“If you’re a painter, you need a canvas. If you’re a sculptor, you need marble or plaster. And if you build a house, you need a piece of land.” Welcome to the wonderful world of Not Vital, where the Swiss multi-faceted artist shows us his sculpture park, foundation, and castle in this video.

Louisiana Channel meets Not Vital in his studio in Sent, the town in Switzerland where he grew up and one of the places where he still lives. Building places to live have been with him since childhood: “My first work was more related to trying to build a house or a habitat. The first one was when I was only three years old in 1951. There was so much snow that my brother and I built a tunnel,” he says and continues: “I think that it was the first time I realized that I like to build my own habitat. Even though it was much more comfortable to live in the house, I spent the day in the tunnel. I remember the light, the smell of the snow. I just felt great.”

HANNAH Office is a US-based experimental research and design studio whose work focuses on advancing architecture and contemporary construction practices by examining the possibilities of new digital routines and fabrication technologies. Selected as one of Archdaily's Best New Practices of 2021, HANNAH Office was founded in 2012 by Leslie Lok and Sasa Zivkovic and constitutes a platform for exploring technology and material methods across a variety of scales, from furniture to urbanism in search of new design outcomes.

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Urban Radicals is a design collective based in London, founded in 2019 by Era Savvides and Athanasios Varnavas. The practice operates at the intersection of multiple disciplines, exploring public space and the notion of collectivity across a variety of scales, contexts and design expressions. One of Archdaily's Best New Practices of 2021, Urban Radicals shrinks and grows organically through the projects, dissolving the boundaries between diverse fields of knowledge and circumventing traditional office structure to integrate a multiplicity of perspectives within architecture.

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With its quantifiable objectives and measurable performance, sustainability often passes as a technological challenge. Its primary language is that of data, equipment, and engineered systems, most often translated into a hyper-technologized layer hidden within a design upholding pre-existing aesthetic norms. As architecture is the image of society at one moment in time, how does the focus on sustainability translate into architectural language, further legitimatizing the efforts to establish an equitable relationship with the environment? Architecture serves as an expression of attitudes, and since sustainability has become a fundamental value, it is worth looking at whether or not it has produced an aesthetic transformation.

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MVRDV has been commissioned by the Armenian non-profit organization DAR Foundation for Regional Development and Competitiveness to develop a masterplan that will transform Gagarin Valley's 34,000-hectare area into a more sustainable and ecologically diverse land. With the help of over 10,000 plant species, innovative facilities, and additional 12,000 housing units, the valley is set to become an ideal community for sustainable agriculture and ecotourism.

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In December, the European Commission adopted several proposals that put the transport sector on track for a 90% reduction in carbon emissions, moving a step further in implementing the European Green Deal. The initiatives seek to increase rail transport, encouraging long-distance and cross-border rail travel, support the roll-out of charging points for electric vehicles and alternative refuelling infrastructure and further develop multimodality.

Reform and adaptation of spaces represent a significant parcel of projects ordered to architecture firms, and reuse of preexisting structures is not newness. Functions and needs change over time, therefore adaptations are required to meet new demands. However, no matter how much the maintenance of a building is, in most cases, preferred in economic and ecological sense to its demolition and a new construction from the beginning, the logic of the reuse of a space does not usually extend to its parts that become, thus, rubble.

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The climate crisis has been one of the focal points of 2021, both within political discourse and the architectural field, accompanied by a newfound acknowledgement of the issue's severity. Over the past year, the IPCC report revealed the severe consequences of inaction, while COP26 and G7 summit resulted in an insufficient commitment to immediate and palpable measures. The AEC sector, responsible for a staggering 39% of global greenhouse gases, can bring a significant contribution to curbing climate change and the following looks at the decarbonization efforts of 2021 that target this industry.

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During the past couple of years, luxury and fashion brands began venturing into architecture. Some built museums, foundations, and cultural organizations while others shaped residential structures that translated their identity into space. Following this same concept, KARL LAGERFELD, along with Spanish Developer Sierra Blanca Estates and the Design and Branding Firm The One Atelier, have developed the fashion house’s first “luxury architectural project”, the Karl Lagerfeld Villas in Marbella, Spain. Designed by The One Atelier, of which Andrea Boschetti is Head of Design, the project has low carbon impact, aligned with the brand’s commitment to the Fashion Pact - a global sustainability initiative that seeks to transform the fashion industry through objectives in climate, biodiversity, and ocean protection.

Asking what is “luxury architecture” and questioning why fashion brands are expanding into architecture, ArchDaily met with Andrea Boschetti to further understand the architect and urban planner’s take on the subject.

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Concrete and sustainability are two words that are often considered incompatible. Used as early as the Roman era, concrete has shaped much of our built environment, being the most widely used manufactured material in the planet thanks to its resistance, versatility, cost-effectiveness, and accessibility, among other inherent benefits. Its popular use in buildings and infrastructure forms the foundations of cities, connects communities, and will continue to play a vital role in providing solutions to the challenges of the future – especially as cities must respond to a growing global population. But with cement as its key ingredient, it also comes with several environmental costs, being responsible for at least 8% of the world’s carbon emissions in a climate-change context. However, it doesn’t necessarily have to be that way. With the rise of innovative technologies and products, there are many ways to make concrete greener.

Generally made from kiln-fired clay, it is estimated that bricks have been used since 7000 BC, as examples were discovered in the ancient city of Jericho. Since then, bricks have been omnipresent in the history of architecture, combining constructive ease, aesthetics and comfort. Nowadays, with the growing concerns around the environment and the larger impact of materials used and decisions taken on a project, there are ways to modernize an ancient material such as brick through a few updates to its manufacturing process, making it even more eco-conscious. Brick can already be considered a sustainable material because of its durability and recyclability, but there are ways to further improve it. The new project for the headquarters of the food manufacturer Danish Crown, under construction and developed by CEBRA office, is a good example of how to apply this product in a more sustainable way.

The climate crisis has become a staple of the architecture discourse, with the field slowly acknowledging its contribution to environmental issues and seeking to reframe its values and approaches. However, there is an evident lack of commitment and consistency in addressing the matter and an absence of systemic change. Emerging practices, organizations and startups are carving a new architecture practice, slowly unfolding a paradigm shift beyond "green" add-ons and technical equipment. Addressing environmental issues on multiple levels, from policy and design strategies to materials and construction processes, the following are some of the actors reframing the profession's relationship with sustainability.

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Videos

According to a 2021 Food Waste Index Report by the United Nations, 17% of global food production goes to waste, becoming the third biggest source of greenhouse gas emissions. 11% of this waste is generated by households, not only contributing to the climate crisis, but also provoking large economic costs, biodiversity loss, and the rise of pollution levels at unprecedented rates. Therefore, considering the key role that architecture and design plays in providing more eco-friendly housing options, it is essential to adopt and enhance a more self-sustaining, zero-waste approach.

Batlleiroig is an architecture firm based in the city of Barcelona, whose extensive portfolio encompasses urban projects, landscaping, buildings, and interior design. We spoke with Joan Batlle Blay, Architect & Landscape Architect and partner at the firm, about the innovations and challenges in his work. According to him, “In our office, we think that R+D (research and development) is the company’s main tool to innovate and evolve our work method into an absolute creed for the planet.” See the full interview below:

Designed by JPG.ARQ, MMBB Arquitetos, and Ben-Avid, the Brazil Pavilion at Expo 2020 Dubai offers a sensory experience that connects visitors of the World Expo with Brazilian biomes and cultural heritage.

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Under the theme of 'The Greater Number', the Dutch Design Week (DDW) returns with a physical edition from the 16 until the 24th of October 2021 in Eindhoven, the Netherlands. The largest design event in Northern Europe has decided for its comeback to tackle the notion of less consumption, less production, and less waste. Knowing that this is not always possible, the design happening also calls for more sustainable products with more value.

Striving to change the behavior of consumers and manufacturers, Dutch Design Week organized lectures, debates, and exhibitions, from which ArchDaily selected 8 architecturally relevant interventions to underline. Highlighting ideas that can shape a positive future, the list is mostly focused on future cities, while also tackling notions such as adapted realities, connected living, interactive experiences, and designing society.

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Belmont (Monty) Freeman (b. 1951) founded his New York-based, currently eight-person practice, Belmont Freeman Architects in 1986. Its active projects are half institutional and half residential, with a special focus on adaptive reuse, predominantly in New York and nearby states. Among the firm’s most exemplary projects are the LGBT Carriage House on the University of Pennsylvania campus, a series of restorations at the Four Seasons restaurant in the Seagram Building, renovations at the Yale Club in Manhattan, and the renovation of the Ezra and Cecile Zilkha Gallery at Wesleyan University in Connecticut, designed by Kevin Roche. Current projects include an expansive but minimalist residential compound on Martha’s Vineyard, branch library renovations in New York City, and redevelopment of a former meatpacking building into a new Innovation Hub for Columbia University’s Business School.

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Celebrated on the first Monday of every October, World Architecture Day was set up by the Union International des Architects (UIA) back in 2005 to “remind the world of its collective responsibility for the future of the human habitat”, coinciding with UN-Habitat's World Habitat Day.

This year both organizations have defined themes related to improving the quality of life and reducing the effects of the climate crisis by taking action in the built environment. While the International Union of Architects' 2021 World Architecture Day theme is "Clean Environment for a Healthy World", UN-Habitat's World Habitat Day has announced "Accelerating Urban Action for a Carbon-Free World" as their topic.