Spotlight: Fumihiko Maki

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4 World Trade Center (New York, 2013). Image © Flickr user gigi_nyc licensed under CC BY-NC-ND 2.0

Pritzker Prize laureate and 67th AIA Gold Medalist Fumihiko Maki (born September 6, 1928) is widely considered to be one of Japan's most distinguished architects. He had a unique style of Modernism that reflects his Japanese origin. Toshiko Mori has praised Maki's ability to create "ineffable atmospheres" using a simple palette of various types of metal, concrete, and glass. His consistent integration and adoption of new methods of construction as part of his design language contribute to his personal quest to create "unforgettable scenes."

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Fumihiko Maki at MIT Media Lab, 2010. Image © Flickr user jeanbaptisteparis licensed under CC BY-SA 2.0

Born in Tokyo in 1928, Maki received his Bachelor of Architecture degree in 1952 from the University of Tokyo, studying under the great Japanese Modernist Kenzo Tange before spending a year at Cranbrook Academy of Art in Bloomfield Hills, Michigan. After completing a Master of Architecture degree at Harvard's Graduate School of Design (GSD), he apprenticed at the firms Skidmore, Owings and Merrill and Sert Jackson & Associates. After teaching at Washington University in St. Louis, where he also received his first design commission for the Steinberg Hall (an art center) on that campus, he later joined the faculty at Harvard's GSD.

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Spiral (Tokyo, 1985). Image © Wikimedia user Chris 73 licensed under CC BY-SA 3.0
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Makuhari Messe (Chiba, 1989). Image © Wikimedia user 掬茶 licensed under CC BY-SA 3.0

In 1960, Maki joined Kisho Kurokawa and Kiyonori Kikutake as part of Japan's Metabolist movement, though his work in this capacity has been described as more "grounded" compared to the wild utopianism of Kurokawa and Kikutake that is usually connected with the movement. In 1965, he returned to Japan to establish his own firm, Maki and Associates in Tokyo, going on to design high profile projects including the Makuhari Messe (Tokyo), the Spiral (Tokyo), and the Galleries and Forum building at the Yerba Buena Center for the Arts (San Francisco).

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TV Asahi Headquarters (Tokyo, 2003). Image © Wikimedia user Wiiii licensed under CC BY-SA 3.0
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The National Institute for Japanese Language. Image© Wikimedia user Wiiii licensed under CC BY-SA 3.0

In his essay accompanying Maki's 1993 Pritzker Prize, architecture historian Kenneth Frampton compares his work to that of Norman Foster, Gunter Benisch and Renzo Piano, adding:

"Needless to say, his syntax has changed across time, from the informal, cubic rationalism of the initial buildings, evidently indebted to [Josep Lluis] Sert, to the tessellated minimalism of the middle period and the layered, light membraceous character of the last."

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MIT Media Lab Extension (Cambridge, 2009). Image © Wikimedia user Unmadindu licensed under CC BY-SA 3.0

In the years since, Maki's work has largely retained this "light membraceous character" with projects such as the TV Asahi Headquarters in Tokyo, the extension to the MIT Media Lab, and of course the crystalline form of 4 World Trade Center in New York. Forthcoming projects also include China's first design museum in Shenzhen and his first project in the UK, a nine-story educational space for the Aga Khan Development Network (AKDN).

See our previous coverage of Fumihiko Maki via the links below:

AD Classics: Makuhari Messe / Fumihiko Maki

Fumihiko Maki 2011 AIA Gold Medal Winner

Fumihiko Maki Unveils New United Nations Tower

New Photographs Unveiled as China's First Design Museum Nears Completion in Shenzhen

Maki to Make UK Debut with New Building for Aga Khan Development Network

About this author
Cite: James Taylor-Foster. "Spotlight: Fumihiko Maki" 06 Sep 2017. ArchDaily. Accessed . <> ISSN 0719-8884

4 World Trade Center (New York, 2013). Image © <a href=''>Flickr user gigi_nyc</a> licensed under <a href=''>CC BY-NC-ND 2.0</a>

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