the RIBA Collections. Separated by more than 50 years, the two photographers share a common interest in industrial buildings and landscapes, yet their differing approaches create a commentary on changing attitudes towards industrialisation and sustainability.
Eric de Maré was one of Britain’s most influential architectural photographers, responsible for raising awareness of the value and beauty of Britain’s overlooked industrial heritage via photographs taken for the Architectural Review in the 1950s and 1960s. A selection from RIBA’s extensive
Freestyle by Space Popular at RIBA Architecture Gallery @ Francis Ware
RIBA presents its first virtual reality (VR) exhibition, exploring moments across 500 years of aesthetics in architecture.
What makes a style? How is a style collectively agreed upon and shared? Drawing on RIBA’s world-class collections, Space Popular uses virtual reality to examine styles of the past and to consider the technology’s impact on contemporary spaces and buildings. Historic artefacts will be displayed alongside newly commissioned content, inviting you to enter a beguiling virtual universe to experience how popular cultures and technologies impact architecture and its style evolution.
Making connections across mass media and style, Freestyle takes the visitor on a journey through