This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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Founded in 2013 and based in Mexico City, David Pompa is a studio made up of designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques. Since its founding, it has remained committed to Mexican culture, which is reflected in the creation of aesthetic and accessible design objects.

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Whether seeking distraction, escape, or reflection, metro passengers shorten their commutes by checking their phones, reading books, or listening to music. For Chilean photographer and civil engineer Felipe Lavín, this conceals a contradiction. "Commuting en masse is a highly social act, yet at the same time, it is deeply solitary. As Marc Augé notes, in the metro we constantly brush against the lives of others without ever truly encountering them," Lavín says in conversation with ArchDaily.

Have you ever been curious to see inside someone else's home? With this tagline, Open House Buenos Aires has announced the details of its seventh edition, an invitation and a unique opportunity to rediscover both the architecture of Buenos Aires and its stories and residents. Like every year, this festival offers free admission to numerous architecturally significant buildings that are normally closed to the public. Over the weekend of November 9 and 10, more than 140 buildings will open their doors, making the festival one of the year's most important cultural events.

When talking about Argentine architecture, does a native style exist? The question is complex, as Argentina's DNA contains a mixture of contributions from various origins, ranging from Indigenous peoples to immigrants from diverse global regions. The country is as rich as it is diverse.

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Many were surprised that this edition of BBConstrumat in Barcelona lacked carpeting across its 34,000-square-meter exhibition space, or that the schedule of events was only available via the event's app. As climate change—or rather, the climate emergency—becomes irreversible and adaptation demands more drastic measures, the construction sector is also feeling the pressure to reinvent itself.

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The University Museum of Contemporary Art (MUAC) of the National Autonomous University of Mexico presents the work of renowned international artist and activist Ai Weiwei (Beijing, 1957). In the exhibition Ai Weiwei. Resetting Memories, Ai Weiwei explores the traumas of experiences in both China and Mexico, in a narrative that calls for the construction of social memory.

Data is a controversial topic in the twenty-first century. Policy-making regarding data collection and use lags behind, while its value continues to rise—turning any initiative in the sector into big business.

During the Ordinary General Assembly of Members on Thursday, April 25, the Association of Architecture Offices of Chile (AOA) held the award ceremony for the AOA Medals, alongside the formal presentation of the current AOA board of directors and the 40th edition of Revista AOA.

As part of an initiative to restore and revitalize cultural spaces in the city of Oaxaca, Mexico, the Ministry of Cultures and Arts (SECULTA) has announced the winners of the competition for the Conceptual Design of the Álvaro Carrillo Cultural Center: architects Mauricio Rocha + Gabriela Carrillo, Alberto Kalach, and Tatiana Bilbao. The project will feature green areas and integrate with the city's urban context, meeting all legal requirements.

On the occasion of the recent XXI Chilean Biennial of Architecture and Urbanism, the curatorial team consisting of Beatriz Coeffé, Juan Pablo Urrutia, Vesna Obilinovic, Tomás Villalón, and Joaquín González spoke with Chilean architect Enrique Walker. An academic and former director of the Master of Science in Advanced Architectural Design program at Columbia GSAPP from 2008 to 2018, Walker has explored throughout his career an interest in the everyday in architecture.

The Maestranza de San Bernardo, an abandoned railway complex declared a historical monument that was once one of the largest railway hubs in South America, located south of Santiago, Chile, is making progress on its restoration and conversion into a boulevard. Designed by the firm Uno Proyectos, led by architect Gonzalo Martínez de Urquidi, the project aims to revitalize the area by introducing a program of economic and civic exchange spaces.

After receiving 94 proposals from 29 different countries, the Hyde Park Music Pavilion (HPMP) international ideas competition, organized by arquideas, has announced the winning projects. Hyde Park is one of the largest parks in London, England, and one of the city's nine Royal Parks, three of which form a chain from the entrance of Kensington Palace, through Kensington Gardens and Hyde Park, to Buckingham Palace.

To showcase the valuable output of Spanish universities, we launched an open call in September, inviting our readers to submit their thesis projects. Following a comprehensive evaluation of nearly 50 proposals, we selected 6 projects that not only offer innovative responses and deep research into complex, contemporary issues but also challenge and question the future of architecture.

Fifty years after its last participation, Cuba returns to the Milan Triennial for the XXII International Exhibition, titled "Broken Nature: Design Takes on Human Survival."

Addressing the relationship between humanity and nature, the Cuban Pavilion showcases unconventional examples of organic architecture: the National Art Schools of Havana, born of Fidel Castro and Che Guevara's desire to offer art education to all developing nations.

The University of Navarra presents three Master's programs for 2019: the Master's Degree in Architectural Theory and Design (MtDA), the Master's Degree in Environmental Design and Building Management (MDGAE), and the Master's Degree in Architecture (MUA). These in-person programs will be taught at the university's Pamplona, Madrid, and Bilbao campuses starting in September of this year. Explore more details below.

The first thing one notices about the houses and other projects of Fran Silvestre and his studio is their distinct atmosphere of elegance and luxury—extravagantly understated—which is as recognizable in its own right as the work of, say, John Lautner or John Pawson. While this first impression might seem somewhat superficial, it is actually indicative of an elusive quality in their work, something we might call an essential “geist” or “gestalt” deeply rooted in their architecture, and one that is far more complex and interesting than a mere matter of “style” or “brand.” 

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“In this house are the books that helped me write the history of Argentine literature, which is the history of Argentine pain; here is the copious correspondence exchanged over half a century with many wise minds; here is my archive—all of which I have been unable to organize or classify, because my work did not allow it, but everything has been cared for and arranged by my wife. With her consent, I say today that all of this no longer belongs to me: it belongs to the homeland, so that future researchers may find here the elements that will allow them to know how the heart of the country beat...”

These words welcome visitors to the Ricardo Rojas House Museum. A prologue, if you will. Ricardo Rojas's house is an enigmatic piece that encompasses several cultural layers. In the library rest the masters: Borges, Arlt, Walsh, Rojas. In the courtyard, fountains and mermaids, suns and stars. Symbols that appeal to our memory.

Building sandcastles on the beach is an ancient practice that allows us to dive deep into our imagination, ideas, and dreams. For many, it was likely our first approach to construction. Water and sand merge, transforming into space—something greater than the sum of its parts. While fortresses, bridges, and moats are a thing of the past for some, another typology has emerged to take their place: the house.

Below, we present a selection of Argentine houses built on sand dunes, designed by architects who turned castles into houses, sand into concrete, and dreams into reality.

Upgrading skills, renewing oneself, or reinventing a career can sometimes feel like a pipe dream. Indeed, work and family obligations, or simply where we live, often make it nearly impossible.

Educational projects are one of the typologies most emphasized in Colombian architecture, and the Public Preliminary Design Competition for the Lombardía School breaks away from the typical format of public competitions to offer even greater benefits to the community.

The concept of the margin implies the existence of a center. Consequently, anything that is not part of this central focus is deemed external or peripheral. This division between center and margin, or center and periphery, extends beyond the architectural sphere into political, social, and regional realms. Therefore, when we speak of practices on the margins of architecture, we are also discussing multidisciplinary approaches—efforts focused more on understanding the context of the work and less on merely answering pre-established questions. In cultures or contexts shaped by historical discontinuities and interruptions, there is a distinct effort to define identity through self-knowledge and discovery, ultimately designing projects to address specific needs. As a result, research, the dissemination of knowledge, and alternative methods of architectural production become essential steps in this process.

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The Cultural Center of Spain in Mexico (CCEMx) presents a new exhibition as part of Proyecto1., a program of solo exhibitions by Spanish artists who live and work in Mexico. Launched in 2018, this initiative aims to showcase the latest trends and talents in the visual arts in Mexico City. Ascension and Fall: A Sacrifice (Ascensión y caída: un sacrificio) is the third exhibition in this program and the latest project by Navarre-born architect and artist Alberto Odériz.

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As part of the exhibitions featured in the 2019 Abierto Mexicano de Diseño, the firm Dellekamp / Schleich presented the installation Dicotomías del Poder at the Museo Numismático Nacional in Mexico City. The exhibition runs from October 9 to November 17, Tuesday through Sunday, from 10:00 AM to 4:00 PM.

In the new Urban and Building Code of the City of Buenos Aires, approved by the Legislature in late 2018, new strategies are presented for the city's planned growth and densification. One of the code's most notable elements, which this article reflects upon, enables the development of apartments with a new minimum floor area established at 21 square meters. The supposed affordability of these minimum micro-units seeks, under a political agenda, to double the urban population in the near future, betting on a densification that would increase the city's population from 3 million to 6 million inhabitants.