Designed and developed by Fiction Factory, a company of creative makers from Amsterdam, Wikkelhouse loosely translates to ‘wrapped house.' This sustainable modular house is uniquely created with cardboard as its main building material and is customizable in its size and function.
San Diego Airport has unveiled their permanent interactive artwork DAZZLE on the Airport’s Rental Car Centre commissioned by San Diegos County Regional Airport Authority, that features the debut of E Ink's revolutionary prism technology on a large architectural scale. The installation has been designed to manipulate the form of the façade using inspiration from the World War I military technique “razzle dazzle” that camouflaged the outlines of ships. This phenomenon of visually scrambling the shapes to hide from being spotted can be witnessed in nature too, as the stripes on a zebra equally become an optical illusion to disrupt the predator’s perception.
Siam Research and Innovation Company (SRI) is a Thailand-based cement manufacturer that has been developing innovations to push the limits of 3D printing in architecture. Their project 'Triple S' –developed in 2017– is based on traditional Thai craftsmanship to generate Surface, Structure, and Shelter in a single process; its specific artisanal form creating beautiful framework for structural purposes, easily building living spaces.
Ateliereen Architecten has proposed a metal and wood configuration for an observation tower in Peize, Netherlands. Their plan is to construct a resistant, permeable and playful structure.
The project is designed so that people climbing up the tower will have unique viewpoints. This tower is also easily assembled from screws and bolts.
Architects Create Affordable "Exoskeleton" Pavilion With Modular Woods, Tie Straps and Sliding Joints
"Exoskeleton" is a pavilion that shows how Computer Aided Manufacturing can create rapid prototypes. This manufacturing process allows for real-scale construction and experimentation with limited resources.
In this project, a system of modules, designed with different dimensions, is put together with simple joints without nails or screws. This allows for different surfaces to be formed and for the pieces to be rotated and assembled at various angles and heights.
The Olympic pavilion is coated with Vantablack VBx2 carbon nanotubes and illuminated by thousands of tiny white light rods. These rods extend from the structure's parabolic super-black facade and create the illusion of a field of stars suspended in space. Looking at the building will be the closest experience to looking into space from a point on Earth.
How much do you wish you knew about carpentry, solar energy or masonry? Leonardo Da Vinci said, "the noblest pleasure is the joy of understanding." Those who are open to learning and expanding their horizons are more likely improve their approach to design. If you've always wanted to understand more about construction processes, structures or materials, this list of online courses is for you.
We scoured MOOC platforms and databases to highlight a series of online courses related to construction and building materials. Many of the courses are permanently available and can be taken immediately; we've also provided information so that you may contact the universities or instructors to inquire about start dates, certificates, costs, course language and other relevant details.
WATG Urban's first prize design for The Freeform Home Design Challenge in 2016 is now moving one step closer to becoming a reality. Since winning the competition, WATG's Chicago office has been developing the winning design, dubbed Curve Appeal, alongside Branch Technology. Curve Appeal is now undergoing the "wall section testing, research and development phase" with an anticipated goal of breaking ground later this year. This revolutionary project could change the way we construct complex, freeform structures.
Designing public spaces without considering the circulation and parking of bicycles is no longer an option in today's world. Accessibility for the free traffic of cyclists must also be accompanied by adequate security conditions, incorporating these devices in the best possible way to parks, sidewalks, parking lots, and the streetscape as a whole.
Are you designing an urban space, or do the exteriors of your project require a correct link with the circulation of bicycles? Check these support elements that can help you to generate a better city for the urban commuter on wheels.
Last year we shared a guide to the United States' ADA Standards for Accessible Design. Given the article's success and the diversity of our audience, we're making available a collection of guideline documents from Latin America and Spain. Whether you're working on projects in these countries or you're looking to broaden your knowledge of universal design, these guides should come in handy.
These documents—published as PDFs—have been made available by institutions and organizations and refer to the requirements and laws of the indicated countries.
This vertical cladding for facades is a high-density laminated panel, composed of a core of paper fibers -compressed at high temperature and pressure- and an outer coating highly resistant to weathering and UV radiation. The wood used in the panels has been treated with Everlook®, a component that - without the need for maintenance - extends the useful life of the panel and the stability of its color regardless of weather conditions.
To generate a ventilated facade with these panels, each unit must be installed on vertical profiles, producing an uninterrupted airflow behind the panel. Here's how to do it.
Brikawood is an intuitive and logical construction system of wooden bricks that allows the rapid construction of an entire house without the use of nails, screws or adhesives.
Each unit is totally recyclable and consists of four pieces of wood –two lateral elements and two transversal spacers– which are assembled to the general frames of the building by interlocking, achieving total rigidity when working together. The resulting structure presents thermal, mechanical, acoustic and anti-seismic properties and is designed to be used without cladding or membranes, adding only an anti-return valve specific to Brikawood, in order to increase the performance and tightness of the construction.
Nothing is more rational than using the wind, a natural, free, renewable and healthy resource, to improve the thermal comfort of our projects. The awareness of the finiteness of the resources and the demand for the reduction in the energy consumption has removed air-conditioning systems as the protagonist of any project. Architects and engineers are turning to this more passive system to improve thermal comfort. It is evident that there are extreme climates in which there is no escape, or else the use of artificial systems, but in a large part of the terrestrial surface it is possible to provide a pleasant flow of air through the environments by means of passive systems, especially if the actions are considered during the project stage.
This is a highly complex theme, but we have approached some of the concepts exemplifying them with built projects. A series of ventilation systems can help in the projects: natural cross ventilation, natural induced ventilation, chimney effect and evaporative cooling, which combined with the correct use of constructive elements allows improvement in thermal comfort and decrease in energy consumption.
Whether architects are trying to meet the Architecture 2030 Challenge or pursuing their own mission to save energy, they have an opportunity to design buildings that can limit carbon emissions and be resilient against changing climate conditions.
To help architects meet their goals, a new wave of chemistry and material science is bringing innovative materials and building systems to the marketplace. From advanced insulation foams to multiwall cladding, this next generation of high-performing materials will help accelerate energy-efficient design.
Learn more about some of the high performing materials of today and tomorrow.
After years of publishing projects and articles related to bamboo, we are strongly aware of its qualities as a construction material. But is it really an option that you would use into your next project? Despite widespread appreciation, bamboo seems to be a material that is rarely considered for use in everyday designs.
The team of Manasaram Architects and CGBMT asked themselves the same question. Together they are seeking to understand the current perceptions of bamboo and to discover its potential as a commonly-used material in the construction sector. To help in this pursuit, they have shared a survey with us which seeks to evaluate how often architects and building professionals use bamboo, the problems they face, and how informed they are about the material.
We would like to invite our readers to spare 10 minutes of their time to help us expand knowledge about the use of bamboo using the survey below. The results will be shared on ArchDaily once the study is complete.
The social design from Natura Futura Arquitectura for a greenhouse in the warm subtropical climate of Nayón, Ecuador, the proposal approaches the use of local material resources in the construction of low-budget productive structures for the development of the collective.
The project, materialized with bamboo, wood and greenhouse plastic, is based on the basic geometrical figure of the triangle, proposing sectors with different levels of illumination for different types of farming.
At an altitude of 2735m, architecture students at the École Polytechnique Fédérale de Lausanne (EPFL) in Switzerland have built The Bonatti Bivouac, a temporary refuge for the A Neuve’s glacier. The shelter uses the envelope as a structural object, eradicating the need for metal, screws, or nails. Informed by theoretical architect Semper, their design uses the joints to form a piece of architecture.
“Hairy” isn’t typically a term used to describe architecture. However, a “hairy” exterior is perhaps the defining characteristic of this micro-office by 2hD Architecture Workshop in the UK—the outer facades are entirely clad in natural coco-fiber broom heads.
The details and junctions of the broom heads are largely concealed as to let the broom bristles interlock, providing a continuous and visually diffuse surface. This hides any clue as to what is occurring on the interior—the structure existing merely as an object of intrigue.