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Kéré Architecture’s Goethe-Institut in Senegal Opens as a Landmark for Cultural Exchange in West Africa

In February 2022, construction began on the Goethe-Institut in Dakar, designed by Kéré Architecture. Present in Senegal since 1978, the Goethe-Institut is reaching a milestone in strengthening cultural ties between Germany, Senegal, and West Africa with this new building. As the first purpose-built Goethe-Institut on the African continent, it embodies a long-term commitment to supporting the creative industries and fostering intellectual exchange. From April 16 to 18, 2026, the Goethe-Institut will host a series of events to mark the inauguration of its new headquarters.

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Dakar Architecture City Guide: 10 Modern and Contemporary Works that Reflect the City's Evolving Identity

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A city that defies expectations, this is what many visitors often express about the Senegalese capital, Dakar. As Africa's most western port city, which gained independence from the French in 1960, Dakar is a regional hub for diversity and culture. While it's often described as an unexpectedly sleek and "modern" city, with its characteristic and sometimes colorful monolithic buildings, Dakar is in fact in constant development and each of its districts tends to reflect a different style and focus, depending on its inhabitants and the dominating functions.

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Dakar, A City in Constant Reinvention

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Dakar is a city of constant development. From colonial times, and on, the capital of Senegal has seen a lot of shifts in its societal definition which has, in turn, affected its architectural and urban fabric. Ever since the French mandate which somewhat forced a shift of local living traditions into a more 'European' lifestyle, the wheels of change have been set in motion. Afterward, a notable post-colonial attempt at re-defining Dakar was inevitable. It came about in many ways, still seen today, and it built a city of mixed architectural languages that defies most visitors' expectations.

Though the renowned African mid-century modernism was certainly present in the years after Senegal's independence in 1960, this was mostly due to its popularity with practicing architects in the region, not its relevance for the capital's rebuilding efforts. The modernist approach, which was mainly seen in the public, institutional, and cultural buildings, and which persists today in a more undefined contemporary style, was always aimed at showcasing Dakar to the world. It did not, however, reflect the reality of the city's development nor the way its dwellers live.

In an effort to refocus on Dakar, some of our more recent ArchDaily coverage has highlighted the many development and design efforts that look to provide a better means of living to inhabitants.