Location: Mexico City, Mexico
Architect In Charge: Javier Sánchez
Design Team: Arquitectura 911 sc, Jose Castillo, Saidee Springall Juan Manuel Soler, Juvencio Nuñez, Pablo Zamudio, Edgar González, Gabriela Delgado, Gustavo Rojas, Domingo Granados, Mariana Paz, Jimena Antillón, Edith Razo
Project Year: 2012
Photographs: Rafael Gamo , Pedro Hiriat
The results of the 9th Annual Emirates Glass LEAF Awards have been announced, honoring the architects designing the buildings and solutions that are setting the benchmark for the international architectural community.
The winners were selected from an impressive shortlist by an international jury of architects that included Irving Brauer (chairman, principal of Brauer Associates), Phil Holden (managing director of Pascall+Watson architects), Lucy Bullivant (architectural curator, critic, author), Paolo Brescia (partner of Open Building Research), and Kasia Fiutowska (founding partner of Sketch Design).
The 2012 award winners are:
The 2012 Clinton Global Initiative (CGI) annual meeting, which ran from Sunday, September 23 to Tuesday, September 25 in New York, was, on the face of it, one of those positive seminar-type experiences, with croissant breakfasts, plenary sessions, break-out groups, closing remarks, and all that. But there is a difference between a CGI meeting and the usual convention dynamic: At CGI there is a shared mission of achieving real and positive outcomes by leveraging the power of relationships. People and organizations across different sectors are brought together to realize what CGI calls “Commitments to Action”.
One of the best things about CGI is that it helps bring resources to bear on ideas in need of support. Sounds too good to be true and sort of like a love-fest of pie-in-the-sky, fairy dust optimism? It might sound like this at first, but the meeting is made up of people who have dedicated their lives and careers (same thing) to solving real-world problems. If Greenpeace’s slogan is Think Globally, Act Locally, then CGI’s is something like “If you can think it, you can do it.” Bill Clinton says he started CGI to “help turn good intentions into real action and results.” Toward this end, they basically help funnel money into good ideas that can change lives. They do this not by handing out cash, but by networking financing sources like foundations, philanthropists, and corporations with individuals and organizations who need backing to get their projects off the ground.
UPDATE: Thank you all for sharing your favorite Apps! We took the 10 Apps that received the most votes and polled them on our Facebook page. We’ll be publishing the results later on, but, for now, a big Congratulations to the 5 recipients of our Prize: Kalyan Basetty, Mica Nickson, Azra Kapic, Matt Iden, and Nick Gentile!
Last week, we asked our Facebook Fans to suggest the best Apps for architects so we could put together a list of the 10 Best Apps For Architects. But while a few great Apps got featured, tons of other great Apps got skipped. ArchDaily reader ArchNYC, for example, commented “how is morpholio, Paper, or i-Rhino 3D not on this list? they are incredible apps.” Reader Anna responded: “Agree 100%[...] ArchDaily should consider a second list.”
Well, you spoke, and we listened. We’re going for Round II. But, this time around, we want to know: What Great Architecture Apps Did We Miss?
And we haven’t even gotten to the best part. The folks at The Mobile Engineer, creators of our #9 App [steel], will give 5 lucky commenters a Promo Code – either for [steel] (for iPhone) or [steel HD] (for iPad) – for FREE. Not bad, eh?
So, just register to let us know your favorite Apps (iPhone or Android) in the comments below!
UP Projects and The Architecture Foundation has announced Duggan Morris Architects as winner of the Open Architecture Challenge to design the next phase of the acclaimed Floating Cinema project. This project has been commissioned by the Legacy List with corporate partner Bloomberg as part of the Bloomberg East series of artist-led programs to animate the waterways in East London working in partnership with the Canal and River Trust.
Continue after the break to learn more.
Architects: Kristoffer Tejlgaard & Benny Jepsen
Location: Allinge, Bornholm, Denmark
Project Year: 2012
Photographs: Courtesy of Kristoffer Tejlgaard & Benny Jepsen
Taking place September 30-March 3 at the Arp Museum Bahnhof Rolandseck in Remagen, Germany, the ‘Richard Meier. Building as Art‘ exhibition illustrates Richard Meier’s complex design process using prominent buildings and projects from his entire work history. The main focus will be on his museum buildings, as well as on the residential projects created at the start of his career in the USA. The works on display included in the exhibition explore the concept of an architecturally composed space on the basis of five aspects: site, proportion, light, route and color. The exhibition includes a selection of models, original sketches, renderings and photographs. More information after the break.
Open to all young creative minds from all parts of the world from the ages of 18-33, the Fenn Young Designers Award competition is seeking creative, innovative proposals that explore the interpretation of Organic” using the following mediums: Architecture, Interior design, Product design, Fashion design, Photography, and Painting. How do you interpret “Organic” if you are designing a building, a piece of furniture, a fabric, a dress, a painting or any other form of art? Submissions are due no later than October 17. To register and for more information, please visit here.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
Continue after the break for more.