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  1. ArchDaily
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  3. Museum
  4. Canada
  5. Patkau Architects
  6. 2016
  7. Audain Art Museum / Patkau Architects

Audain Art Museum / Patkau Architects

  • 09:00 - 9 June, 2017
Audain Art Museum / Patkau Architects
Audain Art Museum / Patkau Architects, © James Dow / Patkau Architects
© James Dow / Patkau Architects

© James Dow / Patkau Architects © James Dow / Patkau Architects © James Dow / Patkau Architects © James Dow / Patkau Architects + 47

  • Structural

    Equilibrium Consulting
  • Mechanical/ Electrical

    Integral Group
  • Lighting

    HLB Lighting Design
  • Civil

    Creus Engineering
  • Landscape

    PFS Studio / Tom Barratt
  • Code

    LMDG
  • Building Envelope

    Spratt Emanuel Engineering
  • Floodproofing

    Kerr Wood Leidal
  • Geotechnical

    Geopacific Consultants
  • Snow Management

    Mountain Resort Engineering
  • Signage

    Gallop Varley
  • Museum Consultant

    Lord Cultural Resources
  • Exhibition Design

    Bricault Design
  • Construction Manager

    Axiom Builders
  • More Specs Less Specs
© James Dow / Patkau Architects
© James Dow / Patkau Architects

Text description provided by the architects. The form and character of the Audain Art Museum is deliberately restrained to provide a quiet, minimal backdrop to the art within and the surrounding natural landscape. The simple form of the exterior is clad in an envelope of dark metal which recedes into the shadows of the surrounding forest. Where this envelope is opened, to provide access in the entry porch or view from the glazed walkway to the galleries, the dark metal is overlaid by an inviting luminous wood casing. Public spaces in the interior, which are visible from the exterior, continue this warm luminous materiality.

© James Dow / Patkau Architects
© James Dow / Patkau Architects
Ground Level
Ground Level
© James Dow / Patkau Architects
© James Dow / Patkau Architects

Project Description
The Audain Art Museum is a 56,000 square foot private museum located in Whistler, British Columbia. It will house Michael Audains personal art collection which traces a visual record of British Columbia from the late l8th century to the present day. It includes one of the worlds finest collections of old First Nation masks, a superb collection of Emily Carr paintings, and works by some of Canadas most significant post-war artists including Jack Shadbolt, E. J. Hughes, and Gordon Smith, as well as works by internationally regarded contemporary artists such as Jeff Wall, Rodney Graham, Stan Douglas and others.

© James Dow / Patkau Architects
© James Dow / Patkau Architects
© James Dow / Patkau Architects
© James Dow / Patkau Architects

The design of the museum is shaped by three powerful determinants. The first determinant is the need to house both the permanent exhibition of Michael Audains collection and, in juxtaposition with this collection, temporary exhibits of all kinds from across Canada and around the world. The second determinant is the beautiful but challenging site in Whistler which, although blessed by magnificent evergreen forest vegetation, is located within the floodplain of Fitzsimmons Creek. The third determinant is the enormous snowfall typical of Whistler which averages nearly 15 ft annual accumulated depth.

© James Dow / Patkau Architects
© James Dow / Patkau Architects
Main Level
Main Level
© James Dow / Patkau Architects
© James Dow / Patkau Architects

Our design responds to these determinants, simply and directly, by projecting a volume of sequential public spaces and galleries into an existing linear void within the surrounding forest. It is elevated a full storey above the ground and crowned with a steeply sloped roof, containing administration and back-of- house support functions.

© James Dow / Patkau Architects
© James Dow / Patkau Architects

The building design and siting work synergistically within the context of the site to create a public pedestrian link, beginning from the _village strolF, the pedestrian spine of Whistler Village, across Blackcomb Way, leading to and through the Museum and then across the site to Fitzsimmons Creek park. A bridge from Blackcomb Way rises through the forest to arrive at a sky lit museum entry porch. From there, visitors can either descend to the forest floor and central meadow to continue passage through the site, or enter into the museum lobby and event space. Once inside, visitors proceed along a glazed walkway overlooking the meadow below, to gain access first to the galleries which contain the permanent collection and then to the galleries which contain temporary exhibits.

© James Dow / Patkau Architects
© James Dow / Patkau Architects

The form and character of the building and interiors is deliberately restrained to provide a quiet, minimal backdrop to the art within and the surrounding natural landscape. The simple form of the exterior is clad in an envelope of dark metal which recedes into the shadows of the surrounding forest. Where this envelope is opened, to provide access in the entry porch or view from the glazed walkway to the galleries, the dark metal is overlaid by a luminous wood casing. Public spaces in the interior, which are visible from the exterior, continue this warm luminous materiality. Gallery interiors in both the permanent and temporary exhibition areas are closed white volumes with minimal detail.

© James Dow / Patkau Architects
© James Dow / Patkau Architects

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Location to be used only as a reference. It could indicate city/country but not exact address.
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Cite: "Audain Art Museum / Patkau Architects" 09 Jun 2017. ArchDaily. Accessed . <https://www.archdaily.com/873187/audain-art-museum-patkau-architects/> ISSN 0719-8884
© James Dow / Patkau Architects

加拿大奥丹艺术博物馆 / Patkau Architects