B.S. in Architecture and Master of Architecture from Ohio State Knowlton School. Master of Science in Real Estate Development at Columbia University. Senior Contributor at ArchDaily. New York, NY. Interested in strategic development of cities at the intangible scale.
New York City is one of the most exciting places in the world. As an epicenter for the arts, media, and culture, New York has a rich history and a promising future, told mainly through its architecture. Perhaps more known for iconic buildings like the Empire State Building and the Chrysler Building, or even mega-tall residential towers like 432 Park Avenue that have been on the rise, New York also has an abundance of buildings that tell a different story about the history of the Big Apple.
Las Vegas, sometimes known as Sin City, is perhaps the most famous desert metropolis where people gamble, and indulge in entertainment, and other vices. Each year, the city is visited by hundreds of millions of tourists who come to see its flashing lights and round-the-clock nightlife. Las Vegas has garnered so much attention that even Robert Venturi and Denise Scott Brown sought to study its urbanism, concluding with their theories on duck and decorated shed buildings in the early 1970s. But 50 years later, Vegas is still a city that constantly reinvents its architectural identity.
A home is one of the most significant architectural typologies that we experience throughout our lives. Largely serving as a significant private space, a home represents safety, ownership, and a sense of respite away from the rest of the world. It’s also historically been a place of routine, where we both begin and end our day, following the same patterns through different rooms of a home that we utilize. We can expect to sleep in our bedrooms, relax in a living room, cook in a kitchen, and eat in a dining room.
Architecture is never an accident. It is a carefully planned out scheme of patterns and styles that respond to natural surroundings, celebrate materiality, and/or are referential of stylistic movements throughout history- all a means of understanding why things are the way that they are. There are different ways to understand how to analyze architecture, through the use of diagrams, patterns, relationships, and proportions to name a few. To both architects and laypeople alike, there’s a subconscious desire for a decision-making structure in design. As a result, architecture has become an exercise in self-positioning- a microcosmic reflection of the world around us as seen in the designs we build.
Baby Boomers, Gen X, Millennials, and Gen Z have long dominated the conversation around how different generations influence architecture and the built environment. From views around city planning and zoning efforts to the great debate about whether workplaces should be completely open or office-intensive, each generation has had its strong opinions about how spaces we inhabit are designed- largely shaped by the socio-economic, political, and technological influences that have shaped our lives in different ways. Looking ahead, what can we expect next? Enter Generation Alpha, the first generation born entirely within the 21st century.
Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.
Land use and zoning laws have been a trending topic in recent years, gaining significant public attention across the United States. People are beginning to rethink the ways that our cities have been planned, seeking ways to improve their quality of life- and it often stems from codes and policies that dictate what can be built and where. Zoning that is too restrictive often makes it difficult for developers to build necessary projects such as multi-family housing. But when zoning is too loose, it creates neighborhoods that aren’t walkable and don’t have a strong sense of community.
The scene is almost identical, no matter which borough of New York City you’re in. Narrow sidewalks are lined by mountains of trash bags and other large objects, waiting for their turn to be taken away by the fleet of sanitary workers and trucks who will dispose of them. Large rodents seek shelter in their temporary plastic homes, feeding on discarded scraps, becoming a regular sighting for New York City residents. The City That Never Sleeps has a bigger problem than the flashing lights and noisy streets- it’s all of the trash that’s left to sit out on the sidewalks.
Cartography, or map making, has played a critical role in representing spatial concepts for thousands of years. While the earliest forms of maps displayed geographic information carved into clay tablets and etched onto cave walls, the maps we use today have significantly evolved to creatively show a range of different information. These visualizations draw conclusions about population sizes, historical events, cultural shifts, and weather patterns to help us understand more about our world and how we impact it.
In the 19th century, many Americans living in up-and-coming cities and towns oftentimes found themselves strolling through the winding paths of curated gardens, stopping to rest under the shade of a tree and share a picnic with family and friends. Dotted across the grassy areas were headstones, marking the burial locations of those who were laid to rest. While the concept of relaxing in a graveyard seems a bit taboo in the present day, it was sometimes the only option for people to find space for recreation and leisure and was one of the earliest examples of a public park. Many of the parks we have today were actually caused by the evolution and planning of historic cemeteries.
On January 21, 1958, three women sat down as contestants for an episode of the popular television show “To Tell the Truth”, a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks “What is the name of the building that was torn down to build Union Carbide?” The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, “Hotel Margery.”
Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it’s astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.
There are significant deficiencies in how our cities worldwide operate and serve the people who live in them. Bureaucracies, red tape, and other limiting processes that publicly drive our cities towards their futures are often the aspects that cause change to happen at such a slow pace that by the time an issue is addressed, five more have popped up in its place. Over time, society has come to accept that when the systems we have in place don’t do much to serve our needs, it forces us to turn to alternatives to advocate for change. Some urban issues have found the best solutions after initiating social movements and the formation of grassroots groups.
For nearly a century, the areas of urban sprawl where every single-family home has its own yard, garage, and white picket fence represented the peak of life aspiration. Homeownership and the idea of claiming space away from the hustle and bustle of the city core was once considered the ideal lifestyle and the pinnacle of the American Dream. But as time went on, and socio-economic conditions shifted, cities that were once filled with these single-family homes realized that perhaps these zoning regulations were outdated, and new solutions needed to be created to prevent the current housing crisis from growing even more out of control.
Envision your ideal neighborhood. Maybe it’s on a cul-de-sac in the suburbs, where every neighbor has a well-manicured lawn, a two-car garage, and everyone gives each other a friendly wave on their way to work. Or maybe you live in a high-rise building in a dense urban center, where you take public transit to the office five days a week and say hello to your doorman on your way out. Whatever your neighborhood might look like, there’s always a sense of wanting to know the people who live around your- or at least an unspoken reliance on one another to ensure that your surroundings are safe. What happens when technology brings you and your neighbors together to report on local happenings? Is it a good thing, or does it create a vigilante situation gone awry?
How we plan our cities, suburbs, and rural communities is a constantly evolving set of goals essential for creating sustainable cities. Not only do we need to consider what lies within these areas, but we also need to effectively design the boundaries between each, where urban meets suburban, and where suburban meets the small town. In recent years, urbanists have paid close attention to urban sprawl, or what sometimes happens when towns rapidly grow outwardly from city centers. What happens when cities seem to “sprawl” out of control, and are the design principals behind New Urbanism able to turn urban sprawl into equitable communities?
Chicago, The Windy City, Chi-Town, or The Second City. It’s a place that is known by many names, but to architects and urban planners alike, it’s famous for its history which has given us some of the best-known buildings and important advancements that have helped to shape other cities across the United States. From its inception, Chicago has long served as an architectural hub for innovation.
Multi-day stretches of camping in tents and sweltering under the hot summer sun to be 100 rows back at your favorite musical artist’s set? It must be music festival season. As the year comes to a close, with music festivals returning in full swing after a COVID-19 hiatus, it’s important to understand the socio-economic impact that they have on the cities that host them, long after the final set performs. Do the short-term entertainment and monetary benefits outweigh the long-term urban inequities that they might exacerbate?
Many urban planners predict that by 2050, more than 6 billion people will live in cities, and in places where building outwards isn't an option, the only way to keep up with the growing density is to build up. Building taller always comes with numerous challenges and also a not-so-subtle competition for architecture firms to have their name tied to the biggest buildings. Almost as fast as a building is named one of the tallest in the world, another one makes its way to the drawing board, a few years later taking the title. While the sky’s the limit, how does this impact the constructability of projects, and what feats of construction methods and materials have enabled us to build into the clouds?
