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Research by the Science Museum Group based on objects from different periods of UK history shows how their colors have transformed over time, leaving vibrant tones behind and becoming grayer every day.

Cat Sleeman examined more than seven thousand photographs of everyday objects from the Science Museum Group Collection in research funded by the Creative Industries Policy and Evidence Center (PEC). From cameras to lamps and other household objects, they were organized into 21 different categories according to their use. The analysis was carried out based on counting pixels of different colors and also addressed the shape of the objects.

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The visual aesthetic of the past few decades could be defined as designing with the principles of ‘nothingness’. Whether it’s through art, lifestyle, fashion, industrial, or interior design, there has been an alleged need to keep things at a bare minimum, promoting the globally-loved-yet-highly-criticized trend of minimalism. Minimalism is this notion of reducing something to its necessary elements, but who is deciding what is necessary, and who is deciding what is too much? With those questions in mind, combined with radical changes in consumerism and the way people live seen during recent years, current trends have shown that minimalism might be here to stay, but with a twist.

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