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The Noguchi Museum has selected architect John Pawson and painter Hiroshi Senju as the recipients of the 2017 Isamu Noguchi Award. Now in its fourth year, the annual award was established to honor individuals who “share Noguchi’s spirit of innovation, global consciousness, and commitment to East/West cultural exchange.”

The award is presented each year to one architect and one artist or designer, honoring the multi-faceted career of artist/architect Isamu Noguchi. Previous winners of the award have included Tadao Ando and Elyn Zimmerman in 2016; architect Yoshio Taniguchi and industrial designer Jasper Morrison (2015); and winners of the inaugural award, Norman Foster and artist Hiroshi Sugimoto (2014).

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This week marks the first anniversary of the death of Zaha Hadid, the most successful and influential female architect in the architectural discipline. Born in Baghdad (Iraq) in 1950, Hadid became the first woman to receive the Pritzker Prize in 2004, and twelve years later received the gold medal from the Royal Institute of British Architects (RIBA).

Hadid's untimely death left a fascinating and inspiring legacy. Meanwhile her firm, Zaha Hadid Architects, continues to work on nearly a hundred projects worldwide. To remember her legacy, Spanish company Deimos Imaging has shared a series of photographs focusing on Hadid's work in five countries.

The images were captured by the Deimos-2 satellite, which was launched in 2014 and designed for very high-resolution Earth observation applications, providing multispectral images of just 75 centimeters per pixel. Hadid's incredible works take on a new dimension when you contemplate their proportions from the sky—or rather, from a satellite.

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Happy Valentine's Day!

We've affectionately rounded up 14 projects that use the power of the color most associated to love, passion, joy, sexuality and intensity: red

2016 was a defining year for ArchDaily. The change and uncertainty around the globe which emerged during the past year allowed us to double down on our mission to provide information, knowledge, and tools to architects, leveling the access to architectural knowledge and enabling a more diverse, equitable profession. As part of this, we now have a renewed focus on data-driven decisions and crowdsourcing architecture's understanding of its own work. The flagship of this crowdsourcing effort has always been our annual Building of the Year awards.

Now, for the 8th consecutive year, we are tasking our readers with the responsibility of recognizing and rewarding the projects that are making an impact in the profession, with ArchDaily's 2017 Building of the Year Awards. By voting, you are part of an unbiased, distributed network of jurors and peers that has elevated the most relevant projects over the past seven years. Over the next two weeks, your collective intelligence will filter over 3,000 projects down to just 16 stand-outs—the best in each category on ArchDaily.

This is your chance to reward the architecture you love by nominating your favorite for the 2017 Building of the Year Awards!

Full rules after the break.

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Each year, Faith & Form magazine and the Interfaith Forum on Religion, Art and Architecture (IFRAA) reward the best religious architecture, design and art for religious spaces. In their 2016 awards, the jury recognized 28 projects across 10 categories, with almost half of the winners designed for sites outside of North America. Aside from this diversity of location, another trend in the awards was a tendency toward material honesty and simplicity. "Several jurors were impressed with how designers used an economy of means with simple, elegant materials to meet the needs of congregations," said Michael J Crosbie, editor-in-chief of Faith & Form, adding that "a reverence for natural materials was seen in many submissions, and in winning projects." Read on to see all 28 winners.

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Hangzhou AN Interior Design's design for the retail brand Heike has been named the world's best interior of 2016. Announced at the INSIDE World Festival of Interiors in Berlin, which took place alongside the World Architecture Festival, the winner of the prize was selected from among 9 category winners, which in turn were picked out of a shortlist totaling 62 projects. The Black Cant System was also the winner of the retail category.

Described by the designers as a "glum interior" with a "futuristic melancholy atmosphere" for the retail brand, the centerpiece of the design is a large, dark wedge housing many of the store's functional components such as fitting rooms and staircases.

Read on for more images of, and for the full list of category winners.

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The Royal Institute of British Architects (RIBA) has announced the shortlist of six finalist projects in the running for the inaugural RIBA International Prize. The first RIBA Award open to any qualified architect in the world, the International Prize seeks to name the world’s “most significant and inspirational” building. Criteria for consideration include the demonstration of “visionary, innovative thinking and excellence of execution, whilst making a distinct contribution to its users and to its physical context.”

The six finalists were named from a longlist of 30 buildings, from which a further selection of 21 projects have been recognized by the jury for the RIBA Award for International Excellence. The jury has also named the winner of the RIBA International Emerging Architect prize recognizing “the achievement of architects in the earlier stages of their career who are working on global projects.”

The Grand Jury is lead by Richard Rogers and includes Billie Tsien, Kunlé Adeyemi, Philip Gumuchdjian, and Marilyn Jordan Taylor.

"Our panel of jurors have been particularly impressed by the way in which each building reacts to, resolves and assimilates into the varying geographies and contexts - from dense urban cities to a small town in the Arctic Circle," said RIBA President Jane Duncan on the naming of the finalists. "Each project resolves the complex demands of its context with ingenuity, exceptional detail and finishing and a sensitivity to the needs of the users and communities which will inhabit these spaces."