
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Navigating certain cities around the world is remarkably easy to grasp, just as finding an address without GPS is not particularly difficult, even for first-time visitors. Urban design explains this ease of navigation. Urban spaces designed on a grid, such as Barcelona (Spain), New York, Chicago, and Phoenix (US), and Toronto (Canada)—where streets intersect at right angles to form a gridiron pattern—make orientation intuitive and optimize spatial utility.

There are many reasons why some urban areas deteriorate while others thrive, including economic, planning, social, and cultural factors, as well as sheer chance. Understanding these dynamics—and, more importantly, minimizing the risk of decay while fostering vitality in urban areas—is a recurring theme in urban planning, driven by the shared and legitimate desire to live in beautiful, pleasant, and prosperous environments.

Habitat X is part of an ongoing research initiative developed over more than 12 years, led by Argentine architect Alejandro Borrachia, involving over 100 professors, students, and graduates from the University of Morón – School of Architecture and Design (UM-ESAD) alongside multidisciplinary actors and strategic partners from both the private and public sectors. Focusing on theoretical inquiry and the physical realization of a series of prototypes, the project engages with a specific program based on contemporary societal concerns and needs, connecting with processes, hypotheses, and case studies that spark unprecedented disciplinary shifts.

Composed of extremely fine mineral particles and formed through the long-term weathering and erosion of rock, clay possesses unique properties that make it highly versatile. When wet, it becomes highly plastic and malleable, allowing it to be molded into virtually any shape. Once dried and fired, it becomes hard and durable, leading to its widespread use in construction and ceramics. In outdoor applications, clay pavers are particularly common, favored for their durability, resistance to weathering and traffic, natural earthy tones, and ease of installation.

This research on cultivable components as a replacement for petroleum derivatives in products used to manufacture materials from waste is carried out within a UBACyT Project directed by architect Marta Yajnes, within the framework of the Centro Experimental de la Producción (CEP) of the School of Architecture, Design, and Urbanism at the University of Buenos Aires.

OTROCAFÉ is located on the ground floor of the iconic YWCA building, in the heart of Mexico City's Historic Center—a space steeped in over a century of history. The project was conceived as an integrated architecture and design proposal, a vision reflected in its creative framework. The cafe's design combines several key elements: subtle red accents, wood featured in both the custom furniture and as a continuous envelope wrapping the space, raw walls pigmented with a lime-based plaster, and soft, warm lighting that completes the atmosphere.

Dementia villages, or communities designed for people living with dementia, represent an innovative model of care for individuals experiencing cognitive decline, such as Alzheimer's disease. These environments are adapted and welcoming, fostering a sense of community while promoting resident autonomy and well-being.
Neuroarchitecture and dementia villages are closely linked, as both seek to create spaces that enhance the well-being and quality of life of those with dementia. Combining neuroscience with design, neuroarchitecture explores how the physical environment impacts the human brain and behavior.

Greenhouse gas emissions from the operation of existing buildings are significantly higher than those generated by new construction—that is, from materials and their use during construction, which account for 25%, while building operations represent 75% of emissions. And this is without accounting for the vast number of buildings falling under the concept of energy poverty.
Against this backdrop, the 'Proyectar a Conciencia' (PAC) competition continues to advance the debate surrounding "building better versus improving what is already built" in its fifth edition. As always, the competition invited students and architects to present a vision of a better society through the energy retrofitting and partial physical transformation of institutional, private, or public infrastructure.

A few days ago, on a beautiful, sunny Sunday in the middle of winter, my wife and I decided to take our two young children to visit Villa-Lobos Park, in the far west of the city of São Paulo, nearly on the border with Osasco.
It is not a park we visit often nowadays, but it undoubtedly holds a special place in our personal history. She grew up in Cotia; I, in Osasco. Both cities lie in the western part of the São Paulo Metropolitan Area, and the park was perhaps the main public space relatively close to our homes during our childhood and youth. We even have photos from when we first started dating in 2013, capturing idle moments—sometimes stretched out on a broad green lawn, other times embracing under a blossoming tree.

A new space has opened its doors in a 1930s house in the San Miguel Chapultepec neighborhood of Mexico City. This cultural enterprise, named ARCO, merges art, design, and architecture to create a collaborative venue housing the architecture firm WORC and the furniture-focused design studio VETA.

It is increasingly common to observe how current generations, characterized by greater respect and awareness of the environment, seek new ways to interact with nature while assuming a deep responsibility to protect it. Accordingly, the future of architecture is closely tied to the ability to balance these desires and obligations, particularly in the design of natural public spaces.
By integrating subtle paths and walkways, public space design can open up access for people of all ages and abilities. Combined with a natural material palette, architects and designers can create spaces that complement their surroundings. Yet, however beautiful these natural areas may be, making them safe and suitable for visitors can have detrimental effects on the environment. Consequently, design and material selection must be approached mindfully and with care.

Residential architecture plays a vital role in people's lives, influencing their quality of life and well-being. To design environments that are truly tailored to the biopsychosocial needs of each user, it is essential to incorporate the principles of neuroscience applied to architecture. In this regard, Rudolf Steiner's Seven-Year Cycles theory offers a valuable conceptual framework for understanding the different phases of life and their implications for home design. This article addresses the stages of the architectural project, from briefing to execution, highlighting the relevance of cognitive and behavioral neuroscience concepts—such as priming, framing, nudging, wayfinding, salutogenic design, and biophilic design—in light of the Seven-Year Cycles theory.

Studies link green areas to a reduction in anxiety and depression, boosted immunity in children, relief from loneliness in cities for adults, and even increased intelligence. Seeking outdoor leisure activities in contact with nature offers numerous benefits. To help you choose interesting places to visit in the state of São Paulo, we present a list of ten protected environmental heritage sites, compiled by the São Paulo State Secretariat of Culture and Creative Economy.
According to the Secretariat of Infrastructure and Environment, the State of São Paulo has 5,670,532 hectares of native vegetation in various stages of recovery. This area is equivalent to 22.9% of the state's territory. Below, check out some of the spaces that preserve this greenery. In addition to urban parks, trails, and campsites, the list even includes the headwaters of the Tietê River.

Located in Argentina, approximately 56 km (35 miles) southeast of the Autonomous City of Buenos Aires, stands the city of La Plata, founded on November 19, 1882, as the capital of the Province of Buenos Aires. As the product of the country's most ambitious urban and architectural undertaking, La Plata was conceived as a forward-looking city—one of the first in the world designed in accordance with the new principles of urban hygiene and rational construction generated by 19th-century scientific advancements. Furthermore, the city was showcased at the 1889 Paris Exposition Universelle, the grand exhibition celebrating the centennial of the French Revolution.

Each person needs about 110 liters of water to meet their daily consumption and hygiene needs. However, in Brazil, daily consumption can exceed 200 liters per person, according to Sabesp. Due to high water pressure in apartment buildings, this consumption can be even higher. Furthermore, the country loses about 40% of all treated water captured, according to 2022 data from Instituto Trata Brasil. Nonetheless, at least within the home, this waste of clean water can be mitigated through a few simple changes.

I suspect many readers here experience the same, shall we say, “predicament” as I do: as soon as we step outside our “bubble,” advocating for urban design principles that seem obvious to us — such as eliminating fences and walls, and promoting public access, visual permeability, mixed-use zoning, and active frontages — inevitably runs into the same obstacle: the lack of public safety.

In a context where cultural expressions are increasingly valued, and their presentation and representation are vital to conveying diverse content, the design of exhibition spaces becomes particularly relevant when projecting and establishing different perceptions and narratives, both in daily life and during specific events.

From Le Corbusier's polychromy to the aesthetic concepts of the Bauhaus, color has played an essential role throughout architectural history. Yet, we stand on the threshold of a new era of innovation where the meaning, application, and impact of color in architecture are constantly evolving. This evolution brings new questions to the fore: Could new materials and finishes revolutionize the color palette? What possibilities does color application hold in virtual spaces? What will be the upcoming color trends in the world of interior design?


How can we construct buildings using less water? The construction process consumes a vast amount of water resources, and it is time to consider how to reduce this environmental impact.

Indeed, an architect's primary responsibility is to protect the health, safety, and welfare of the public, which includes a diverse population with varying degrees of physical and intellectual abilities.
Neurodiversity refers to this intellectual and cognitive variability, encompassing a mix of neurotypical and neurodivergent individuals. Those who are "divergent" are typically recognized as having differences in communication, learning, or behavior. Consequently, an architect's goal is not to design a building exclusively for either neurotypical or neurodivergent populations, but rather to create spaces where all users feel welcome and comfortable.

Whether establishing greater fluidity between spaces, integrating distinct elements of an architectural design, or creating a more playful atmosphere, suspended structures in residential projects yield a wide range of spatial experiences.

Tomás Vodanovic, mayor of the municipality of Maipú in Santiago, Chile, announced a new measure prohibiting high-rise construction along major thoroughfares, such as Pajaritos, Américo Vespucio, and 5 de Abril, in an effort to foster the aesthetic and sustainable development of the district.

In the 1940s, as director of the Division of Studies and Heritage Listing at IPHAN, Lucio Costa sent his staff into the field to identify the cultural heritage scattered across Brazil, waiting to be discovered.
“Who,” “when,” and “how” were the questions his assistants had up their sleeves. Supposedly, they were meant to reveal the characteristics of the analyzed assets, in order to then categorize them as worthy or unworthy of heritage listing.