What will València look like in 2050? How will technology affect the built environment? How will people live in public spaces? How will mobility evolve and shape our streets? In collaboration with Las Naves and led by Non Architecture, we are seeking design professionals or creative teams with strong architectural visualization skills who are motivated to explore new perspectives for the future of València, Spain.
Marina Tabassum will share her research on the Meghna estuary and its impact on climate change coupled with a complex land inheritance system introduced by British Colonial rule that to date governs the dynamic landscape of the Ganges Delta. Marina will share the development of a modular mobile home unit to be distributed to landless families living in coastal areas.
The presentation will focus an indigenous approach to architecture that is based on a synthesis of cultural sensitivity and environmental responsibility. The purpose of the presentation is to describe a methodology to designing buildings that focuses on a holistic view of man's interconnectedness with the environment based on an Indigenous philosophical approach.
The MEDIA ARCHITECTURE BIENNALE - MAB is the world’s premier event on media architecture, urban interaction design, and urban informatics. It brings together architects, artists and designers, leading thinkers on urban design, key industry and government representatives as well as community activists. Together, they explore the design and role of media in the built environment and its implications for urban communities and ecosystems.
On March 8, 2021, Simone Cadinelli Arte Contemporânea will open the exhibition "Rubble, Skins, Residue" to the public, featuring new works by artist Jeane Terra. These pieces were created using various unique techniques and processes she has developed over the past few years—including during the months of social isolation—taking as a starting point the rubble of houses in Pontal de Atafona, a beach in the northern region of Rio de Janeiro state that is being swallowed by the sea. The exhibition will occupy the entire gallery. In addition to the "dry paintings"—or "paint skins," a process she created and has since patented—and the "dry monotypes," the show will bring together sculptures, photographs, an embroidery piece, and two installations: a wall excavation and a window display facing Rua Aníbal de Mendonça in Ipanema.
According to recent studies, there are currently more than 1,750,000 active podcasts available via myriad streaming platforms. Once occupying a small niche of the media, podcasting is now thoroughly mainstream; its meteoric rise has only accelerated thanks to the solitary production and consumption of media under the social isolation brought on by the COVID-19 pandemic. Co-moderated by Mitchell Akiyama and Neil Verma, Hearing Stories: Narrative Audio in Isolation invites two leading practitioners, Jana Winderen and Kaitlin Prest, to speak to what it means to create sonic art in this moment. We will discuss how sonic practices can be used to create community, to tell stories, and to address pressing political issues.
Brooks + Scarpa along with PCL and BEA, design/build team is one of three finalists selected for a new community mixed-use complex. Located in the heart of Miami Beach, just one block west of the beach, the structure that replaces a municipal surface parking lot, will include pools, libraries, retail, a community center, and a 3-acre park. Designed as a resiliency hub, the building can accommodate future residential and office use when less parking is needed.
Construction has begun on MVRDV’s new 23-story mixed-use tproject at Mission Rock in San Francisco. One of four buildings in a multi-phase masterplan, the tower was designed alongside work by Studio Gang, Henning Larsen, and WORKac. The Mission Rock masterplan aims to turn 28 acres into a new neighborhood for San Francisco residents and visitors. The projects are made to connect to China Basin Park.
The winners of the 3rd Tomie Ohtake Institute Leroy Merlin Design Award have been announced. The award ceremony, which was originally scheduled to take place in person at the Tomie Ohtake Institute alongside the exhibition of the projects, was held virtually for invited guests due to the novel coronavirus pandemic.
A total of 15 projects were selected from 213 entries representing 20 Brazilian states and the Federal District.
With the increase of urban density and the decrease in the availability of land, the verticalization phenomenon has intensified in cities all over the world. Similar to the vertical growth of buildings — which is often a divisive issue for architects and urban planners — many initiatives have sought in the vertical dimension a possibility to foster the use of vegetation in urban areas. Vertical gardens, farms and forests, rooftop vegetable gardens, and elevated structures for urban agriculture are some of the many possibilities of verticalization in plant cultivation, each with its unique characteristics and specific impacts on the city and its inhabitants.
But is verticalization the ideal solution to make cities greener? And what are the impacts of this action in urban areas? Furthermore, what benefits of urban plants are lost when adopting vertical solutions instead of promoting its cultivation directly on the ground?
The 2020 COVID-19 outbreak has deeply redefined our relationship to public spaces. Fear of transmission (both direct and indirect) has closed schools, restaurants, office buildings, and transportation hubs, and has limited access to other densely populated locations and shared spaces. We have also learned that COVID-19 primarily transmits through the spread of water droplets from infected individuals, especially in scenarios of close contact, such as prolonged indoor activities. As a result, new building regulations have been put in place that reduce the circumstances in which the disease can spread. These safety precautions include mask mandates, redesign of ventilation systems, and social distancing policies. In this article, we will focus on social distancing.
It didn’t take long for the coronavirus pandemic to inspire both cutting-edge architectural design solutions and broad speculation about future developments in the field. Many of the realized innovations have been contracted by or marketed to the real estate sector. But as firms compete to provide pandemic comforts to rich tenants, the COVID-19 technology that directly affects working-class communities is mostly limited to restrictive measures that fail to address already-urgent residential health hazards or administrative conveniences for developers that allow them to circumvent public scrutiny. These changes had been long-planned, but they have found a new license under the pretext of coronavirus precaution. In terms of “corona grifting,” this sort of thing takes the cake.