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The concept of “resilience” is widely applied across many disciplines. In scientific terms, resilience is the capacity of a material or object to recover its shape after undergoing some form of trauma. In other words, it is quite different from resistance, as it fundamentally concerns the ability to adapt and recover. In ecology, resilience refers to an ecosystem's capacity to respond to disturbances, resist damage, and recover quickly. In architecture, however, integrating resilience into design can yield a wide range of solutions. Resilient design is inherently site-specific, making it essential to anticipate potential building use scenarios, and even disasters that could threaten the structure and its occupants. Beyond this, there is a growing focus on using adaptive structures and materials that can continuously learn from and modify themselves in response to the environment. If we already have software and algorithms that learn from their surroundings, why not apply the same approach to the building process?

We have selected 10 adaptive materials and design solutions developed under the concept of architectural and construction resilience—innovations that may one day become mainstream, or perhaps remain temporary experiments.

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Introduction: This interview is part of the “Echoes for the Future” exhibition, which primarily features video interviews with architects. In 2008, architect Che Fei and international curator Yao Jing co-initiated a series of interviews themed “The Beijing Olympics in Architectural Discourse.” In 2018, we revisited the same nine architects, bridging the fields of media, research, and education to illuminate reflections on the built environment and future visions. For this first installment, we delve into the “past, present, and future” of Li Hu, founding partner of OPEN Architecture.

Registration is now open for the 7th edition of the Saint-Gobain Architecture Award – Sustainable Habitat. Professionals and students may submit their architectural projects until November 11 via the website www.premiosaintgobain.com.br

The 4th COURB, the Collaborative Urbanism Meeting, aims to connect the plurality of actors involved in the co-creation of cities, seeking collaborative solutions and fostering social technologies and tools for social participation in the development of urban actions, projects, and policies. With each edition, the network of people, institutions, universities, and organizations engaged in the inclusive transformation of Brazilian cities has grown.

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How can we cultivate a holistic, complex, and systemic perspective on what we call home? How can we produce new ways of valuing and recognizing non-hegemonic cultures? What are the pathologies of the systems we are taught to believe in, and how can we create new forms of perception and action that recognize the interconnectedness of life’s production and organizational systems?

The Arquitetas Negras project emerged from the need to provide visibility to the work of Black Brazilian architects. By mapping the production of these professionals, the project is building a platform for both research and the hiring of architectural services across Brazil.

The course is structured around visits to contemporary architectural works in São Paulo, always in the company of the architect who developed the project.
A public inaugural class will be held to present the course and explain the logistics of the visits.
The selection of sites to be visited is based on the following criteria: location, scale, author, and use.
Each visit includes discussions on topics such as the practical realities of architectural practice, education, new technologies, work processes, and the project's relationship with the city.

Furniture, developed by a 92-year-old designer, features a contemporary design and is crafted from wood, fabric, and steel.

Over the past 20 years, the role of representation and rendering has shifted dramatically across the architecture, engineering, and construction (AEC) industries. New rendering technologies, techniques, and software, such as Lumion, have driven this evolution. By integrating 3D rendering tools, architects and designers can leverage intuitive, versatile visualization technologies to enhance creativity rather than stifle it.

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Project Background
As a strategic pivot of the national "Belt and Road" Initiative and the core engine for innovative cooperation in the Guangdong-Hong Kong-Macao Greater Bay Area, Qianhai is set to become a futuristic, world-class bay area city center. On January 17, 2019, the Qianhai Authority officially launched the global call for proposals for the "Qianhai Public Space Design" project, attracting applications from 42 consortia representing over a hundred leading design firms worldwide.

The primary objective of the "Qianhai Public Space Design" project is to establish a unique bay area city center. Grounded in human-centric design, the project aims to enhance public well-being and the region's overall appeal through the creation of a beautiful, inviting network of public spaces.

The Japanese textile universe, with its richness and variety of fabrics and prints, is the latest facet of Japanese culture to be presented at Japan House São Paulo through the exhibition "NUNO – Contemporary Textile Poetics," on view from August 20 to October 27, 2019. The exhibition highlights pieces created by Japanese designer Reiko Sudo, from the brand NUNO (a word meaning "fabric" in Japanese), which develops aesthetic lines, materials, and techniques, often reinterpreting Japan's textile tradition for the contemporary world.

Escola da Cidade – School of Architecture and Urbanism is hosting the third edition of the Portas Abertas program, featuring a series of activities for prospective students interested in pursuing a degree in Architecture and Urbanism. The program, which has been running since 2017, aims to provide students with the opportunity to experience the school firsthand, explore its facilities, and interact with faculty and current students.