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Le Corbusier's Unité d'Habitation imagined a "vertical neighborhood," a building able to integrate housing, commerce, leisure, and collective spaces within a single structural organism. Around the same time, Jane Jacobs argued that diversity of use is what produces safety, identity, and social life at the street level. Later, Rem Koolhaas, in Delirious New York, described the skyscraper as an early experiment in "vertical urbanism," capable of stacking incompatible programs under one roof. In cities like Tokyo and Hong Kong, this ambition matured into complex hybrid buildings where different uses, such as transit hubs, retail, offices, hotels, and housing, coexist and interact continuously.

The Royal Architecture Institute of Canada awarded the 2021 Gold Medal to the architectural duo Brigitte Shim and A. Howard Sutcliffe. The distinction is a recognition of the architects' long-lasting and pivotal contribution to Canadian architecture.

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It’s a given that the coronavirus pandemic has had wide-ranging impacts on construction projects large and small over the past 10 months. So, what about the construction of new buildings that share the defining characteristic of being superlatively tall?

As detailed in an annual report published earlier this month by the Chicago-headquartered Council on Tall Buildings and Urban Habitat (CTBUH), newly completed skyscrapers experienced a global decline of 20 percent in 2020 compared to the previous year due, both directly and indirectly, to the COVID-19 crisis.

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Kohn Pedersen Fox Associates (KPF) have designed One Vanderbilt the soon to be tallest contemporary office facility in Midtown Manhattan, at 427 meters in height. The tower’s spire was recently raised and upon its completion, the building will offer a new type of experience in the Grand Central District.

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