Interviews
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Exploring an Aesthetic of the Cold and the Rural: Interview wi...
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Mónica Suberville: "The most important thing about this pandem...
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Frida Escobedo on the Design of Galerie Nordenhake's New Locat...
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Shanghai Lujiazui Riverside Center Nears Completion: A Low-Den...
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PAAR: "We must learn from this pandemic to break our dependenc...
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Gabriela Carrillo: "Making architecture does not necessarily m...
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The Importance of Creating Spaces for Reflection, 10 Years Aft...
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Leonardo Álvarez Yepes: "We must understand projects through t...
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23 SUL talks about public works, industrialization, and the de...
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Cristián Izquierdo: "A stronger timber industry will emerge so...
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Pablo Forero: "The practice remains relevant by having long-te...
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Emilio Canek: "This pandemic reinforces the meaning of learnin...
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Ramón and Diego Bermúdez: "All spatial situations must be dire...
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PRODUCTORA: "Architecture is an interface that enables opportu...
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Santiago Pradilla Hosie: “The experience of living in the camp...
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The Transfer of Paulo Mendes da Rocha's Archive to the Casa da...
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Fernando de La Carrera: "The design process is always driven b...
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Chiara Gambarana: "The co-design process should be indispensab...
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S-AR: "The city makes no sense without the public space that c...
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Lorenzo Castro: "Building architecture is building landscape; ...
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Zhang Ming: "Architects move everyone with their professionali...
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Casa da Arquitectura interviews Marta Moreira of MMBB Arquitetos
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CCPM: “Part of the problem is differentiating nature from tech...
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Escobedo Soliz: "With each project we seek other narratives, o...