When he opened his practice in 2010, Ole Scheeren had the luxury of already being a rising star in the architecture world. The former partner of OMA made his name as partner-in-charge on landmark projects such as Beijing’s CCTV Headquarters and the Interlace in Singapore, and has since made headlines with striking forms such as those in the MahaNakhon skyscraper in Bangkok, Angkasa Raya in Kuala Lumpur and DUO, again in Singapore. The unveiling of his latest design, the Guardian Art Center, is likely to get a lot of attention too – but for very different reasons to his previous projects.
The Guardian Art Center features none of the dramatic cantilevers and futuristic formal experimentation of Büro Ole Scheeren‘s other works. Instead the “hybrid art space” – located in the heart of Beijing, just a stone’s throw from the Forbidden City – references the scale and materiality of the adjacent traditional buildings. The lower floors, containing an auction house and a museum with a 1,700 square meter exhibition-events space, comprise an aggregation of small “pixelated” blocks, clad in stone with a pattern of perforations derived from a 700-year-old Chinese landscape painting. Though the upper portion of the building, containing a 120-room hotel and a restaurant, is larger in scale, it is broken down by a facade of oversized glass “bricks,” again a reference to the materials of the hutong next door and a “humble and non-elitist symbol in Chinese culture,” according to the press release.
To find out more about this intriguing building, we spoke to Ole Scheeren, who assured us that in spite of its appearance, the Guardian Art Center is just as radical as his previous works. Read on after the break for the full interview.
In this interview, conducted by the Council for Tall Buildings and Urban Habitat, Ole Scheeren discusses the ideal height for sustainable buildings. Drawing reference from two of his projects, MahaNakhon and The Interlace, he speaks to the difference between height and density, and how those two interplay when creating livable spaces in urban areas. He goes on to talk about how large buildings such as skyscrapers can be made more open to the surrounding city, both visually through programming. Watch the full clip above!
After deliberating over the stellar proposals of three renowned firms, BIG, Büro Ole Scheeren, and OMA, Berlin-based media company AXEL SPRINGER SE has just announced that Rem Koolhaas’ design is the winning proposal for their new office building.
The task of the competition was to create additional space for the media company, particularly its digital offers, and thus design a workplace fit for the future of online media. Koolhaas’ design, which features a large 30-meter high atrium or “open valley” with interconnected terraces and public workspaces for both individual, collaborative, and mobile work, won favor with the jury for its forward-thinking concept. As Dr. Mathias Döpfner, Chief Executive Officer of Axel Springer SE, commented: “[Koolhaas] presented the conceptually and esthetically most radical model. The fundamental innovation of working environments will support the cultural transformation towards a digital publishing house.”
For his part, Koolhaas had this to say: “It is a wonderful occasion to build in Berlin again, on this historical site of all places, for a client who has mobilized architecture to help perform a radical change…a workplace in all its dimensions.”
See more of OMA’s winning proposal, after the break…
UPDATE: OMA has provided more images and information on their proposal, after the break.
BIG, Büro Ole Scheeren, and OMA have been announced as the three finalists in the competition to design the new Media Campus for AXEL SPRINGER SE in Berlin, Germany, beating out Kuehn Malvezzi and SANAA. The final ranking will be released in January.
The new campus will be located on the historic site of the former Berlin Wall, what was once a no-man’s land. All three proposals address this contentious history as well as the demands of a 21st century workplace. President of the jury, Prof. Dr. Friedrich von Borries, proclaimed that: “All three projects show how fascinating architecture can be today. No matter which of the three proposals will be realised: The competition is already an enrichment of Berlin’s building culture.” See all three proposals, after the break…
Beijing-based Büro Ole Scheeren has released plans for a mixed-use, high-rise development in the modern metropolis of Singapore. Titled ‘DUO’, the twin towers are not intended to be conceived as autonomous objects, but defined by the spaces they create around them. Their curved facades engages the city and frames a “new civic nucleus” at its base, while featuring premium offices, a five-star hotel, 660 high-end residential units and signature retail space.
DUO is lead by German-born architect Ole Scheeren, whose best known for his work with OMA on Beijing’s CCTV headquarters and has recently turned heads with the popular floating Archipelago Cinemas. The project is expected for completion by 2017, with construction planned to break ground next year.
More images and the architects’ description after the break.
German-born and Beijing-based architect Ole Scheeren will reconstruct the wooden Archipelago Cinema within the old harbor basin Darsena Grande of the Arsenale, Venice’s historic shipyard, as an official collateral event for the 13th International Architecture Exhibition. This unique, floating architectural experience became wildly popular when it was first conceived for the Film on the Rocks Yao Noi festival in Thailand.
Serving as a mobile stage for public events, the modular outdoor theater will feature a world premiere of the film Against All Rules. Continue after the break to learn more.
Buro Ole Scheeren, the architect behind one of the most iconic buildings of the 21st century, the CCTV headquarters in Beijing, recently revealed his design for a new landmark tower in the heart of Kuala Lumpur. The 268 meter tall tower, Angkasa Raya, was unveiled today at an official ceremony in the capital of Malaysia. Now, the country will once again appear on the world stage with a stunning new piece of architecture that alters the perception of what a skyscraper can be and how it connects to the city by inviting life into its balancing heights and visually projecting it back into the urban landscape as a symbol of the multi-cultural society. More images and architects’ description after the break.