This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

COVID-19 will likely change the way we live and work for an extended period. In this landscape, organizations have been seeking short-, medium-, and long-term solutions to guarantee their staff a safe return to work. Protecting the health of employees exposed to contact in the workplace requires implementing biosecurity strategies, social distancing, occupancy limits, cleaning, and disinfection. This article explores preventive measures recommended by HID Global, based on the application of identification technologies.

With the emergence of COVID-19, we have had to adapt to living differently than we were used to, which has been directly reflected in our working style. Where and how do we work today? A large portion of the workforce has transitioned to working from home, where feasible. While comfortable for many, for others it has meant a radical shift, bringing new spatial and resource requirements. For architects, engineers, builders, and contractors, this challenge has been particularly complex, as much of their work involves handling large, high-cost devices.

In this article, we present 3 innovative solutions that replace the traditional, bulky plotter, allowing us to print in large formats from our own homes.

The NGO Vivienda Local, which works through collaborative self-construction in Chile, has launched a website to monitor the progress and stages of its active projects. The platform is designed to streamline operations and enhance communication between the architects using this methodology and the self-building families.

It appears that the humanitarian crisis has triggered a myriad of actions, rarely seen under normal circumstances, where human life, health, and the economy are prioritized equally. As urban activities grind to a halt, we once again isolate and alienate ourselves; yet, this situation feels strangely familiar. Almost seamlessly, we turn our lives over to technology, detaching ourselves from the physical conditions of our existence to make quarantine more bearable within spaces of telecommuting, virtual classes, chats, and social networks.

The ECOM Rosario (Metropolitan Coordination Agency) is a voluntary association of municipalities and communes, an institutional space for the planning, coordination, and promotion of public policies with regional impact, organized on the basis of a strategic partnership among 26 localities. It is essentially an organ for driving the formulation, development, and execution of projects at a metropolitan scale, established with the goal of supporting balanced and integrated territorial development in the Metropolitan Area of Rosario (AMR), Argentina.

"We are at a historic moment. Everything is changing—the way we relate, work, and build. The boundaries between the physical and the digital, the local and the global, are blurring as we move toward an uncertain horizon shaped by the climate emergency and social inequalities. In this context, the role of architecture, design, and urban planning is fundamental."

These are the opening words of a new documentary produced by the Arquia Foundation—the first in a series profiling different Spanish cities—directed by Javier Peña. The film explores Barcelona's most radical architecture through the lens of a generation of architects who emerged in 2008 in the midst of the financial crisis. It features contributions from Anna and Eugeni Bach, Maio, David Steegmann, Adrià Escolano, Vora Arquitectura, Bonell + Dòriga, Raúl Sánchez, Arquitectura G, FLEXO Arquitectura, Carles Enrich, La Col: cooperativa de arquitectos, and Harquitectes.

The Tomie Ohtake Institute and AkzoNobel continue to map contemporary architectural production, highlighting, for the seventh consecutive year, significant projects built within the current Brazilian landscape. The relationship to the urban context, the commitment to the site and sustainability, as well as design and construction inventiveness, are the core criteria guiding the 7th Tomie Ohtake Institute AkzoNobel Architecture Prize.  

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Directed by Mexican filmmaker Fernando Frías and winner of the Morelia International Film Festival, “I’m No Longer Here” (“Ya no estoy aquí”) is a film that has been widely discussed across various disciplines. It highlights the specific values and struggles of a territory while transcending borders to showcase the most human and global aspects of our shared world.

A glance at the portfolio of Miguel De Guzmán and Rocío Romero reveals a duo that successfully captures the breadth of architectural spaces while conveying the underlying concepts. Together, they founded the Madrid- and New York-based photography and film studio Imagen Subliminal , documenting the latest developments in global architecture to allow viewers to experience the energy and creativity driving these projects.

On World Photography Day, we spoke with the duo about the evolution of their work and the role photography plays in both the current and future architectural landscape.

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Despite UNESCO's recognition of specific World Heritage sites, many of them remain in constant danger of disappearing due to natural phenomena like earthquakes and human factors such as urbanization. By definition, these landmarks are vital to human history, possessing characteristics that reflect the deepest values of diverse civilizations. Nevertheless, much of the global population has never experienced them in person.

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In this exclusive interview with ArchDaily, Ingrid Moye and Christoph Zeller, founders of the Mexico City- and Berlin-based firm Zeller & Moye, discuss the history of the practice, as well as how their personal and professional interests have evolved over the years regarding their way of living and making architecture.

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In February 2020, the Architectural League of New York announced the eight firms based in the United States, Canada, or Mexico to be recognized through the Emerging Voices award, whose emerging practices have the potential to influence the disciplines of architecture, landscape architecture, and urban design. Among them, the winning Mexican firm was Escobedo Solíz, comprised of Lazbent Pavel Escobedo Amaral and Andrés Soliz Paz.

ConArq is the first National Congress of Architecture organized by students in Argentina. It stems from the desire to discuss, listen to, and propose architecture across the country's different schools, aiming to strengthen student education and make significant contributions to the practice of the discipline, ultimately creating a space for debate.

Architectural academia is becoming increasingly aware of the contemporary and territorial challenges facing local communities. Universidad del Norte presents this series of six thesis projects by its students, exploring the coastal region of northern Colombia through architectural recycling, regeneration, and urban renewal.

This article by Cristian Yarasca Aybar was originally published in the 11th issue of revista rita_ under the title "El problema de la distancia: las plataformas multisectoriales “tambos” como una oportunidad proyectual sistemática para el territorio rural peruano" [The Problem of Distance: "Tambo" Multisectoral Platforms as a Systematic Project-Design Opportunity for the Peruvian Rural Territory]. The research aims to identify the design potential of the "National Tambo Program" in Peru from a systematic vision of the national territory.

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TEN Arquitectos is an architectural firm based in Mexico City, New York, and Miami, founded by Mexican architect Enrique Norten. With 33 years of experience designing from a global perspective, the practice brings a consistent international sensitivity to every new space it creates. This body of work has been recognized with numerous national and international awards, including the Mies van der Rohe Award for Latin American Architecture, honors from the national American Institute of Architects (AIA) and various US chapters, Architectural Record, Architect Magazine, Architizer, and Biennials in Mexico, Argentina, and Ecuador, as well as the Royal Institute of British Architects (RIBA), among others.

This article by Paula Jaén Caparrós and Enrique Azpilicueta Astarloa was originally published in the 7th issue of rita magazine under the title "Reversible Architectures of Japan: The Houses of Shirakawa-go" as part of a joint publishing collaboration. The following text invites reflection on the design and construction principles found in these traditional Japanese houses, which could be recovered and applied to contemporary proposals that integrate disassembly, recovery, and relocation of the entire built object as key elements of sustainable architectural design.

Bulla is an Argentine landscape design, urban, and territorial planning studio that has dedicated over a decade to "inserting a landscape agenda into the public and intellectual scene." To explore their beginnings, purpose, methods of working, reflecting, and exploring, as well as their vision for the future of landscape architecture in Argentina, we interviewed Ignacio Fleurquin, founding partner.

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As part of the annual collaborative efforts of the Design Week team in Mexico City, the "Inédito" exhibition opened on October 9 at the Espacio CDMX Arquitectura y Diseño gallery. It marks the sixth consecutive edition of this open call, which aims to support, promote, and showcase utilitarian design projects across several categories: social impact, environmental impact, innovation, function, aesthetics, concept, user experience, materials, and processes. The exhibition is divided into three categories—professional, student, and digital—where, far from competing, participants gain exposure to opportunities in both national and international markets for outstanding design with commercial and production viability.

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The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, despite the federal government's recommendation to continue normal activities, people on social media were already choosing to replicate the European model of self-isolation. Some architecture firms immediately decided to close their physical spaces and transition to remote work, while others took a few more weeks. Still, this period of social and physical (spatial) distancing is experienced differently in every household. The months of this pandemic have exposed not only inequality regarding basic needs in dense urban areas, but also the fragility of our social order. Whether at a macro or micro scale, all these experiences are shaped and influenced by the built environment, making architecture both a judge and a party to the equation. 

MAD’s Beijing office is currently seeking talented professionals to fill several open positions.

Senior Architect | Design Direction

This article by María José Pizarro and Óscar Rueda was originally published in the 3rd issue of rita journal under the title "Ernesto N. Rogers y la 'Preesistenza Ambientale' en las Escuelas Nacionales de Arte de La Habana" and is part of a joint collaborative dissemination effort. The present text seeks to delve into the influence of Rogers' theoretical corpus on three of his outstanding students: Ricardo Porro, Vittorio Garatti, and Roberto Gottardi, and how this thinking informed the design of their first and most significant work: the National Art Schools of Havana.

Scattered throughout cities and standing as landmarks in the landscape, what do these statues represent, having driven humanity around the world to pay such singular attention to their size? 

Due to the global coronavirus pandemic, the sixth edition of the Concéntrico International Architecture and Design Festival has been postponed, with new dates set for September 3 to 6, 2020.
The postponement is accompanied by an innovative online coverage initiative called the "Concéntrico Marathon," which will take place during the originally scheduled dates, from April 29 to May 3, 2020.