This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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The National Fund for the Arts (FNA) has launched the call for entries for the 2023 National Architecture and Heritage Competition. The initiative focuses on the revitalization of disused industrial or service structures that can be repurposed today, serving as a testament to the past through new uses and functions.

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In the design of open spaces, I consider one of the most important concepts—and one of the most difficult to explain—to be the shaping of “positive” open spaces. As far as I have been able to establish, this term was coined by Alexander et al. (1977) in A Pattern Language and continues to be used by other authors (see, for example, CARMONA et al., 2003), although it is not a widely adopted term.

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On September 7, the exhibition "How to Design a Revolution: The Chilean Road to Design" opened at Santiago's Centro Cultural La Moneda (CCLM), as part of the activities commemorating the 50th anniversary of Chile's civil-military coup. The exhibition showcases graphic and industrial design created during the administration of President Salvador Allende, bringing together over 350 original pieces and featuring a complete reconstruction of the Cybersyn operations room. The show will run until January 28, 2024.

Jointly produced by the Pontificia Universidad Católica de Chile, the Massachusetts Institute of Technology (MIT), and CCLM, in collaboration with the Ministry of Science, Technology, Knowledge, and Innovation and the Goethe-Institut Chile, the exhibition is curated by designer Hugo Palmarola and architect Pedro Ignacio Alonso—both recognized for winning the Silver Lion for Monolith Controversies at the Chilean Pavilion during the 2014 Venice Architecture Biennale. Renowned Colombian science historian Eden Medina of MIT also participated in the project.

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Timber has been a popular source of construction material for thousands of years. Through sawing, milling, and other engineered wood conversion processes, various wood forms have been created and applied in products, furniture, and architecture. However, these processes can sometimes alter the basic lines of wood structure. The stems can be split, grain patterns changed, and some woods, such as oak and cedar, are easily reduced while others can become intractable. This led to the exploration of whole timber forms in ancient structures, such as log cabins, which layered timber in different cross-sections to form home profiles. Through design, the use of trunks or branches of trees in their entirety can accentuate their innate mechanical properties for structural sustainability. Although these practices are fairly absent in contemporary building techniques, new technological innovations expand the prospects of timber construction in architecture.

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UNStudio has been selected as the winner of the international competition for the design of a mixed-use development in Düsseldorf, Germany, surpassing other internationally recognized participant offices, including 3XN, BIG, David Chipperfield Architect, and finalists Hadi Teherani Architects, HPP Architekten, and Ingenhoven. UNStudio’s proposal features two mixed-use towers measuring up to 120 meters, surrounded by a low-rise community pavilion. In addition to the office and residential spaces, the scheme also includes multifunctional uses and services such as sports, fitness, medical facilities, gastronomy spaces, a mobility hub, a daycare center, and opportunities for cultural events.

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The German Pavilion Open for Maintenance / Wegen Umbau geöffnet at this years 18^th International Architecture Exhibition – La Biennale di Venezia was curated by ARCH+ and Summacumfemmer Büro Juliane Greb. At its core, the exhibition addresses the resource problem and the material cycles of the biennale. Inside the pavilion is a functioning workshop dedicated to applying these concepts of care, repair, and maintenance to Venice onsite. In Venice, ArchDaily had the chance to speak with the co-curator Anh-Linh Ngo, where he discussed the different aspects of the German Pavilion.

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Shelves are incredibly versatile furniture items that are vital in organizing, decorating, and maximizing efficiency in various spaces, including homes, businesses, and industries. Crafted from a wide range of materials and available in numerous designs, shelves enhance compact environments by adding flexibility and easy access. With this in mind, we've compiled suggestions to elevate these ubiquitous solutions — temporary additions or integrated architectural features — into prominent elements within interior design.

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This article was originally published on Common Edge.

Auction houses, secondhand furniture stores, and realtors make small fortunes from a nomenclature that, despite the fuzziness surrounding its indeterminate span and whether everything made during its indefinite duration ought to be stamped with the same label, continues to demand attention. Years from now, serious collectors of architectural magazines may search for that single issue of the 21st century magazine Dwell, absent a major spread of a house designed in the midcentury modern (MCM) manner or a restoration of a building from that era. MCM is the very blood that pulses through the publication’s arteries, promulgating a view of a squeaky-clean and well-lighted lives lived almost invariably by (often childless) ectomorphic couples, blissfully happy under a flat roof with floor-to-ceiling windows affording fine views of distant landscapes best enjoyed behind insulated glass in an ambient temperature of 72 degrees Fahrenheit. But what are we to make of this term, this period—some even call it a “movement”—so well-known globally it goes by initials?

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