The Mersin Chamber of Commerce and Industry Building proposal by Ziya Imren and Onat Öktem has placed itself in an important position for the development of city of Mersin and its surroundings. Located at the intersection of the two main axes of the city, the proposal will play a major role in this new developing urban area of the city. More images and architects’ description after the break.
Designed by Onat Öktem and Ziya Imren, the proposal for the Çanakkale Municipality “Green” Cultural Center & Municipality Building, which won an honorable mention, aims to create a new focal point located at the intersection of two busy pedestrian and vehicle axes, that strengthens the urban identity. The project intends to achieve a sharing/networking space that supports the everyday life of urban dwellers with social and cultural activities/facilities/uses, and a human-centered urban space that is also respectful to environmental values. More images and architects’ description after the break.
The main purpose of the design for the Istanbul Camlica Mosque, which won the second prize in the architectural competition, was to create the largest worship place that has ever been designed, and cover it with one single roof. SN Architects successfully did this by using the load bearing properties of one of the traditional systems that often used “vault systems” and using contemporary architectural and engineering facilities. More images and architects’ description after the break.
Inspired by a reaction to the tsunami, the proposal for the Istanbul Disaster Prevention and Education Center is symbolically and practically rising above the streams. Designed by CRAB, the studio of Sir Peter Cook and Gavin Robotham, the building sits with its blades resting into the ground, ready to divide the streams of water if and when they come. Organized as a series of five clusters, it meanders along the site as a chain of events and somewhat in the manner of a chain of flowers. More images and architects’ description after the break.
The first prize winning proposal for the Halide Edip Adivar Mosque and Social Complex is an objection to the continuing entegrist attitude-action which is mostly validated on mosque design and kept popular in media of Turkey. Designed by Kolektif Mimarlar, one of the main ideas of the design is to produce a well integrated structure with its surrounding and the nearby dwellers, where additional functions to the mosque can take place. More images and architects’ description after the break.
Ziya Imren, Barış Ekmekçi, and Münire Sagat shared with us their second prize winning proposal for the Gallipoli Agadere Memorial & Hospital Museum. One of the main ideas of the project is the purpose of bringing a modern approach to the concept of preservation. The result is a solution that is respectful to the martyrs and the land, but at the same time one in which the historical memory is protected via exposing the historic and cultural potential. More images and architects’ description after the break.
The main objective of the project for the Ödemis New City Center by Onat Öktem is to integrate urban functions to ensure the continuity of the pedestrian and green axis while creating a new structure. In this context, defined and undefined urban spaces have been reorganized to increase the physical, social and cultural wealth of the citizens. Green axis, squares and spaces in the city have been evaluated as an advantage for the social, cultural and physical development. More images and architects’ description after the break.
International architectural practice Swanke Hayden Connell has won the international competition commissioned by Tahincioglu Gayrimenkul (Tahincioglu Real Estate) for the Palladium Tower in Istanbul, Turkey. The 49,500 sq meter tower will be situated on a 1.7 hectare site. The project is due for completion in 2014.
More after the break.
Mecanoo architecten, in cooperation with local partner Cafer Bozkurt Architecture, shared with us their proposal, one of the competition’s three winning proposals, in an international design competition for Yenikapı Transfer Point and Archaeo-Park Area in Istanbul, Turkey. Yenikapı, ‘New Gate’, consists in a railroad and maritime transfer centre that connects Europe with Asia, as well as the inner city with the surrounding megapolis and the rest of the country. More images and architects’ description after the break.
The TAO Office Tower, designed by Suyabatmaz Demirel Architects, has been designed as a high-rise building so as to play a symbolic figure in the Financial Center Project where it is located. Located on a sloped land on the northwest side of Atasehir Financial Center area in Istanbul, TAO Office Tower has many determining features to be a part of a mega finance district in the context of location, topography and urbanism. More images and architects’ description after the break.
According to Derek Thompson’s article for The Atlantic, the Brookings Institute recently published a ranking of the world’s 200 largest metropolitan economies. The Global MetroMonitor division of the Brookings Institute, published the report on January 2012. In this brief synopsis, he reveals the “10 Fastest-Growing (and Fastest-Declining) Cities in the World”. Among the fastest growing is Santiago, Chile, the only Latin American country in the top 10. The top 10 is primarily populated by Asian countries – China, Turkey and Saudi Arabia all have multiple cities in on the list. Conversly, the tail end of the list is dominated by Western European countries most affected by the economic downturn, with just two cities from the US – Sacramento, California and Richmond, Virginia.
The survey primarily focuses on their economic development comparing income and job growth, to say nothing of the cultural, societal, and political circumstances which may or may not be contributing the dynamism of each city’s economy. Thompson points out, two of the fastest growing cities in the world, Izmir, Turkey and Santiago, Chile are also among the poorest. Developing countries have the most to gain as they join the global economy but it may still be sometime before the economic growth balances a comfortable standard of living. Watch the interview with Alan Berube from MetroMonitor.
With all of that in mind, follow us after the break for a look at the list.
The first stage in the Augmented Structures project by Salon2 is the Augmented Structures v1.1: Acoustic Formations / İstiklâl Caddesi installation which reanimates phenomena (architecture, sound and visual arts) that appear to be completed and concluded. The acoustic memory of İstiklâl Caddesi is first transformed into an architectural surface and then this solid form becomes a dynamic visual performance through a 400m2 installation on the facade of Yapı Kredi Bank Culture Building. More images and architects’ description after the break.
109 Architectes recently took home the third prize at the 12th annual ThyssenKrupp Elevator Architecture Awards with their design for for the Disaster Prevention and Education Center in Bakırköy, Istanbul. A total of 287 projects from 59 countries were submitted to the competition. Participants were required to propose an Istanbul Disaster Prevention and Education Center on a 27,000m2 piece of land. The center will be equipped with educational resources including audiovisual equipment, simulation systems to recreate the experience of natural disasters, first aid supplies and emergency communication systems. In the center, a planetarium, library, information boards and meeting halls will serve to inform visitors. More images and project description after the break.
Given the particular nature of the program described in the competition brief, the proposal for the Istanbul Disaster Center by DRA&U focuses on the realization of a visually striking building that also represents a challenge to traditional architecture and engineering. More images and architects’ description after the break.
‘Inhabiting the sky’, a project proposal for the Istanbul Disaster and Prevention Center by LEON11, aims both, to provoke a radical impression over the visitants and to take care of nature. In doing so, their design creates an awareness about sustainability through the understanding that nature is not something that we have to fear, but just to respect and love. To get the main point across of understanding nature by being surrounded by it, they are reaching out to show visitors. Once they get in the center, visitors get the feeling of being surrounded by clouds. More images and architects’ description after the break.
For their competition proposal, OODA believes that in the process of generating architecture, they cannot have success without imagination because that is the most efficient tool or possibility to generate scenarios, predict spaces and reinvent ambiances. For this unique equipment, their approach tries to merge the most efficient program articulation with a strong concept which intends to suggest the overall theme integrated with Istanbul’s context. The main program components require a specific connectivity overlap that generates directly a crossed axis of piled interrelated spaces. Then, as a conceptual driven figuration, this formal arrangement suffers the effect of a natural disaster – earthquake – and falls down until achieving its structural stability on the ground creating as well the landscape topography with the same principle. More images and architects’ description after the break.
The construction of the Istanbul Disaster Prevention and Education Center in the Bakırköy district offers the possibility of redefining the territory in this area of the city. It is the perspective of GVNM Arquitetos that they should not extend the logic of the surroundings, with high independent buildings that do not establish relations between each other and do not create an urban fabric. Therefore, with the intent of consolidating the existing fabric and to depart from the image of the nearby constructions, their aim is to create a space and a building truly unique and singular, closer to a natural construction than of an urban structure. More images and architects’ description after the break.