Curatorial practice as it emerged during the twentieth century is being extensively recast. The tremendous change in the status of the object, culture, the various disciplines, information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has recently emerged within the field of architecture. For the third year, the CCA (Canadian Center for Architecture) offers two curatorial opportunities with the generous support of the Power Corporation of Canada: the Young Curator Program and the Curatorial Internships Program. More information after the break.
Architectural Design: Appareil Architecture
Lighting Design: ATOMIC3
Sound Design: Jean-Sébastien Côté
Interactive Systems Design: Philippe Jean/Les Ateliers Numériques
Technical Coordinator Set: Guillaume Simard
Technical Coordinator Sound/Light/Interactive System: Alexis Rivest
Photographs: Courtesy of Martine Doyon, Montreal Quartier des Spectacles Partnership
Taking place this Thursday, March 7th, at 6:00pm, the Canadian Centre for Architecture (CCA) will present the first 2013 Mellon Lecture, a free event, featuring Japanese architect Yoshiharu Tsukamoto, founding partner of Atelier Bow-Wow in Tokyo with Momoyo Kaijima. Yoshiharu Tsukamoto will present his concept of Architectural Behavior, which investigates the physical responses to natural elements such as light, air, heat, wind, water, human behavior related to custom, and the way in which buildings relate to the city and their surroundings. For more information, please visit here.
Architects: Provencher Roy + Associés Architectes
Location: Montreal, Quebec, Canada
Design Team: Claude Provencher , Architect, Senior Partner and Co-founder – Matthieu Geoffrion, Architect, Partner – Eugenio Carelli, Architect, Partner – Jean-Luc Rémy, Architect – Denis Gamache, 3D Designer
Client: Montreal Museum of Fine Arts
Area: 5,483 sqm
Photographs: Marc Cramer, Tom Arban
The Campus 54 office building, designed by Pelletier de Fontenay, aims to create a setting where spaces for leisure, stimulation, relaxation, health, nature and ad hoc encounters would seamlessly blend into the work spaces. At the heart of this project is the notion of the campus. Planned as a multi-tenant office complex for over 4000 employees, the first challenge was to keep an intimate, personal feeling within such a large building. The strategy was to use the scale of the project as an opportunity to create the complexity and variety desired. More images and architects’ description after the break.
The fifth anniversary of the Creative Spaces summer event highlights the creation of a pedestrian mall on St. Catherine, between St-Hubert and Papineau streets. Taking place until September 16, the event offers an opportunity for the instigator of the project, the Société de développement commercial du Village (SDCV), in collaboration with the Ville-Marie borough, to celebrate the thirtieth anniversary of the creation of Montreal’s Gay Village. The spaces will open up for the display of creative installations and art exhibitions. More information on the event after the break.
Location: Montreal, QC, Canada
Design Team: Maxime Frappier, Louis-Philippe Frappier, Gabriel Villeneuve, Jean-Philippe Parent, Patrick Morand, Laurence Lebeux, Laure Giordani, Robert Dequoy, Simon Orman, Mathieu St-Hilaire, Veronique Taillefer, Denis Dupuis
Project Year: 2012
Photographs: James Brittain, ACDF*
On view now until September 9, the ‘Très Grande Bibliothèque (Very Big Library)’ Exhibition at the Canadian Center for Architecture (CCA) presents materials produced by OMA, in response to an international competition launched by France’s then president, Francois Mitterrand, in 1989 to design the new bibliotheque nationale de France. Curated by Rem Koolhaas and Clement Blanchet of OMA, the concept of their proposal resided in the notion of the library spaces being excavated as voids from a ‘solid cube’ containing the archives. The concept offered great architectural freedom, with the public spaces (or voids) being liberated from the constraints of a predeterminded structure or form. More information on the exhibition after the break.