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For the animal lovers among our audience, this week we have put together a special roundup of images of architecture alongside some marvelous critters. While not exactly a mainstay of architectural photography, proponents of the form like BoysPlayNice, Jesus Granada and Rafael Gamo have dared to include animal inhabitants in their architectural compositions. Read on to see a selection of 20 creative images where you will find horses, sheep, cows, goats, dogs, cats, and even elephants.

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Without a doubt, it is interesting to enjoy architecture from a new perspective. Minimalist photography, characterized by clean compositions where geometry and abstraction take center stage, is one of the most popular trends when it comes to documenting architecture. In celebration of this distinctive photographic style, we have selected 14 minimalist images by prominent photographers such as Joel Filipe, Sebastian Weiss, and Nelson Garrido.

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Architecture is always a reflection on how to interact with and relate to nature. Some architects show a preference for distinctive shapes and materials that contrast with the landscape, while others prefer to mimic the surroundings with organic works. But regardless of the techniques employed, architecture has reached the most remote and incredible places on the planet. Below is a selection of 16 images which show the combination of architecture and landscape by prominent photographers such as Su Shengliang, Sergio Pirrone and Valentin Jeck.

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Throughout the 60-year career of Álvaro Siza, his work has continuously defied categorization--having variously been described as “critical regionalism” and “poetic modernism,” with neither quite capturing the true essence of Siza's intuitive architecture. In this interview, the latest in Vladimir Belogolovsky's “City of Ideas” series, Siza discusses those attempts to categorize his work, his design approach and the role of beauty in his designs.

Vladimir Belogolovsky: Your student, Eduardo Souto de Moura said, “Siza’s houses are just like cats sleeping in the sun.”

Álvaro Siza: [Laughs.] Yes, he meant that my buildings assume the most natural postures on the site. There is also a reference in that to the human body.

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