Architects: Bjarke Ingels Group
- Area: 6800 m²
- Year: 2019
Manufacturers: Les Durcisseurs Francais
- Architect In Charge: Bjarke Ingels, Jakob Sand
- Project Managers: Karim Muallem, Gabrielle Nadeau
- Project Leaders: Karim Muallem, Gabrielle Nadeau, Xavier Delanoue, Francesca Portesine, Pauline Lavie-Luong
- Design Team: Agla Sigridur Egilsdottir, Alvaro Garcia, Amro Abdelsalam, Anis Souissi, Anna Juzak, Aurelie Frolet, Catalina Rivera, Christian Lopez, Clementine Huck, Dimitrie Grigorescu, Emily Pickett, Emine Halefoglu, Enea Michelesio, Ethan Duffey, Étienne Duval, Filip Milovanovic, Francisco Javier Sarria Salazar, Gerhard Pfeiler, Hugo Yun Tong Soo, Hye-Min Cha, Jakob Lange, Janie Green, Joanna M. Lesna, José Carlos de Silva, Katarzyna Swiderska, Laurent de Carnière, Lucas Stein, Lucian Racovitan, Malgorzata Mutkowska, Marie Lancon, Miguel Rebelo, Monika Dauksaite, Paula Domka, Philip Rufus Knauf, Quentin Blasing, Rahul Girish, Ramona Montecillo, Raphael Ciriani, Sergi Sauras i Collado, Stefano Zugno, Taylor Fulton, Terrence Chew, Thomas Sebastian Krall, Thomas Smith, Tomas Karl Ramstrand, Tracy Sodder, Yesul Cho
- Client: GALERIES LAFAYETTE GROUP
- Local Architect: SRA Architectes
- Cost Consultants: Cabinet Vanguard
- City: Paris
- Country: France
Text description provided by the architects. Located on Paris’s iconic Avenue des Champs-Élysées, the historic Art Deco bank building from 1932 is uncovered by BIG-Bjarke Ingels Group to create a carefully curated retail laboratory for the world’s leading fashion, food, and lifestyle brands — merging a new hybrid retail model that bonds with the surrounding city.
BIG’s design pays tribute to the tactility and texture of the historical building. Throughout the store, visitors encounter precious materials and refined details from the past that are reinterpreted and deployed in a contemporary way. Walking around the lofty gallery-like space is an experience in moving through a composition of architectural elements that operate at the scale of furniture and defined in experiential shopping zones.
"Shoppers are invited into the building through an inverse canopy on the street level. A glowing bridge ushers life into the heart of the building: a dramatic circular atrium covered by a monumental glass cupola that has been restored and uncovered for maximum daylight. The entire store unfolds on the ground floor and creates a bright new urban living room for brand activations, fashion shows, and other special events. A grand staircase, which doubles as an auditorium during events, takes visitors to the mixed-use space on the first floor occupied by creative and emerging brands, as well as a denim lab, jewelry display, limited edition sneakers, and tech products. A continuous golden ring of perforated metal wraps around the columns and creates a series of rooms and alcoves facing the atrium.
“To create an invitation to enter, ascend and explore, we have designed a handful of elements that find themselves at the intersection of architecture and furniture. Rather than messing with the old bones of the building or delineating function with walls – the program has been provided with a family of pavilions that may change and transform over time. The raw space has an almost urban scale and character that makes it capable of accommodating even the wildest interventions, which makes me excited to imagine what I might expect to find here next time I come back. And it shows me that Galleries Lafayette is not only opening a new department store on Champs-Élysées, rather, they have opened up a new urban room for the Parisians,” continued Bjarke Ingels.
From the ground floor, visitors are immediately able to see the upper levels, enticing them to explore the different destinations and activities. The escalators are finished in warm metal and a ribbon of glass from the same material palette as the central atrium. Exploring the store and its different levels is a discovery of carefully curated environments where furniture is never only storage: interweaving carpets become dressing rooms, countertops are a sculptural stack of elements and magic carpets for the shoe display double as furniture for shoppers to sit and try the footwear.
“When we inherited this incredible space from 1932, most of the beautiful materials and Art Deco elements were covered with black painted drywall, the skylight was blinded by sheetrock and the connections to the outside had disappeared. We focused on the heart of the building and preserved all of its precious materials and refined details, wrapping them in gallery-like spaces. The historical architecture is supplemented by the raw qualities of ceiling heights and abundance of daylight,” said Jakob Sand, Partner at BIG.
The upper levels of the store are further refined and continue the idea of furniture as an artifact. The top floor features a series of suspended glass vitrines that resemble independent objects and can host a variety of experiences and activities visible from the lower levels. Visitors can take a break from shopping and in the Oursin restaurant while enjoying views to the city or relax at the Citron coffee lounge, both designed by French fashion designer Simon Porte Jacquemus and operated by Caviar Kaspia. Meanwhile, a Parisian food court in the entire lower level, where groceries and eateries are divided into sweet and savory sections and where massive counters are arranged around welcoming shared tables.