Approaching zero-waste is a matter of changing the way our culture thinks about use and reuse. It’s not an impossible task, and San Francisco is leading the march to establish a feasible means of enacting public policy, structuring programs and educating the public on what it means to be “zero-waste”. With a goal set for 2020, the Bay City hopes to keep 100% of its waste out of landfills. Mayor Ed Lee estimates that the leading waste management company “Recology” is diverting nearly 80% of trash from landfills to be recycled or turned into compost. This begins with a public policy that sets a standard and gains traction as citizens embrace the goals of the city. Support programs reinforce these guidelines that eventually become habits and a cultural response to treating our environment.
Read on after the break for more on San Francisco’s road to “zero-waste”.
The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDD, the 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.
Construction will commence this Summer and is expected to reopen in early 2016.
More after the break…
SFMOMA’s new building will include seven levels dedicated to diverse art experiences and programming spaces, along with three housing enhanced support space for the museum’s operations. It will also offer approximately 130,000 square feet of indoor and outdoor gallery space, as well as nearly 15,000 square feet of art-filled free-access public space, more than doubling SFMOMA’s current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum’s urban surroundings. Other notable features include:
- A large-scale vertical garden located in a new outdoor sculpture terrace on the third floor, which will be the biggest public living wall of native plants in San Francisco.
- A versatile, double-height “white box” space on the fourth floor equipped with cutting-edge lighting and sound systems that, in tandem with the museum’s upgraded Phyllis
- Wattis Theater, will open new doors for SFMOMA’s program of live art, and also improve services for school-group tours, film screenings, and special events.
- State-of-the-art conservation studios on the seventh and eighth floors that will further SFMOMA’s progressive work in the care and interpretation of its growing collections.
- An environmentally sensitive approach on track to achieve LEED Gold certification, with 15% energy-cost reduction, 30% water-use reduction, and 20% reduction in wastewater generation.
- A new outdoor terrace on the seventh floor with incredible city views, further integrating the urban indoor/outdoor experience that SFMOMA began in 2009 with the opening of its current rooftop sculpture garden on the fifth floor.
At the same time, as previously announced, new public spaces and additional public entrances to the building (on Howard and Minna Streets) are designed to increase access and weave the museum more deeply into the neighborhood. A mid-block, street-level pedestrian promenade will open a new route of circulation in the area, enlivening the side streets and offering a pathway between SFMOMA and the Transbay Transit Center currently under construction two blocks east of the museum. Building on the popularity of the museum’s artist commissions in its admission-free atrium, an expansive free-to-access gallery on the ground floor with 25-foot-high glass walls facing Howard Street will now place art—such as Richard Serra’s enormous walk-in spiral sculpture Sequence (2006)—on view to passersby for the first time. This gallery will also feature stepped seating, offering a resting and gathering point for museum tour groups and neighborhood denizens alike.
“SFMOMA has had a tremendous impact on the economic and cultural vitality of the South of Market neighborhood and the city,” says San Francisco’s District 6 Supervisor Jane Kim. “Even though this area is one of the city’s oldest, in many ways it’s still the freshest, where much of the most dramatic change is happening. The museum’s expanded home in this cultural center will provide even greater public access and support to emerging and established artists as a hub of creativity and international art destination. I look forward to seeing the district grow and evolve even further as SFMOMA’s future takes shape.”
News via SFMOMA
As most New Yorkers know, people are willing to shell out a hefty sum to live in a place where work and play are right around the corner from each other. But as the article by Ken Layne in The Awl points out, the west coast is a somewhat different place. UNLIKE New York City, which is crowded with restaurants, bars, and entertainment, as well as offices, design firms and businesses; Silicon Valley, which caters to programmers and tech companies that hire at $100k a year, offers few of the amenities that a nearby town like San Francisco does. So, Layne concludes, residents are willing to spend hours of their day making their way into the fortressed office parks of Silicon Valley, flanked by parking lots and boulevards, just to have a cultural reprieve to call home.
SFMoMA will highlight the legacy of Lebbeus Woods in an exhibition that will run from February 16 through June 2, 2013. It will include 75 works from the past 35 years of his career. Lebbeus Woods is often categorized as an architect, but always as an artist and visionary. His career has been filled with imaginative leaps through the concepts of space and form, exploring politics, society, ethics and the human condition. He was a great influence on architects, designers, filmmakers, writers and artists. The exhibition will celebrate his untimely death late last year and the breadth of influence that his work had on the art and design community.
Complications could be on the rise for Snøhetta and AECOM, who were recently announced as the Golden State Warriors’ architects of choice to design their new sports and entertainment complex on the San Francisco waterfront. Despite the complications, however, the architects still have time to execute the hoped-for ‘slam dunk’. More information after the break.
The Golden State Warriors recently announced that Snøhetta and AECOM have been selected as the architecture team to design the Warriors’ new sports and entertainment complex on the San Francisco waterfront. Currently in the final stages of the agreement, the new stadium will be a true centerpiece in hosting the Bay Area’s NBA basketball team, as well as provide a great venue concerts, cultural events and conventions, which are all prominent events the city currently cannot accommodate. More images of the architects’ design can be viewed after the break.
San Francisco has recently approved legislation that will change the city building code to allow for “micro-unit apartments” that includes only 220 square feet of living space. These spaces aim at providing affordable options for singles to live in densely populated urban areas without having to live in the outskirts of the city. Although more of a craze in NY, San Francisco has actually surpassed New York as the most expensive rental market in the country. More information after the break.
Taking place November 12-13, the 3rd annual Design Like You Give a Damn: LIVE! event will consist of innovative panel discussions, workshops and the ‘Design Open Mic’ event at the Autodesk Gallery in San Francisco. Design experts and enthusiasts, industry leaders across disciplines and more come together to address the challenges and lessons learned in humanitarian design and community development. Panel topics address cutting-edge topics and small-group workshops allow participants to gain hands-on knowledge from expert panelists. Put on by Architecture for Humanity, this will be the first year this event is coming to the west coast. For more information, including an itinerary of events, please visit their official website here.
UCSF Mission Bay Block 25A Academic Building Competition Winner / WRNS Studio + Rudolph and Sletten, Inc.
WRNS Studio and Rudolph and Sletten, Inc., recently won a design/build competition for a new faculty office building at UC San Francisco’s Mission Bay campus, which takes cues from the workplaces of high-tech companies. When completed, the 7-story academic office building will house UCSF physicians, faculty, and students in an interdisciplinary, flexible, light-filled environment. Drawing on the principles of the activity-based workplace, the design gives each occupant a “home base” workstation, but also a variety of other spaces for specific work and social activities, ranging from huddle rooms and breakout areas to conference rooms. More images and architects’ description after the break.
Taking place at the California College of the Arts in San Fransisco October 13th from 10am-4pm, The Missing 32%,’ features leading professionals from around the country to discuss the role of women in architecture in the 21st century. In the United States, women represent about 50% of students enrolled in architecture programs, but only 18% of licensed architects are women. Throughout the day, attendees will hear from a broad range of speakers who represent different career paths in the profession ranging from those working for large firms to those choosing to start their own practice. The day will begin with a brief overview of statistics that detail the current leadership structure of architecture firms. The event is presented by AIA San Fransisco. For more information, please visit here.
AIA San Francisco and the Center for Architecture + Design is currently hosting their ninth annual Architecture and the City Festival, which will be going on until September 30. The event, which takes place in San Francisco every September, is the nation’s largest architectural festival of its kind. The month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. For more information, please visit here.