Halloween. A day plagued by ghost, ghouls, and goblins. Historically, on All Hallows' Evening, many believed that spirits could return to the earthly world. On this frightful occasion, we’re highlighting phantoms from the beyond that have entered the architectural realm. Below, 13 hellish projects and their supernatural counterparts. Scroll down if you dare.
The use of light and shadow in architecture can have several nuances. The traditional Japanese culture stands out for working with spaces of dim light, kind of dull. On the other hand, modern architecture and minimalism work along with illuminating spaces through the use of white spaces and reflection of light as a recurring resource.
This 3,200 sf single-family residence and accompanying 800 sf pool house were envisioned as a refuge cradled within the foothills of the San Bernardino National Forest. The design uses a series of thickened walls which run east-west along the topography of the dramatic mountain site to establish discrete programmatic zones and protect the interiors from the sun. Each resulting zone affirms its connection to the surrounding hillside, extending to outdoor living areas and into the landscape beyond, while the thickened walls demarcate successively more private areas of the house.
The sunken yard – usually meant to allow light into a basement floor and mostly placed at the fringes of the plot – is this house’s central motif. Measuring 25m long, 5m wide and almost 7m high, it sits in the heart of the structure and divides the house into three sections: one with the private bedroom facing the street; one with the living room and master bedroom facing the backyard; and between them, a section with the internal double-level yard that extends the entire length of the building.
Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.
This plan is to renovate a house, built in 1974, into a two-family house. Its’ current figure is a result of going through extensions and reconstructions twice. Housings such as these which are called “Deformed Roof” houses, can be seen often in Hokkaido, but is difficult to call them beautiful, and cannot be seen out of Hokkaido. It could be said as a vernacular and anonymous kind of design.
Insòlit 2019 is a festival of temporary installations that opened the doors of Palma's courtyards to creativity during the first week of July. The project, curated by Aina Bigorra, Erik Herrera and Pep Rovira, wants to promote and show in an active and participative way the heritage value of the Balearic Islands, through temporary creative actions.
Architecture is the result of a complex phase, such as the project. It is not a unique and linear process but it is based on the continuous review of multiple options available always keeping a critical attitude. This is a peculiar practice manner based on the primary role of the IDEA in the process. The act of DOING is also fundamental and researches a balance between the three steps of working on architecture: theory, order and the final outcome. Each one keeps the essence of the original idea and gradually becomes more precise and developed until the project reaches the realization. Theory is a synthesis in the making of the background made of models, references, words and other contributions coming from other disciplines, all weaved together.
The question of adapting traditional mountain constructions to the wishes of owners who wish to rehabilitate them into holiday homes poses an often difficult equation between conservation and the modification of the use. The cottages were built in 1956, had characteristic interior typologies to the cottages of the Giffre Valley.
In 2016, Maogong government and Dimen Eco-Museum decided to convert an old vacant barn into an Art Center for local communities as a new culture carrier. Approach Architecture Studio turned this redevelopment commission into a pivotal project of Maogong revitalization plan.
The clients are a couple of environmental scientists who, along with their two sons, relocated from the Oakland Hills to the warmer climate of Orinda. Their commitment to sustainability, including a request for net-zero energy performance annually, was evident in their thinking throughout the design process. A three-bedroom program began as a remodel of a 1954 ranch house at the foot of a hill next to a seasonal creek.
Although small residential projects tend to be limited in spatial capacity, the design possibilities remain endless, especially if the project’s site is the biggest source of inspiration.
The house is for a couple and their three little children, located in a quiet residential area in northern Kyoto city. The site environment is where neighbor houses are standing at the edge of the east, west, south boundary, and houses are lined on the other side of the north narrow road.
The story of "Aquatio Cave Luxury Hotel & SPA" begins with a drop, simple and pure figure that with its incessant fall shapes the material, shapes the spaces, the furnishings, the structure.
It’s the first flagship store of the fashion brand of Juun.J. It’s divided into two floors; the first floor comprising cafe and women’s wear, while the second floor men’s wear. We used natural elements such as light and shadow in order to express darkness within space using black – identity color of Juun.J brand.
Yai Sa is the symbol of love and awaiting. She has been waiting for someone she loves who has been leaving her to search for the ultimate truth and promise her, he will return to her when he finds it. Everyday, she stands at this same point waiting for him.