This past May, Apple filed plans to close its existing flagship retail store at 1 Stockton Street in San Francisco and move it three blocks north to one of the city’s most popular spots: Union Square. This plan was met with enthusiasm from city officials until they realized that Apple, and the store’s architects at Foster + Partners, were disregarding a beloved bronze folk art fountain by San Francisco sculptor Ruth Asawa that currently occupies the site. Many have also criticized the store’s design for being a characterless box of metal and glass that contributes nothing unique to the local landscape, raising awareness of a commercial architecture defined more by trademark and less by its surroundings.
More on Apple’s proposal in San Francisco and the problems of trademarked design after the break.
Presented by The Architect’s Newspaper and enclos, Mode Lab recently announced their upcoming Facades+ Performance Symposium in San Francisco taking place July11-12. The event consists of hands-on instruction by industry experts in a small, one-on-one, classroom setting. These workshops will provide professionals and academics with the skills and knowledge to work with cutting edge technologies in a fast-paced and intensive environment. The workshop will explore the use of Grasshopper, Firefly and Arduino as creative and technical tools in the design, simulation and prototyping of intelligent building skins. For more information, please visit here.
This past spring, Mayor Ed Lee announced an exploration of the potential of removing Highway 280 north of 16th Street in San Francisco. Presented by the Center for Architecture and Design + the Seed Fund, and co-sponsored by AIA San Francisco, the 280 Freeway Competition asks entrants to create hypothetical project designs for space in and around Highway 280. Open to architects, designers, planners, students, artists, landscape architects, and academics, participants are welcome to submit concepts that explore any aspect of the transformative opportunities introduced by the freeway removal. Entry is free, and up to $10,000 in prizes will be awarded. The registration and submission deadline is July 31. For more information, please visit here.
Open to students and professionals worldwide, the Architecture at Zero 2013 competition is challenging participants to create a design for a new, roughly 150 unit mixed-use residential apartment building located in the Tenderloin neighborhood in San Francisco, California. With the aim of being as close to zero net energy as possible, the building must be a mix of affordable and market rate housing units and include a full neighborhood-serving grocery store on the ground level. The competition is presented by Pacific Gas and Electric Company (PG&E) and AIA San Francisco, in partnership with the Tenderloin Neighborhood Development Corporation (TNDC). Submissions are due October 1. To register, and for more information, please visit here.
San Francisco is planning a new cultural facility on the former commissary of the military base that has been turned into a national park and has announced three finalists in its competition held by the Presidio Trust, according to news outlet SFGate. The 92,000 square-foot building is part of the Golden Gate National Recreation Area and has an ambitious future that will be developed on this unique location. The three finalists have diverse agendas that range from turning the future cultural center into a performance and exhibition space to an institute that focuses on sustainability issues. The Presidio Trust is currently laying out guidelines in the next step of the competition that will likely be due in the fall. The trust also plans to engage the public with a to-be-scheduled forum in June that will host presentations by the finalists.
Join us after the break for a look at the three finalists.
The revamped Transbay Transit Center in downtown San Francisco broke ground earlier this week, a 1.5 million square foot development that will be part transportation hub, part public park and urban space, and part office and retail establishments. The massive undertaking, designed by renowned architecture firm Pelli Clarke Pelli will bring together 11 systems of local and national transportation, serving 45 million people per year. In addition to securing access to myriad transit lines, the project will also provide downtown San Francisco with a 5.4-acre rooftop park, designed by PWP Landscape Architecture, along with numerous cultural programs.
The project is budgeted at $4.2 billion and is projected for completion in 2017. It is funded in part by the construction of a 1,070-foot tower that is adjacent to the Transbay Transity Center, which is also designed by Pelli Clarke Pelli and slated to be the tallest tower in San Francisco. The tower will secure 60 stories of office space and will contribute to the projected $87 billion of revenue through 2030.
Join us after the break for more details on this project.
As part of AIA San Francisco‘s continuous effort to highlight women in architecture and better understand the imbalance of gender in the profession, they are hosting two great women for a conversation on firm culture, leadership and mentorship which will take place March 19th from 6:00pm-8:00pm PST. Carole Wedge, FAIA - Shepley Bulfinch‘s first female President in its 130 year history- will talk with emerging designer Jessica Lane of EHDD to discuss Carole’s start at Shepley Bulfinch, in 1986, working in the mailroom as a co-op architecture student at the Boston Architectural Center, as well as her appointment, in 2004, as president. For more information, please visit here.
Architects: Rafael Viñoly Architects
Location: 505 Parnassus Avenue, University of California San Francisco Medical Center : Dentistry, San Francisco, CA 94131, USA
Architect In Charge: Rafael Viñoly
Electrical Engineer : Cupertino Electric, Inc
Landscape Architect : Carducci & Associates, Inc
Civil Engineer: Sandis Cahd Browning
Structural Engineer (Design): Nabih Youssef Associates Michael Gemmill
Structural Engineer (Of Record): Forell/Elsesser Engineers, Inc
Area: 6364.0 sqm
Photographs: Bruce Damonte
Approaching zero-waste is a matter of changing the way our culture thinks about use and reuse. It’s not an impossible task, and San Francisco is leading the march to establish a feasible means of enacting public policy, structuring programs and educating the public on what it means to be “zero-waste”. With a goal set for 2020, the Bay City hopes to keep 100% of its waste out of landfills. Mayor Ed Lee estimates that the leading waste management company “Recology” is diverting nearly 80% of trash from landfills to be recycled or turned into compost. This begins with a public policy that sets a standard and gains traction as citizens embrace the goals of the city. Support programs reinforce these guidelines that eventually become habits and a cultural response to treating our environment.
Read on after the break for more on San Francisco’s road to “zero-waste”.
The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDD, the 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.
Construction will commence this Summer and is expected to reopen in early 2016.
More after the break…
SFMOMA’s new building will include seven levels dedicated to diverse art experiences and programming spaces, along with three housing enhanced support space for the museum’s operations. It will also offer approximately 130,000 square feet of indoor and outdoor gallery space, as well as nearly 15,000 square feet of art-filled free-access public space, more than doubling SFMOMA’s current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum’s urban surroundings. Other notable features include:
- A large-scale vertical garden located in a new outdoor sculpture terrace on the third floor, which will be the biggest public living wall of native plants in San Francisco.
- A versatile, double-height “white box” space on the fourth floor equipped with cutting-edge lighting and sound systems that, in tandem with the museum’s upgraded Phyllis
- Wattis Theater, will open new doors for SFMOMA’s program of live art, and also improve services for school-group tours, film screenings, and special events.
- State-of-the-art conservation studios on the seventh and eighth floors that will further SFMOMA’s progressive work in the care and interpretation of its growing collections.
- An environmentally sensitive approach on track to achieve LEED Gold certification, with 15% energy-cost reduction, 30% water-use reduction, and 20% reduction in wastewater generation.
- A new outdoor terrace on the seventh floor with incredible city views, further integrating the urban indoor/outdoor experience that SFMOMA began in 2009 with the opening of its current rooftop sculpture garden on the fifth floor.
At the same time, as previously announced, new public spaces and additional public entrances to the building (on Howard and Minna Streets) are designed to increase access and weave the museum more deeply into the neighborhood. A mid-block, street-level pedestrian promenade will open a new route of circulation in the area, enlivening the side streets and offering a pathway between SFMOMA and the Transbay Transit Center currently under construction two blocks east of the museum. Building on the popularity of the museum’s artist commissions in its admission-free atrium, an expansive free-to-access gallery on the ground floor with 25-foot-high glass walls facing Howard Street will now place art—such as Richard Serra’s enormous walk-in spiral sculpture Sequence (2006)—on view to passersby for the first time. This gallery will also feature stepped seating, offering a resting and gathering point for museum tour groups and neighborhood denizens alike.
“SFMOMA has had a tremendous impact on the economic and cultural vitality of the South of Market neighborhood and the city,” says San Francisco’s District 6 Supervisor Jane Kim. “Even though this area is one of the city’s oldest, in many ways it’s still the freshest, where much of the most dramatic change is happening. The museum’s expanded home in this cultural center will provide even greater public access and support to emerging and established artists as a hub of creativity and international art destination. I look forward to seeing the district grow and evolve even further as SFMOMA’s future takes shape.”
News via SFMOMA
As most New Yorkers know, people are willing to shell out a hefty sum to live in a place where work and play are right around the corner from each other. But as the article by Ken Layne in The Awl points out, the west coast is a somewhat different place. UNLIKE New York City, which is crowded with restaurants, bars, and entertainment, as well as offices, design firms and businesses; Silicon Valley, which caters to programmers and tech companies that hire at $100k a year, offers few of the amenities that a nearby town like San Francisco does. So, Layne concludes, residents are willing to spend hours of their day making their way into the fortressed office parks of Silicon Valley, flanked by parking lots and boulevards, just to have a cultural reprieve to call home.
SFMoMA will highlight the legacy of Lebbeus Woods in an exhibition that will run from February 16 through June 2, 2013. It will include 75 works from the past 35 years of his career. Lebbeus Woods is often categorized as an architect, but always as an artist and visionary. His career has been filled with imaginative leaps through the concepts of space and form, exploring politics, society, ethics and the human condition. He was a great influence on architects, designers, filmmakers, writers and artists. The exhibition will celebrate his untimely death late last year and the breadth of influence that his work had on the art and design community.