ArchDaily announced the winning proposal for the 2012 MoMA PS1 Young Architects Program (YAP) earlier this month. In order to bring you full coverage of the annual competition, we are featuring the other four creative designs that competed against HWKN’s Wendy. Ibañez Kim Studio (Mariana Ibañez and Simon Kim) proposed a Mechanical Garden that enjoyed a unique partnership with artists and engineers in Philadelphia.
ArchDaily announced the winning proposal for the 2012 MoMA PS1 Young Architects Program (YAP) earlier this month. In order to bring you full coverage of the annual competition, we are featuring the other four creative designs that competed against HWKN’s Wendy. Virtual Water, a collaborative design brought to you by UrbanLab, endrestudio and Method Design, formally manifests what is hidden in plain sight: RAIN. The project reveals and plays with thousands of gallons of summertime rainwater that would otherwise be discarded from the PS1 courtyard.
Virtual Water refers to water hidden in everyday products. A pair of jeans, for example, has a 3000 gallon Virtual Water footprint because 3000 gallons of water are consumed in the various steps of its production chain (growing the cotton, dyeing the fabric, etc).
An extended view of Water Cathedral, the selected project by GUN Arq for the 2011 YaP installation in Santiago, Chile, shot by photographer Cristobal Palma.
The Water Cathedral is a large, horizontal urban nave for public use. The structure is made up of numerous slender, vertical components, which hang or rise like stalactites and stalagmites in a cave, varying in height and concentration. The project incorporates water dripping at different pulses and speeds from these hanging elements, fed by a hydraulic irrigation network. When filled with small amounts of water, the stalactite components act as interfaces out of which water droplets gradually flow and cool visitors below. The stalagmites topography provides elements of shade, along with plants and water that collect under the Water Cathedral’s canopy.
Last week, the MoMA and the PS1 announced HWKN as the winner for the 2012 YAP in NY.
More videos by Cristobal Palma at ArchDaily:
The Museum of Modern Art and MoMA PS1 has announced the 2012 finalists competing in the 12th annual competition under the Young Architects Program. Each year a group of emerging architects compete for the opportunity to design and construct a summer installation within MoMA PS1’s courtyard.
Courtesy of sTARTT
“WHATAMI”, winner of the 2011 Young Architect Program at the MAXXI, is beginning to take shape. This summer installation is situated within the exterior spaces of the museum and is the result of a partnership between MoMA’s P.S.1 and the National Museum of the 21st Century Arts in Rome. Simultaneously Interboro Partners‘ “Holding Pattern” will on display at the MoMA in New York and sTARTT’s winning design “WHATAMI” at Zaha Hadid’s MAXXI.
The community based winning design for the 2011 Young Architects Program at the P.S.1, “Holding Pattern” by Interboro Partners, shared photographs of the installations canopy raising which took place last Thursday at MoMA. The New York firm, formed by Tobias Armborst, Daniel D’Oca, and Georgeen Theodore, were able to creatively accomplish the design within the Young Architects Program’s budget and program requirements, stretching the funds to essentially serve two purposes; as the materials will be recycled, donating the objects such as ping pong tables, benches, and flood lights, to the community at the end of the installation. ”Holding Pattern” will welcome visitors beginning June 19th.
As we reported last week, Interboro Partners’ “Holding Pattern” was selected as the winner of the 2011 YAP organized by the MoMA and the MoMA P.S.1. As usual, and in order to extend the debate, we are presenting you the running entries.
We present you “Ghost House” by London-based firm IJP Corporation Architects, a light-weight installation with a counter-intuitive material structure exuding an aura of mystery and wonder. A representation of contemporary living, to be built almost entirely with tensed rope to enclose spaces that relate to how we live.
More about Ghost House:
As we told you weeks ago, the MoMA and PS1 have partnered with the MAXXI (the National Museum of the 21st Century Arts in Rome) on their Young Architects Program. This partnership will result in a summer installation in the exteriors of the italian museum (a Zaha Hadid building completed last year). This installation will happen at the same time as the one at the P.S.1, designed by Interboro Partners.
Since 2000, the MoMA and the P.S.1 have been running a competition under their Young Architects Program, each year inviting a group of emerging architects to experiment with new shapes and materials, resulting in a summer installation at the P.S.1. Past winners include WORK ac (P.F.1. Public Farm 1), MOS (Afterparty) and SO-IL (Pole Dance). Architects Newspaper recently announced the short list for the 2011 summer installation, which includes Interboro Partners (NY), FormlessFinder (NY), Matter Architecture Practice (NY) MASS Design Group (Boston) and IJP Corporation Architects (London). Matter Architecture practice was already invited to the 2008 competition, which also happened to MOS back in 2007, then winners in 2009. As usual expect a complete coverage here at ArchDaily, we look forward to see all the projects!
Check out this video we found by Yellow Line Pictures and the 2010 MoMA/MoMA PS1 Young Architects Program. We’ve been documenting SO-IL’s Pole Dance quite extensively and we feel that this video is a good addition to our coverage. We hope the film’s fun take on demonstrating how to use the project will make you even more excited to visit the PS1 schoolyard if you find yourself in the New York area. What do you think of the noise making poles? And, how about the fact that the project can be affected by an iPhone app ?
We are sure that SO-IL‘s PS1 installation, Pole Dance, will be a hit this summer. On Friday we had a preview by Alan R Tansey and today, we found at Iwan Baan’s website another view on the installation. We hope you’ll be able to visit the project in person sometime.
Complete photoset at Iwan’s website, some photos after the break:
The symposium marks the release of the 11 Architects + 12 Conversations issue of PRAXIS: a journal of writing and building. The moderated discussion will invite audience participation in an open dialogue that explores shared and contested territory among this emerging generation of practices.
We continue featuring the proposals for this years P.S.1 summer installation competition (awarded to SO-IL, read our full coverage of the PS1 competitions here).
This time we introduce you EASTON+COMBS, a practice ran by partners Rona Easton and Lonn Combs.
The firm has a focus on material innovation, which could be seen at LUX NOVA, their proposal for the P.S.1, which includes “Strong Light”, a 100 percent recyclable and exceptionally strong featherweight building component.
The initial system is developed as a permeable featherlight structural skin that engages an environmental play of translucent and polychromatic effect. The system offers an 80% weight reduction over an equivalent glass system with no compromise in strength and stability at a significantly lower cost.
More about LUX NOVA after the break:
This video clearly explains the concept for SO-IL‘s winning proposal for the P.S.1 summer installation we presented you yesterday. Now it is easier to understand the concept proposed by Pole Dance, encouraging people to move the structure to create a dynamic space.
A few months ago we presented you the winning entry for this years YAP competition for the P.S.1 summer installation, awarded to MOS Architects (Michael Meredith, Hilary Sample) as we reported earlier.
This competition has been a field for experimentation on digital manufacturing, new materials and new construction techniques -all under a tight budget-, as we saw in 2008 with the P.F.1 by WORKac.
To keep the courtyard fresh, a series of “hut” like structures conformed by inverted catenaries (part of an on going research by the practice) acting as chimneys: The faux fur that covers them collects heat from the sun, transfering it to the air inside the huts creating a chimney effect that keeps air flowing to cool the lower level.
The resulting space corresponds to the after-party concept envisioned by MOS:
The main purpose of the afterparty is to provide a relaxing environment, as compared to the earlier venue, where the atmosphere is usually more frenetic. During an afterparty people often sit down, relax, and chat freely, meet new people in a more controlled setting. If the original party was one that continued until late at night, the afterparty will often include a morning snack, which usually counts as breakfast. …. Possibly in contrast to relaxation, the afterparty can provide a chance for people to get away from the eyes of people who were overseeing the main party. This tends to be more common in events such as school balls where alcohol consumption is not allowed, and provides a location where the partygoers will be allowed to drink. In this case, the afterparty may turn out to be more lively than the main party, as the people are freed from the restrictions that were placed on them during the main party.
All photos by Florian Holzherr. See more after the break:
We just got the news that MOS Architects won the competition to build a temporary installation at MoMA´s P.S.1 during this summer.
For this competition the P.S.1 invites each year a group of emerging architects to experiment with new shapes and materials, as Work AC did last year with their PF1 project.
MOS project is entitled Afterparty, a design that Micheal Meredith and Hilary Sample (MOS partners) say is meant to honor and reflect current economic realities, by using basic materials. The main structure is a lightweight aluminum frame using recyclable parts which require minimal assembly, which will become a landmark for the neigborhood – all this on a USD$70,000 budget.
I spoke with Michael a few minutes ago and he refered to the name of the project: One thing about the “Afterparty,” as we’re calling it, is the need to look for new promiscuities after the party of a sort of high-formalism which has dominated academic discourse, and in our case it’s with the basic structural arch geometries, rough almost singular materiality and the production and interaction of “environment,” (literally cooling down the courtyard through stack effect) looking towards a more primitive state of architecture. – (See afterparty definition on Wikipedia).
The project is still under development, and we´ll keep you posted on further updates. We´ll try to do a good coverage on this as we did last year.
You can see other works from MOS previously featured on AD: Floating House and their ORDOS 100 villa.
More images of Afterparty after the break.
As I had previously mentioned we visited Work AC in New York a few months ago, where we interviewed Amale Andraos and Dan Wood. This turned out to be a great interview, where they shared their thoughts on the current state of architectural practice, the role of architects in current society, humor, networking, media and something that really interested me: the importance of knowing how to manage the growth of your office.
On their office we saw the amazing model for their Cadavre Exquis Lebanese, a proposal based on a series of interventions to re-create Downtown Beirut presented at the 2007 Rotterdam Biennale. We also got to see their on on going projects and a 1:1 prototype of their Public Farm 1 structure soon to be opened at the PS1. You can check the construction progress at the PF1 website.
Pictures of Work AC after the jump.
