Every semester, hundreds of architecture students graduate across the country. After five arduous years of dedication and extensive learning, they have developed an architectural perspective that they put into practice through their thesis projects. This culminating stage of their academic training marks their transition into professionals, reflecting the results of their research, inquiries, and personal motivations—a legacy of how this discipline, according to their vision, can serve the users of cities and the territory. We know that many of these theses exemplify how to address fundamental issues in contemporary architectural practice, not only in Colombia but worldwide.

For this reason, we are launching the fourth edition of our call for entries for architecture theses in Colombia. If you believe your undergraduate or graduate thesis is strong enough to be published on ArchDaily and deserves global recognition, it is time to submit your work via the form at the end of this article.

Brick is one of the most widely used materials in Colombia, helping local architecture stand out globally. This prominence is due to the exceptional quality of the clay found in several regions of the country. Beyond cladding the majority of the buildings that define Bogotá's urban landscape, the material is used in all its forms, from adobe to floor tiles in rural homes.

The exhibition Victims: A Work by John Hejduk materializes the unbuilt work of the New York architect, presented here for the first time by the Leopoldo Rother Architecture Museum at the National University of Colombia. Alongside the scale model of the project, the 67 figures are accompanied by narratives, illustrations, and a short film titled Structures of a Wound.

The iconic ESSO building (now the CAR Building), designed by New Yorker Douglas Lathrop alongside Martínez Cárdenas, and the Pan American building (now the Teusacá building) by Colombian architect Germán Samper—both located across from Bogotá's National Park—are included in the "CAR- Universidad Libre" Partial Urban Renewal Plan, which proposes their demolition.

The traditional brickmaking technique is fundamentally based on molding a mixture of clay and water, placing it in a kiln, and firing it to achieve its characteristic strength. Architect Octavio Mendoza Morales decided to employ this technique to build a unique home, constructed not from individual bricks but as a single, 500-square-meter ceramic piece designed to withstand weathering.

This month, DARP (De Arquitectura y Paisaje) was announced as the winning team of the public competition for the preliminary architectural design of Building A, part of the Physical Development Plan of the University of Ibagué. The project places the university within the contemporary academic architecture landscape that characterizes the national scene.

The degree to which heritage is crucial for the tourism and commercial value of cities like Cartagena is highly debated. As this value rises, the real estate sector invests more heavily in buildings that clash with the historic urban landscape. Especially since Cartagena is a warm, Caribbean, coastal vacation city, massive high-rise developments like Miami are often used as benchmarks. How far can real estate ambition go?

The answer is likely: until the city's long-term interests override those of private developers. This is the case of the controversial Aquarela building, whose already advanced construction was halted following a statement by UNESCO warning that they would remove the walled city of Cartagena from the World Heritage list. Consequently, the mayor of Cartagena reaffirmed his commitment to demolishing the unfinished structure.

In September, we launched the fourth edition of our open call in Colombia, inviting architects to submit their undergraduate thesis projects. In this edition, the call received 104 submissions from more than 15 cities and 25 universities across the country, marking an 11% increase in proposals compared to 2018.

Following an exhaustive evaluation, and to celebrate Architects' Week in Colombia, we present the 13 thesis projects selected as winners by our editorial jury (Fabián Dejtiar, Mónica Arellano, and Santiago Baraya). The evaluation criteria prioritized projects that directly addressed current issues, such as urban, local, social, and environmental contexts.

On June 28, 2019, Barranquilla-born architect Ricardo De Castro was awarded the Bronze A' Design Award in Como, Italy, for his design of the El Marquise Monument to the Magdalena River.

On Thursday, June 13, the new Cinemateca Distrital de Bogotá opened its doors to the public, bringing the seventh art to the edge of the Colombian capital's historic center. 

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Bogotá is a city where urban life is nourished by the experience of inhabiting its public spaces. The urban planning of most colonial Latin American cities is structured around a foundational plaza; in the case of Bogotá, the urban grid is guided by *carreras* running north-south and *calles* running east-west. Over time, key recreational areas have established themselves across the urban landscape, gaining prominent significance within the city.

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The armed conflict in Colombia has left a mark through the experience of every Colombian—each one unique, none more or less significant than the other. The National Museum of Historical Memory commissioned Antonio Yemail and an interdisciplinary team to physically manifest its narrative through the impact on land, water, and the body.

The Madrid Institute of Architects has provided a space for El Equipo Mazzanti + horizontal for a dynamic exhibition of their career, showcasing their pedagogical design process through play—a methodology characteristic of the firm led by Colombian architect Giancarlo Mazzanti. The exhibition is on view at COAM until January 24.

Urban Sketchers Bogotá held its third exhibition through a competition organized in partnership with the Colombian Society of Architects and the Bogotá Public Space Biennial (BEPBOG) at the beginning of this second half of the year. Building on the momentum of the inaugural BEPBOG, the contest aimed to promote freehand graphic representation of the city's 30 most iconic public spaces.

Through elements that once served a functional purpose in architecture—such as door frames, scaffolding, wheelbarrows, planters, or chairs—Colombian artist Sebastián Dávila assigns them a sculptural use, transmuting this obsolescence into the foundation for creating new scaled spatialities in cast concrete. In conversation with ArchDaily, the artist, sculptor, and near-architect explains how merging art and architecture transcends the stereotomic quality of concrete-generated space.

In Bogotá, a third of all households live in gated communities. This phenomenon is a misguided application of the model idealized by post-war American suburbs, which projected an idyllic, safe, happy, and perfect life—a life where mobility prioritizes motorized vehicles, utilizing simple, replicable, and, of course, highly profitable construction models.

Ciudad Isla is an exhibition by architects and professors at the Universidad Nacional de Colombia, Ramón Bermúdez and Sebastián Serna, in collaboration with the Institute of Science, Technology and Policy (ISTP) at ETH Zurich, which brings this issue to light. It presents a collective research project on gated housing complexes and their relationship with public space in the city of Bogotá.

The National Architecture and Urbanism Award, presented by the Colombian Society of Architects (SCA), recognizes projects that outstandingly showcase the finest contributions to Colombian architecture.

Over the next five years, Bogota will inaugurate a series of public and private projects across the city, from skyscrapers to Felicidad Centers, highlighting those resulting from public architectural design competitions, legally managed by the Colombian Society of Architects.
Below, explore the main projects set to open: