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Bruno Taut: The Latest Architecture and News

Towards an Architecture of Light, Color, and Virtual Experiences

12:00 - 25 September, 2017

This essay by Space Popular references an installation currently on display at Sto Werkstatt, in London. You can experience it in virtual reality, here.

The Glass House has no purpose other than to be beautiful. It is intended purely as a structure for exhibition and should be a beautiful source of ideas for “lasting” architecture but is not intended as such. According to the poet Paul Scheerbart, to whom it is dedicated, the Glass House should inspire the disillusion of current architecture’s far-too-restricted understanding of space and should introduce the effects and possibilities of glass into the world of architecture.

Bruno Taut [above] described his Glashaus for the 1914 Werkbund Exhibition in Cologne, Germany, as a "little temple of beauty"; as "reflections of light whose colors began at the base with a dark blue and rose up through moss green and golden yellow to culminate at the top in a luminous pale yellow.”[1] The Glass Pavilion, designed based on its potential effects on those who perceived it, was supposed to create vivid experiences. The site was the human mind.

The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular + 15

Space Popular Reignite the Concerns of "The Glass Chain" Letters By Way of Virtual Reality

16:45 - 17 September, 2017

"The Glass Chain" (Die Gläserne Kette in its native German) was an exchange of written letters initiated by Bruno Taut in November 1919. The correspondence lasted only a year, and included the likes of Walter Gropius, Hans Scharoun, and Paul Gösch. In the letters, the penfriends—thirteen in all—speculated and fantasized about the possibilities of glass, imagining, in the words of Fredrik Hellberg and Lara Lesmes (Space Popular), "fluid and organic glass follies and colourful crystal cathedrals covering entire mountain chains and even reaching into space."

© Ben Blossom © Ben Blossom © Ben Blossom © Ben Blossom + 18

Architecture City Guide: Berlin

10:00 - 27 July, 2011
Courtesy of Flickr CC License / alexthompson. Used under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>Creative Commons</a>
Courtesy of Flickr CC License / alexthompson. Used under Creative Commons

This week, with the help of our readers, our Architecture City Guide is headed to Berlin. The twentieth century changed nearly all cities, but perhaps none more so than Berlin. From its destruction in World War II that left few historic buildings intact to its division until 1989 that brought together the architecture of two competing ideologies into one city, Berlin’s modern and contemporary architecture speaks to a past that seldom accompanies such recent additions. The city is filled with new and wonderful architecture that might not have found space in other cities in Europe. With that in mind, we were unable feature all our readers’ suggestions on the first go around. We will be adding to the list in the near future, so please add more of your favorites in the comment section below. Once again, thanks to all our readers for your help.

The Architecture City Guide: Berlin list and corresponding map after the break.