This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

ArchDaily is working with CityMakers to publish a series of articles, conversations, and interviews with the various actors in urban co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20, 2019.

CityMakers promotes the transformation of cities and territories by connecting professionals from around the world with benchmark cities to learn about their practices in global positioning, mobility, the built environment, economy, and governance, inspiring change in their own communities. 

For this first installment, we have compiled excerpts from a conversation with architect and urban planner Camilo Osorio, Executive Director of CityMakers, who discusses a paradigm shift in urban planning and the birth of CityMakers as a community that seeks to inspire change through the on-site study of exemplary cities around the world.

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As part of the 12th edition of the ColorLife TRENDS program, this October, the brand Comex revealed the trends and the color of the year that will dominate in 2020. The program aims to promote the use of color across all industries and unlock its power as a visual tool to improve the environment, protecting and enhancing the lives of Mexicans. These trends were developed by 14 renowned creatives from various industries, including design, gastronomy, architecture, and fashion.

Recently, Airbnb has begun to approach the architectural field, both by offering unique experiences in world-renowned buildings and by creating Archibnb, a platform that offers hosts the option to create architectural floor plans.

Through these initiatives, guests from various locations have had the privilege of spending a night in places like the Great Wall of China, the Louvre Museum, or the LEGO House.

But if your destination is Latin America, specifically Argentina, you can now stay in exemplary works by architects including Norman Foster, Clorindo Testa, Jorge Ferrari Hardoy, Juan Kurchan, Fermín Bereterbide, and Luciano Kruk. Explore below the list of works available for booking in the country.

Construye Solar 2019 will exhibit eight sustainable social housing units in Santiago, designed and built by universities from across Chile. The initiative, according to the organizers, aims to "spark innovation in social housing construction, addressing the inherent challenges of pursuing sustainable innovation on a limited budget."

The new and growing demands for change driven by urban population growth mean that, when designing, we face a highly heterogeneous and constantly transforming fabric.
Increased urban density directly impacts the open space available for new, standalone construction, leading to a juxtaposition of buildings where the simultaneity and coexistence of individual pursuits result in a varied fabric.

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An entire day of the XXI Chilean Biennial of Architecture and Urbanism was dedicated to the guest city, São Paulo. The program opened with a presentation of the architectural works, student projects, research, and publications representing the city that were selected through the event's open call.

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SKALAR is a large-scale art installation designed by light artist Christopher Bauder and musician Kangding Ray. Following its resounding success in Berlin, the work arrives in Mexico City for the first time as part of a collaboration between MUTEK MX, Noiselab, and the German studio WHITEvoid. The installation lasts approximately 45 minutes and is open to the public Monday through Sunday. Additionally, it will feature special shows with live performances by its creators, offering attendees an artistic and audiovisual experience distinct from the continuous loop.

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The Urban Agriculture Laboratory is designed by Transversal / Arquitectura Paisaje Urbanismo, located at the Semilla Museum in Chihuahua, Mexico. This project is the result of a civic initiative that combines landscape, architectural, and exhibition design elements centered around urban agriculture, permaculture, and the observation of natural phenomena. In doing so, it redefines the traditional "white box" exhibition space, transforming it into a hands-on pedagogical space, civic gathering point, and laboratory.

The Madrid Institute of Architects has provided a space for El Equipo Mazzanti + horizontal for a dynamic exhibition of their career, showcasing their pedagogical design process through play—a methodology characteristic of the firm led by Colombian architect Giancarlo Mazzanti. The exhibition is on view at COAM until January 24.

Presented at the recent edition of the Feria del Diseño 2019 in Medellín, Iku Hábitat is a modular architectural construction system developed in Colombia that aims to streamline construction processes using designed and prefabricated components assembled with screws.

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Plaza Houssay has recently been a subject of debate. Just four years after its official reinauguration as an "Urban Campus," its grand reopening was announced for early this week. Returning this public space to the city promises to not only reactivate the adjacent urban area but also reclaim its role as a gathering place for local residents, featuring the addition of four movie theaters and various dining options.

The following analysis was developed within the research project “Sustainable and Safe Building Certification,” funded by the Research Directorate of the University of Cuenca and led by Dr. Felipe Quesada Molina. This research addresses the sustainability assessment of residential buildings in the city of Cuenca.

André Gorz wrote in 1974: «Ecology is like universal suffrage and the Sunday day of rest: at first, all the bourgeois and all the proponents of order tell you that you want their ruin, and the triumph of anarchy and obscurantism. Then, when circumstances and popular pressure become irresistible, they grant you what they denied you yesterday and, fundamentally, nothing changes».

The TEMA Pavilion Competition was created to provide young architects and students from the University of Guadalajara student body with the opportunity to design an ephemeral project that expresses ideas beyond the typical academic requirements of an architecture or design school. On November 11, the proposals were evaluated by internationally recognized architecture and design practices, including José Amozurrutia and Carlos Facio / TO; Andrea Castilla and Deha Chehade / Chehade Carter Interior Design; and architect Diego Vergara Álvarez.

The Richard H. Driehaus Architecture Competition seeks to revitalize traditional architecture in overlooked areas of Spanish towns, while promoting the work of local artisans and builders. In this first phase, municipalities submitted proposals to rehabilitate or remodel various architectural spaces. Out of all the submissions, Alzira (Valencia), Santa Cruz de la Palma (Tenerife), Santiago de Compostela (La Coruña), and Guadix (Granada) were selected.

To showcase the valuable output of Argentine universities, for the third consecutive year we launched an open call inviting our Argentine readers to submit their final thesis projects, sharing the work that launched their careers as newly minted architects.

After receiving more than 60 submissions from various Argentine architecture schools and cities, our editorial team selected nine projects, focusing on those that demonstrated critical thinking toward contemporary issues, formal resolution, and representation. The selection not only recognizes those projects that delivered the best possible architecture through simple design suited to their context, program, and users, but also highlights those showing a strong commitment to human scale, mediation, transition, and new ways of approaching urban architecture. This edition's jury was composed of Fabian Dejtiar, Managing Editor of ArchDaily en Español; Mónica Arellano, Editor of ArchDaily México; and Delia Bayona, Editor of ArchDaily Perú.

Read on to explore the selected projects in detail.

Urban Sketchers Bogotá held its third exhibition through a competition organized in partnership with the Colombian Society of Architects and the Bogotá Public Space Biennial (BEPBOG) at the beginning of this second half of the year. Building on the momentum of the inaugural BEPBOG, the contest aimed to promote freehand graphic representation of the city's 30 most iconic public spaces.

In this installment, as part of the series of articles by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit, we examine the importance of design sequences and generative codes in social housing in Latin America. Explore all previous publications and the new article below.

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Mexico City’s vecindades (traditional tenement housing) are urban settlements located primarily in the downtown area. According to the National Institute of Anthropology and History (INAH), these buildings first emerged in the late 18th century, though their peak occurred during the 19th century as a result of rapid population growth, serving to provide affordable housing for the city's most marginalized sectors.

Few may have heard of Hermosillo, a Mexican city of 850,000 inhabitants located in the middle of the desert, just 280 kilometers south of the United States border. It is a city of great strengths, but also immense challenges. In an increasingly urbanized world, cities have become platforms for innovation and change, particularly in developing countries. While megacities like Bogotá, Lima, and Mexico City struggle to distribute goods and services to their sprawling populations, intermediate cities like Hermosillo have the potential to offer a more sustainable alternative.

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Construcciones Modernas, S.A. is a series comprising an album of popular, remembered, and forgotten buildings in Mexico City—a record and the beginning of an atlas. It is a subway line featuring all the architectural icons missing from the train cars, a tribute to the city, its modernity, and its decay.

Alberto Cruz, one of the Chilean architects who re-founded the School of Architecture of the Pontificia Universidad Católica de Valparaíso and founder of Amereida and the subsequent Open City, left behind more than 2,200 notebooks and folders, 200 drawings in various techniques, formats, and mediums, and around a thousand documents when he passed away in 2013.

Five years earlier, his granddaughter, historian Sara Browne, began working with Cruz to catalog his private output. Today, this entire archive is part of the Alberto Cruz Covarrubias Foundation, a space dedicated to honoring the memory of the 1975 National Architecture Award recipient.

In this email conversation with Browne, the historian examines the challenges of conserving and digitizing this historic archive, while also reflecting on Cruz Covarrubias's legacy.

CityMakers is working with ArchDaily to publish a series of articles, conversations, and interviews with various actors in city co-production, who are behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20.

On this occasion, we feature Oriol Estela Barnet, general coordinator of the Barcelona Metropolitan Strategic Plan, who will give a MasterClass at the Barcelona CityMakers Lab 2019 addressing the concept of “a third generation of strategic urban plans: the case of Barcelona.”

Twelve finalist projects, one honorable mention, and five winning works were announced yesterday in Barcelona, marking the results of the 4th edition of the AADIPA European Award for Architectural Heritage Intervention.