James Lord on Storytelling in Design and the Homogeneity of the Public Spaces

James Lord on Storytelling in Design and the Homogeneity of the Public Spaces
James Lord on Storytelling in Design and the Homogeneity of the Public Spaces - Image 2 of 2
James Lord. Image Courtesy of The Midnight Charette

The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by James Lord, Landscape Architect & Founder of Surfacedesign, to discuss the homogeneity of our streets and public spaces, his transition from architecture to landscape architecture, stories about Pierre Koenig and saving endangered frogs, the most common struggle Landscape Architects face in projects, storytelling in design, and much more. Enjoy!

Highlights & Timestamps 

James discusses the homogeneity that is overtaking any of our cities and why most streets have been made generic (00:00)

In some ways we have been made numb by the environment that has been created by the box-checkers. We’re trying to fight for poetry and beauty as the motivating force rather than ‘how many rebar’ or ‘that’s not the right yellow’d warning strip’. Things can be done a different way. (05:50)

James discusses not having a distinguishable style and its relationship to the history of landscape architecture. (08:00)

James discusses the car-dominated streetscape and struggling to inform people of the importance of landscape. (16:00)

What do we need to do to improve our streets? (23:30)

They (Auckland, Zealand) too had the typical engineered approach to everything and they decided, “No, we’re going to reimagine our streets. We’re going to test shared streets where you have streets where bike and cars and people all co-mingle on the same plane.” And the character of the sidewalks are of materiality that is from the place. [...] So you start to get the psyche change because now your co-mixing all these cars are slowing down and people are getting a little more, aware but they’re more confident that they can circulate unimpeded in ways that make them enjoy the environment rather than running from corner to corner trying not to get killed. (26:30)

Issues the automobile brings to cities. (30:16)

James discusses his education as an architect and his transition to landscape architecture. (35:17)

On the Los Angeles riots - “I worked on part of ‘Rebuild LA’ at that time to bring it back. But again just more and more it just hit you over the head that there was no release valve. There’s not place for people to engage on a large scale. There’s no Central Park. There’s not Golden Gate Park. In a sense that motivated me to rethink, and I applied to the GSD in Landscape Architecture and in Architecture with Urban Design. It was really that shock that your city and everything that you that was could turn on a dime. And to see it happening again now is heartbreaking.” (43:37)

James recalls his time working as a masterplanned of the Sydney Olympics and saving endangered species of animal as part of the plan. (45:40)

James discusses the ephemeral nature of landscape architecture and seeing results after much time has passed. (48:40)

James discusses the challenges of conveying the value of a landscape architecture design to clients. (56:11)

James discusses the importance of storytelling in design and how it is used and the impact it has on end-users. (01:01:43)

The distinctions between landscape architecture, architecture, and urban design. (01:10:44)

The structure that the architect is the conductor, maestro, and god-like character, over the years has slowly worn off. George Hargreaves and others really challenged that these urban environments shouldn’t be run by architects and more by landscape architects. Because it’s much easier to talk about parks and softscapes in a positive rather than some of the monumentality that the profession of architecture had taken itself down to. So that little break in the chink of the armor allows landscape architects and urban designers to break in to that world and I think it’s gotten a lot richer. The mushiness or blurring of the lines of who’s running what and where is a good thing. (01:12:04)

James discusses the challenges and fun of taking on a variety of projects and not being ‘diamond-shiters’. (01:18:21)

I think someone that holds their cards too tight, or as I call the diamond-shiters of the world, when you throw a lump coal up the ass and they shit diamonds because they’re so intense and need to get it exactly perfect are doing themselves and body damage. They’re literally psyching themselves out for someone that they can never achieve. You can’t achieve perfection. I just don’t believe that… and when you do… it’s stale. And it’s done. And it’s over. Having looseness and knowing that nothing’s every perfect is sort of a relief.

James shares what Pierre Koenig was like. (01:20:32)

James discusses the strong community that bonds landscape architects together. (01:22:59)

The most common challenge that Landscape Architects face. (01:26:16)

About this author
Cite: The Second Studio Podcast. "James Lord on Storytelling in Design and the Homogeneity of the Public Spaces" 16 Aug 2020. ArchDaily. Accessed . <https://www.archdaily.com/945758/james-lord-on-storytelling-in-design-and-the-homogeneity-of-the-public-spaces> ISSN 0719-8884

More interviews from ourYouTube Channel

You've started following your first account!

Did you know?

You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.