How to visualize architectural concepts in SketchUp using D5 Lite for faster design exploration.

Nestled in the heart of Yuhang District, Bjarke Ingels Group’s design for the new OPPO R&D Headquarters, China’s largest smartphone company, combines aesthetics and innovative technology in a building that will be an environmental, economical, and socially sustainable hub for innovation.

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Designed by Studio Gang architects, together with landscape design firm SCAPE and Polk Stanley Wilcox Architects, Arkansas Museum of Fine Arts (AMFA) reaches an important construction milestone with the recent completion of its signature new roof. Spanning the entire length of the project and connecting the various buildings, both renovated and new, the folded plate concrete roof establishes the museum’s new architectural identity as the leading cultural institution for the state of Arkansas.

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A modular, prefabricated bike lane was recently inaugurated in Chapultepec Forest Park, Mexico City. Made from post-consumer plastic waste, its smart design also provides drainage and rainwater storage.

The plastics repurposed for the construction of the bike lane would otherwise have been discarded or incinerated. Another advantage is that if the material wears down, it can be recycled again, creating a circular life cycle.

This week’s curated selection of the Best Unbuilt Architecture focuses on projects related to learning, research and culture submitted by the ArchDaily Community. From kindergartens to libraries and universities, the article explores how different spaces of knowledge around the world are designed to inspire their users.

Featuring an array of scales and architectural programs, the list of projects includes a circular library in South Korea, a bridge-like kindergarten in Poland, as well a university in Tel Aviv that creates a series of opportunities for unmediated interactions and unscripted learning. The following are architectural programs that cater to the dissemination of knowledge in all its forms and to all age and social groups.

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Occhio+ represents a broadening of the Occhio product portfolio into the larger contract sector, and, as such, is aimed explicitly at architects and planners.

In any planning process, a series of documents—comprising both graphic and textual materials—establishes a framework for future development. In urban planning, the master plan stands out as one of the most common instruments for this purpose.

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Twelve thousand years ago, our ancestors noticed that wherever a seed or fruit fell, a plant grew. Realizing they could intentionally plant seeds and harvest them later, they stopped migrating in search of food and settled permanently where they could cultivate. In doing so, they began establishing the world's first cities and inventing what we now call agriculture.

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Videos

We have curated a selection of online exhibitions on urbanism—available for free on Google Arts & Culture—exploring the history of development in major cities around the world. Discover them below:

Fifty-one years ago, in 1970, a Japanese roboticist named Masahiro Mori came up with the concept of the “Uncanny Valley”. Around the same time, architectural renderings done using analog methods were still in vogue – collages and photomontages used to get ideas across to clients. A decade later, personal computers came along, and that saw the emergence of CAD and the wider adoption of digital rendering. Today’s architectural renderings are almost imperceptible from reality, with the increase in sophistication of rendering sofware. We struggle to tell the difference between what is a rendering and what is not – or rather we are able to tell a slight difference and it leaves us slightly uncomfortable, which brings us to Mori’s uncanny valley.

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"The image provided by Brutalism, an architecture of sensual extremes, is often an extraordinary and unfamiliar experience for the city explorer. There can be something aggressive and a bold vocabulary (...) in the expressive palette that displays the truth of its materials and a disdain for the frivolous." This is how Simon Phipps [1] describes the fascination that Brutalist works still hold for us today. Yet, what does it mean to think about this architecture in 2021?

In a world that is increasingly polarized and intolerant of differences, Portugal's contribution to the theme of the Venice Architecture Biennale—How will we live together?—sheds light on public space as a stage for opposing forces, the confrontation of ideas, and social coexistence. Entitled In Conflict, Portugal's participation is curated by Carlos Azevedo, João Crisóstomo, and Luís Sobral from the office depA architects, with Miguel Santos serving as associate curator.

We spoke with the curators about some central aspects of the exhibition and the cycle of debates they propose—democracy, conflict, and opposing ideas in urban space. 

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In Louisiana Channel's latest interview, Indian architect Anupama Kundoo shares her thoughts on the importance of balancing between traveling and being in solitude with oneself. "I think travel is important, but if you're not rooted yourself, you will go to a hundred places and not see anything", explained the architect, "traveling helps you step back from what you take for granted".

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Arquigrafias. Guido Guidi and Álvaro Siza is the exhibition marking the public reopening of Casa da Arquitectura after the lockdown. Curated by Paula Pinto and Joaquim Moreno, the exhibition of photographs by Italian photographer Guido Guidi of the work of architect Álvaro Siza is on display at the Casa Gallery from April 17 to October 3, 2021.

The curators selected eight projects located in Lisbon, Porto, and Matosinhos, represented through 97 images captured by Guido Guidi's lens. Arquigrafias thus offers a “dialogue between the photographic work of Guido Guidi (Cesena, 1941) and the architectural work of Álvaro Siza (Matosinhos, 1933), constituting a unique encounter between two singular figures in their respective fields.”

This episode of Architecture w/ Stewart explores the only five ways of organizing the plan of a building, at least they are the only ones according to Francis Ching as listed in the canonical text Form, Space, and Order. Each of the five: central, linear, radial, clustered, and grid, offer unique benefits and opportunities to architects, clients, or visitors. Some of the strategies are reserved for formal ceremonial buildings, while others are better for providing less rigid and more organic exploration by occupants. Some yield complete and autonomous forms while others can shrink or grow at ease. However, every single building is, in some way, a combination of these five basic strategies. Using paper cutout shapes, plastic human figures, and representative examples from history and recent constructions, Stewart demonstrates the value and possibilities of each organizational strategy.

World’s Fairs seem to be a memory of the distant past. These mega-scale events once brought us culinary staples, technological advancements, and introduced some of the most notable examples of architecture and landmarks that impact how we think about design and construction even in the present day. Throughout the numerous fairs and expos that were held, architectural discourse itself significantly advanced and the pomp and circumstance that surrounded these muscular flexes of international innovation reimagined what life would be like in the decades to come.

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A multidisciplinary design team led by global architecture firm Grimshaw was selected as the winner of an international competition to design the Shenzhen Airport East Integrated Transport Hub. The winning design, which was inspired by the Mangrove tree, will provide travelers effortless transfers between high speed rail and other public transportation means in a new green and interactive way.

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When we hear headlines like "the city must have fair density" or "15-minute neighborhoods," time and density are just numbers. However, it is essential to understand that they remain only numbers until they are contextualized within the lived experience of people in their territory. We can no longer postpone the obvious reality that a number, a standard, a benchmark, or a goal is merely a tool to facilitate the necessary conversations regarding the management and governance of our territorial environments.

Calatrava's design for the Yuan Ze Arts and Conference Hall, now more than a decade in the making, finally broke ground this week. When ready, the project will serve as a venue for exhibitions and cultural events and will feature a Performing Arts Building, an Orchestra Hall and a Theatre, among other amenities.

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"The house is among the first concepts shared by society and architecture", states André Tavares and Pippo Ciorra, curators of the exhibition called At Home: Projects for Contemporary Housing, on display at Garagem Sul / Centro Cultural Belém, in Lisbon. The show, which is the unfolding of another one previously held at the MAXXI Museum in Rome, gathers pieces from the huge collection of the Italian institution and seeks intersections with contemporary Portuguese architectural production. Its main topic – the house, the home – has never been more discussed than right now.

Bringing together houses of different scales, built in diverse locations by various methods and techniques, and designed by Italian, Portuguese and international architects, the exhibition gathers, in groups of three, projects from which it is possible to weave relationships that go beyond geographies and materialities and foster reflections about the future of housing and what the home of tomorrow will look like.

We had the opportunity to talk with Tavares and Ciorra about the exhibition, its motivations and expectations with its opening in the physical venue of Garagem Sul. Read below.

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INCLUSIVE ARCHITECTURAL PRACTICE is a pioneering international firm integrating architecture, interiors, landscape, and graphic design. Composed primarily of designers with extensive study, work, and life experience both in China and abroad, the team is dedicated to creating cutting-edge, inclusive architecture that brings future-oriented change to the educational, cultural, R&D, office, and commercial sectors.

Heritage buildings are precious treasures passed down to us by our ancestors. They are also intangible cultural gifts for all mankind, a discovery of the past. Nevertheless, as time changes, ancient Chinese architecture, either destroyed by the forces of wars or nature, is gradually losing its original glory, making the protection and restoration of ancient buildings an urgent matter in this contemporary world.

This article was originally published on Common Edge as "Living on the Edge."

I am on the edge. Not emotionally or psychologically—although this could be the case—but literally, physically, spatially, geographically. As I write this, I am sitting on the balcony of a hotel room in Miami Beach, overlooking the Atlantic Ocean. Behind me is the whole State of Florida and, indeed, the entire North American continent. In front of me: the boardwalk, a narrow beach, and then a lot of water—and not much else between here and Mauritania, a distance of more than 4,400 miles.

Last November, UNESCO, the Iraqi Ministry of Culture, and the Iraqi Sunni Endowment jointly announced an international design competition for the reconstruction and rehabilitation of the historical Al Nouri Complex in Mosul. One of the oldest cities in the world, Mosul ("the linking point" in Arabic) is beginning a recovery process following years of conflict, guided by an initiative aptly titled "Revive the Spirit of Mosul." The rehabilitation of the Al Nouri Complex, which dates originally to the twelfth century and has constituted a core facet of city life since, is a central part of this initiative, and is intended to signal the city's resilience, hope, social cohesion, and reconciliation in the aftermath of the conflicts. Six months after the competition was originally announced, winners have finally been chosen.

Baca Architects have set out to build the world's largest natural marine observatory in Australia. Taking the form a whale emerging from the water, the project will be built at the end of the Busselton Jetty. Baca was appointed by marine contractor Subcon as Lead Architects for the new project. Called the Australian Underwater Discovery Centre (AUDC), the design will include an underwater trail and dining experience.

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