Global design practice Skidmore, Owings & Merrill have created a modular pop-up classroom in response to COVID-19. Called School/House, it was inspired by its traditional single-room namesake and responds to the key challenges of density, air circulation, and flexibility in schools. The rapidly deployable classroom system addresses social distancing, health, and safety during the pandemic while also provides learning space during renovations or rapid growth.
Pop Up: The Latest Architecture and News
Striking Easily Assembled Cabins Will become Symbols for Shelter and Safety Along Remote Trekking Paths
Stockholm-based architecture firm Utopia Arkitekter has designed Skýli, they are bright blue cabins that are popping up in one of the world's most beautiful landscape. The idea came from a desire to develop a structure which could be easily placed along some of the most famous trekking trails in Iceland. Not only are the lodges striking and beautiful in itself, they can be easily constructed and are built to withstand the harshest weather conditions.
The way we spend time and the things we spend time doing are constantly changing. New technologies enable us to interact in different ways. They also tend to replace older forms of social interaction for better or worse. How can future public spaces facilitate new forms of social interactions?
The City of Victoria invites teams and individuals to submit creative design concepts to temporarily transform Ship Point Plaza, an underutilized paved plaza space along Victoria’s downtown waterfront, into a magnetic and memorable ‘pop-up’ public space during the 2016 summer season.
Ask some people, and they'll tell you that pop-up architecture is a quintessentially 21st century form of architecture, but in fact the idea goes back over 2000 years. In this article originally published on Curbed as "The Rise and Rise of Pop-Up Architecture," Marni Epstein-Mervis traces the development of pop-up architecture right from its origins in ancient Rome, analyzing how the phenomenon has transformed into what we recognize today.
For five weeks in August and September 2015, street artist Banksy opened a dystopian theme park with Disney-esque castles and theme rides in the seaside town of Weston-super-Mare in southwest England. Attractions included a police van mired in the muck and goo of a forgotten cityscape, and an overturned pumpkin coach and horses with Cinderella tossed half outside of it. These installations, one a commentary on our police state and the other a commentary on celebrity and the tragic death of Princess Diana, were just two of the many pieces at last summer’s temporary "bemusement" park, which Banksy called Dismaland. After its run, the timber and fixtures were sent to a refugee camp—home to over 3,000 people, mostly from Sudan, Eritrea, and Afghanistan—near Calais in France.
Pop-ups like Dismaland are everywhere. The impermanent, unexpected, and even slightly irreverent have become community staples. We can visit pop-up amusement parks, shop at pop-up stores, eat at pop-up restaurants, and stay at pop-up hotels. "Architecture has transitioned into an experience. An experience where, purposefully, it is difficult to tell the difference between the design and the art installation," says Melanie Ryan, Design Principal at the Los Angeles-based experiential and mobile design house Open For Humans.
Architecture can be built with compressive elements and with tensile elements, but few materials have the ability to be stretched and also retain compressive strength. In a new project from Architectural Association DRL students Soulaf Aburas, Maria Velasquez, Giannis Nikas, and Mattia Santi, one of those materials, Polycaprolactone, a biodegradable polyester, is used to create framework from temporary pavilions and installations. Constructed using programmable robotic arms, the resulting product is a joint-less, self-supporting mono-material that shares a visual similarity to the structure of bones - giving the project its name, Osteobotics.
On Saturday, July 4, designer Prada and AMO—a research studio subset of OMA architecture—hosted The Miu Miu Club, a pop-up event, featuring dinner, a fashion show, and several musical performances in Paris, France.
Inside of the 1937 art deco Palais d-Iena, Paris’ current CESE government offices, the one-night event was held in the Hypostyle, using a scaffolding ring to create a “room within a room.” Strip lighting, metal grids, PVC sheets, and arrangements of luxurious furniture were also used to enhance the space.