And while large scale initiatives have driven the green building movement here in North America and abroad, some issues have an easier time emerging as hot topics than others (think renewables). There’s no doubt that advances in those areas will, in fact, have positive impacts on the built environment, but there is an emerging group of products, technologies, materials, and design principles that seems to be taking shape in a growing number of buildings scattered across the globe.
I’m an architectural photographer based in London. For the last few years I have been working on a series of images called ecocities. I use some of the commissioned work and some of my personal work and combine this with imagery from stock libraries to produce my own version of an imagined future for London.
Although we’ve featured dozens of projects that incorporate vertical or roof gardens, we just couldn’t stop looking at this beautiful six story tall green wall by architect Jose Maria Chofre that we spotted at Urbanarbolismo. The articulated design, teamed with the variety of foliage, adds a great texture and personality to the building, a new children’s library in eastern Spain.
More images and more about the green wall after the break.
Antonio Pedro Coutinho shared with us the entry he designed with Estelle Dugachard, Fabiana Araújo, Nanda Eskes, Ricardo Caruana for the competition regarding the expansion of the Environment Museum in Rio de Janeiro, Brazil. The main challenge dealt in this competition was finding a way where the architecture would be inserted on the ecosystem where it was being planned; the magnificent Botanical Garden of the city of Rio de Janeiro.
More images and description after the break.
When we spotted William Leddy’s (the founding principal of Leddy Maytum Stacy Architects in San Francisco) thoughts on Getting Past Green for the Architect’s Newspaper, we completely connected with his words. A few months ago, when we shared Frank Gehry’s comments about LEED, we received an overwhelming number of responses about your opinions of the rating system. Leddy exclaimed, “Let’s get past our paler notions of “green design” and stop fussing over arcane LEED points to get to the real business of fully integrating radical resource- efficiency within our concepts of design excellence. Only then can we whole-heartedly focus the transformative power of design on the greatest challenge of our generation: helping to lead our society to a prosperous, carbon-neutral future. We can afford to do nothing less.”
More about the article after the break.
New Zealand architect, Tim Stephens, shared his Huntington Urban Farm design with us. The farm responds to the lack of support for the sustainable practice of growing and cultivating one’s own food source, an important issue Stephens sees as becoming more prevalent as our population increases. The farm provides convenient access to individualized plots of land where users can produce their own food right in the middle of the town.
We have told you in the past about Brad Pitt´s Make It Right Foundation. They have been working with a group of international architects to redevelop the Lower 9th Ward in New Orleans, after hurricane Katrina. The name of the foundation addresses the desire of Pitt, architecture enthusiast, to design these houses the best way and not just as a temporary solution, in a process that also included working not only with these renowned firms, but also very close with the community, with a focus on sustainable development.
During the 2010 AIA Convention in Miami Beach we had the opportunity to sit down with George H Miller, AIA President.
George is also a partner at Pei Cobb Freed & Partners. Given his position as a partner on one of the most recognized firms in the US and as the voice of the architects through the AIA, George has a very good idea on the current state and future of the profession. We did our usual set of questions, but also included two things that I find very important: The importance on pushing IPD and the role of the AIA during the financial crisis (and what lessons can be learned after it). We also recommend you to read our article on his position regarding small business taxes, part of his efforts to improve the way architects practice in the US.
We published each question as a separate video so you can easily watch them. On a side note, there is some audio noise due to a bad mic placement. My fault, won´t happen again.
Not so long ago, we featured Cyril-Emmanuel Issanchou’s Maison Eco-rce, a timber residence, and today, we share his EC*-Cocoon, a low energy house. Designed for the competition BETWIN, the low energy houses are prefabricated modules that are installed upon a set of walls and plinths made from locally gathered stones.
More about the design after the break.
Architects: Flansburgh Architects Location: Kamuela, Hawaii Partner in Charge: David A. Croteau, AIA Client: Hawaii Preparatory Academy Contractor: Quality Builders Inc. Project Management: Pa’ahana Enterprises LLC Civil Engineering: Belt Collins Hawaii Ltd. Structural Engineering: Walter Vorfeld & Associates Mechanical Engineering: Hakalau Engineering LLC Electrical Engineering: Wallace T. Oki, PE Inc. Surveyor: Pattison Land Surveying Inc. Sustainability Consultants: Buro Happold Consulting Engineers Completion Date: 2010 Construction Area: 6,100 square feet Construction Value: $650/sf Photographs: Matthew Millman
Conceived as a high school science building dedicated to the study of alternative energy, the new Energy Lab at Hawaii Preparatory Academy functions as a zero-net-energy, fully sustainable building. The project’s fundamental goal is that of educating the next generation of students in the understanding of environmentally conscious, sustainable living systems. The project targets LEED Platinum and Living Building Challenge certification. Recently completed in January 2010, the Energy Lab today strives as a living laboratory, furthering its educational goals as a functioning example of sustainability.
This interview first appeared in Assembly, a new magazine that ArchDaily contributor Sarah Wesseler is working on.
According to the United Nations, 1 billion people currently live in slums. Over the next two decades, this figure is expected to double. In recent years, slums (also known, more neutrally, as informal settlements) have increasingly attracted positive attention from academics and design professionals impressed by their efficient deployment of scarce resources, community-based orientation, and entrepreneurial vitality. Architect Rem Koolhaas celebrated the slums of Nigeria in his 2008 book Lagos: How It Works, while Teddy Cruz has become well known for his work with shantytowns on the U.S.-Mexico border. And no less a traditionalist than design enthusiast Prince Charles, prone to harsh public attacks on contemporary architecture, has championed Dharavi, the Mumbai neighborhood portrayed in Slumdog Millionaire, praising its “underlying, intuitive ‘grammar of design’” in a 2009 speech.
Detractors claim that these and similar attempts to examine the slums through the lens of design romanticize poverty and ignore the sociopolitical forces responsible for their creation and proliferation. However, although some projects involving informal design are doubtless better conceived than others, in general there can be no real question that it is appropriate for architects and planners to concern themselves with a phenomenon fundamentally tied to design-related issues such as land use, infrastructure, and materials. And given the failure of so many top-down modernist schemes for housing the poor over the past century, it is logical for the profession to turn its attention to a housing model which continues to mushroom organically around the globe: the shantytown.
An ongoing research project being carried out by 26’10 South Architects, a young South African firm headed by husband-and-wife architects Thorsten Deckler and Anne Graupner, provides an interesting look into this type of work. The couple have spent the past year and a half studying the spatial dynamics of Diepsloot, a Johannesburg suburb created in 1994 to house the poor. Today, approximately three-quarters of Diepsloot’s residents live in slums.
The interview after the break.
Check out this master plan video by Vandkunsten for designing sustainable cities. Not only do we love the animation techniques, by the layers of information are presented in a clear manner. Upon viewing the video, the zoning of public space, circulation routes, and green spaces are made evident while great glimpses of zoomed-in perspectives tie the ideas together. The video depicts three different master plan ideas: reusing a shipyard in Sweden, redefining a recreational space in Denmark in an attempt to better integrate the area with the surroundings, and the renewal of a suburban city center in Denmark. Enjoy!
Built on Taylors’ Island, Kieran Timberlake‘s Loblolly House is nestled into a grove of loblolly pines and responds in an “environmentally ethical” way to its surroundings. Lifted on skewed wooden pillars in order to rest lightly on the site, the residence seems to float amidst the trees and aims to put the focus on the natural environment, such as the sun, the trees and the Chesapeake Bay. The video shares some of the thought process, assembly and construction process as well as the finished project. We find the project extremely thoughtful and hope you enjoy the video!
A month and a half ago we presented you Roadmap 2050, a proposal to set in motion an invisible revolution in the energy sector which would stabilize the Earths climate.
We are always excited to see what the Solar Decathlon entries bring to the table. It is an extremely intense competition, rooted in the belief that highly efficient homes can be sustainable without sacrificing aesthetics or comfort. Throughout the months spent preparing their final houses, students from some of the best universities in the world strive to fuse technological innovation, sustainability and design into a functional entity.
The competition challenges students to think beyond the systems and strategies that are currently in use, thus, each proposal attempts to find innovative ways to approach the issues of renewable energy and energy efficiency. The University of Florida’s Project RE:FOCUS combines its Floridian vernacular language with a ‘back-to-basics’ approach to sustainable living. As such, the 800 sqf house rethinks traditional practices and “hopes to communicate the need to RE:FOCUS how, and in what, we live.”
More about the project and more images, including some great construction shots, after the break.
At an exhibit in Gothenburg, architects Fredrik Kjellgren + Joakim Kaminsky from Kjellgren Kaminsky Architecture have designed a sustainable city as a ”glimpse of a possible sustainable future” for Sweden. The project, entitled Super Sustainable City, takes the analytical findings of a previous green initiaive,”Gothenburg 2050″ and presents a new “architectonic vision.”
More about the exhibit after the break.
