Karawitz Architecture recently announced the design for their passive co-housing project in Paris. Their principle of a self-governed independent residential initiative with 14 apartments (R+7), commercial premises, gardens (ground floor and roof area), car parks and communal areas (community house, laundry, bike shed and other areas) aims to reflect a new construction trend: private individual buyers joining together to form a cooperative to fulfil their own property and future housing project, in partnership with the SEMAVIP (Paris Site Manager) and Paris City and to share spaces and equipment.
In response to a public debate about rebuilding the historic wing of the Louvre in Paris, Carl Fredrik Svenstedt Architecte shared with us their initiative to extend the Louvre. Destroyed by the French Republic at the end of the 19th century as a symbol of royal and imperial power, this proposal aims to build a more democratic building better suited to the site and our times. More images and architects’ description after the break.
This week, with the help of our readers, our Architecture City Guide is headed to Paris. For centuries Paris has been the laboratory where innovative architects and artists have come to test their ideas. This has created a city that has bit of everything. Where the architecture of some cities seems to undergo phases of punctuated equilibrium, Paris’s architectural fossil record gives an impression of gradualism; all the missing links are there. This makes it easy to trace the origins of the most contemporary ideas throughout history. Nothing seems to come out of nowhere. If you look around you kind find the design’s inspiration running through the city’s Roman, Medieval, Renaissance, Baroque, Classical, Rocco, Neo-Classical, Empire, Art Nouveau, Art Deco, Modern, Post-Modern, and Contemporary Architecture. Seen in another context, many of Paris’s buildings might seem out of place, but the bones of this city support the newest iterations on the oldest and most profound questions. The 24 contemporary designs that comprise our list probably should not be viewed outside of this context, even though that is the stated goal of some of the designs.
As the most visited city in the world and arguably the capital of culture, it is impossible to capture the essence of Paris in 24 modern/contemporary designs. Our readers supplied us with great suggestions, and we really appreciate the help and use of their photographs. The list is far from complete and we realize that many iconic buildings are not yet on the list. We will be adding to it in the near feature, so please add more in the comments section below.
Next week we will be taking our Architecture City Guide to Paris and we need your help. To make the City Guides more engaging we are asking for your input on which designs should comprise our weekly list of 12. In order for this to work we will need you, our readers, to suggest a few of your favorite modern/contemporary buildings for the upcoming city guide in the comment section below. Along with your suggestions we ask that you provide a link to an image you took of the building that we can use, the address of the building, and the architect. (The image must be from a site that has a Creative Common License cache like Flickr or Wikimedia. We cannot use images that are copyrighted unless they are yours and you give us permission.) From that we will select the top 12 most recommended buildings. Hopefully this method will help bring to our attention smaller well done projects that only locals truly know. With that in mind we do not showcase private single-family residences for obvious reasons. Additionally, we try to only show completed projects.
https://www.archdaily.com/148793/help-us-with-our-architecture-city-guide-parisChristopher Henry
Brothers Daniel and Maximilian Zielinski shared with us their winning proposal for the modernization of Paris in the Living City Design Competition. Organized by the International Living Future Institute, in partnership with The National Trust for Historic Preservation, Daniel and Max were given the challenge to visualize the transformation of existing towns in cities of the future by translating the highest standards of ecological fund included in the Living Building Challenge 2.0. Desired solutions were possible with existing technologies that could be applied in the near future. As a competition open to all, more than 80 teams addressing 69 cities from 21 countries submitted their ideas for the contest. More images and project description after the break.
OMA‘s exhibition (IM)PURE, (IN)FORMAL, (UN)BUILT opened today at the École des Beaux-Arts in Paris. Made in collaboration with students at the Paris Malaquais School of Architecture, the exhibition focuses on three French libraries designed by OMA, two of them unrealized but crucially important in the development of the typology of libraries, and one about to go under construction.
Previously featured here on ArchDaily as one of our AD Classics, the National Library of France by Dominique Perrault was built in hopes to be the most modern library in the world. The competition of 1989 that included projects from 244 internationally renowned architects was won by Dominique Perrault, who was only 36 years old. Photographer Franck Bohbot recently shared with us an extremely rare glimpse of the National Library, with a completely empty interior.
2010 Pritzker Prize winning SANAA has released renderings to convert La Samaritaine department store in Paris into a mixed-use development. Commissioned by LVMH (client/developer) the architectural concept for the project expresses above all the ambition to restore the La Samaritaine, recognizing the significance of the building and the role the restoration will play in the revitalization of the neighborhood as a whole. The project is schedule to begin July of next year.
