The intervention project includes the design of the Julio Mario Santo Domingo Cultural Center and Public Library, as well as the 6-hectare San José de Bavaria recreational park. With its completion, a new recreational and cultural hub was established for the Suba area and the city.
El Tintal Library is the result of reusing a former disused waste transfer plant and transforming the 5-hectare site into a park along Avenida Ciudad de Cali with 6th Street. The rescued building from ruin was a 25-meter-wide by 72-meter-long industrial warehouse with a total area of 3,600 m², distributed over two floors of considerable height. Built with a sturdy concrete structure and large spans, it was adaptable to new use, enhancing its robust and industrial appearance.
The project contemplates the development of a building and a square that aims to articulate and integrate the Jorge Tadeo Lozano University with the center of Bogotá, revitalizing and converting what was once a deteriorated residential and industrial suburb into an open and public campus. The building results from overlapping a volume of 47 meters in width and depth with another volume of 40 meters in width and depth, creating a covered perimeter walkway on the first floor that extends along the sidewalks of the surrounding streets. With a total height of 30 meters, the building consists of 4 large floors, with clear heights ranging from 3.4 to 6.1 meters.
The building of the General Archive of the Nation, designated as a national cultural interest asset by a court ruling in October 2007, reflects the modern archival philosophy and, combined with its collection of historical documents, performs a "miracle" of communicating memory through architecture.
It is hard to achieve a poetic aesthetic when designing archives because they are essentially warehouses, enclosed storage structures, with no sunlight, water, wind, or even dust. In this sense, an archive building is anti-architecture! Even caves need light for us to fully grasp their spatiality. These major limitations could only be overcome through the imagination of a great architect, and above all, through the essential and intrinsic qualities of architecture.
Located on the north-eastern edge of downtown Bogota, Colombia, the Postgraduate Building of Jorge Tadeo Lozano University has become the hallmark of the campus, serving as the university's main gateway.
Colombian artist and architect Santiago Pradilla captured my interest through his many passionate pursuits—he has dedicated as much of his life to traveling to and working within small, rural communities and as he has to producing architecture that tells the rich history of Colombian cities.
We discussed the relationship between academia, auto-construction, and rural living as well as the exploration of other artistic disciplines. We even breached the topic of the importance of heritage and projections about the direction of Colombian architecture.
In times of quarantine, architects and designers are settling into a new remote working environment. In this process of implementing platforms and workflows to work from home, the risk of social isolation remains real, even for companies used to this environment, such as ArchDaily. As David Basulto, CEO of ArchDaily, wrote last week, the quarantine implies not just working online, but "staying connected and support each other."
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The greats of twentieth-century Colombian architecture were regarded for their genuine interest in brick. To this day, many of Colombia's iconic neighborhoods are filled with brick buildings.
Below, a selection of stunning Colombian brick projects —available in this My ArchDaily public folder as well.
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