With their cliffs and bluffs, the rocky coasts of Peru form a unique landscape of surfaces shaped and reshaped by the erosion of the sea and wind. On these heterogeneous, steeply sloping terrains, designing architecture integrated with the context is no easy task. From volumes embedded into hillsides to houses that incorporate mineral formations into their interior spaces, projects addressing this challenge prompt us to reflect on how to establish a relationship with the natural environment, blurring or tensioning the boundaries between architecture and landscape.

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Occupying a substantial chunk of South America's central western landmass, Peru is a treasure trove of both landscapes and natural resources. Within its three regions--coastal, mountain, and rain forest--there is little variation in summer and winter temperatures and, except for its high mountain areas, its climate stays between tropical and subtropical. Thanks to the lack of weather extremes, outdoor activities--and the spaces in which to do them--are a principal factor in designing homes and other buildings. Pergolas and other semi-coverings make it possible to create or expand shaded areas, allowing you to enjoy the outdoors in the comfort of your home.

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In the architecture of Peru, concrete took center stage during the development of the Modern Movement. In pursuit of a new urban geography, many architects set out to renew their architectural languages. As a result, new concrete buildings—residential, office, and commercial towers—began to emerge across the city, leaving behind the Neocolonial and Republican styles that had long characterized Lima's architecture. Today, the structural advantages, versatility, expressiveness, and aesthetic value of concrete continue to make it a preferred choice for many architects, keeping exploration around the material highly relevant.

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The XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU) recently announced the 210 selected works for its upcoming edition, which will be held for the first time in Asunción this October.

The winners of the Panorama of Works Award will be chosen from this list of selected projects, which includes the 14 Peruvian works featured below.

In this feature, we showcase Peru's progress in the design and construction of educational architecture.

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As the year comes to a close, we look back... what captivated us most? After presenting the best architecture of the year, we now focus on identifying representative projects. Among the wide range of Peruvian works published in 2018, those that had the greatest impact on our platform span various scales and typologies. Below, you will find everything from a private house to a public library, by both established and emerging architects—reflecting architecture for everyone.

May the work continue.

Architecture biennials showcase professional output on local, regional, and global scales. There are many such events worldwide, allowing us to discover the very best of our architectural work. In Peru, the biennial—sponsored by the College of Architects—is an opportunity to bring together different cohorts and generations, as well as to exchange ideas and experiences.

Reflecting on the diverse ways it has been organized in recent years and the general impression left on me by its results, I write these lines as a proposal for our profession to establish a way of celebrating this event, transcending the viewpoint of the national or regional leadership that may be at the helm.

The jury of the Oscar Niemeyer Prize has announced the 20 finalist works for the second edition of the award. The organizers aim to biennially highlight the best of architectural production "at a time of an unquestionable strengthening and presence of Latin American architecture on the international stage."

Established under the umbrella of the Network of Architecture Biennials of Latin America (REDBAAL), the 2016 edition of the award recognized a built work for "its values as an architectural and technological proposal; and for its relationship with the context, as well as social, cultural, and environmental aspects." The winner was The Place of Remembrance, designed by Barclay & Crousse (Peru), while second place went to the Brasiliana USP Library, designed by Eduardo de Almeida + Mindlin Loeb + Dotto Arquitetos (Brazil), and third place went to the San Bernardo Chapel, designed by Nicolás Campodónico (Argentina).

"We must recognize the value of the local and enrich it with the global, embracing everything that enriches us as peoples and societies. Architecture protects and communicates; it is a public reality from which we cannot detach ourselves. The city is also composed of architectural elements, meaning that architecture must be conceived from and toward the city," the organizers explained in the official press release.

The jury—composed of architects Carla Juaçaba, Carlos Jiménez, Fabián Farfán, Jean Pierre Crousse, and César Shundi—evaluated all the submissions and selected the twenty finalists:

To start at the end: last Saturday, September 8, 2018, the award ceremony was held for the XVIII National Biennial of Architecture and Reconciliation “Rethinking the Territory”, an event co-organized by the Architects' Association of Peru - La Libertad Region, and the Architects' Association of Peru. This concluded a three-day series of events designed to foster reflection and showcase the work produced in Peruvian architecture over the last two years. We attended the biennial in the city of Trujillo, where its decentralization, return to long-forgotten values, and rethinking of the territory invite deep reflection—points we will return to later. For now, we focus on presenting the results.

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